JUNG WOO is a film producer and screenwriter, and his popularity and topicality can definitely be called the top stream of producers and screenwriters. Of course, he does have some representative works, such as Palace Lock Heart Jade, Legend of Lu Zhen, Beauty's Calculation, rouge snow, The Story of Yan Xi Palace, and Hair Is Not Begonia Red, all of which are representative works of explosive drama level.
However, because she is always on the front line of eating melons and is keen on gossiping about various stars, she is affectionately called "dead girl" by netizens.
To be fair, JUNG WOO is really good at doing things, so his personal reputation always fluctuates.
But there is one thing that is really valuable.
It started with 20 10 Beauty of the Tang Palace.
At that time, because someone complained that the style of the play was too Han Feng, he said angrily: This is obviously a Tang suit, and Japan and South Korea are following us. Why did Korean dramas become theirs as soon as they were broadcast?
And said impassioned: We TV workers must come on, show good works and tell them that everything you have is inherited from China.
He did it and has been working hard for 10 years!
20 1 1 was broadcast in the drama Snow in the City, and then the costumes of the Ming Dynasty were like Hanbok.
He once again issued a document to emphasize that this is the orthodox costume of the Ming Dynasty, and turned out the literature map as evidence.
20 13 Zhao's "Legend of Luzhen" was a big hit, but because of the female official's modeling and two ribbons, there were too many complaints about Han Feng.
JUNG WOO said aloud again: This is a pure China costume drama, and all the shapes are designed according to the shapes of pottery figurines unearthed in the Southern and Northern Dynasties.
He is right, this dress really belongs to the Northern and Southern Dynasties, and the shape of the forehead draws lessons from the copper coin head in China traditional opera. These are all suitable things left by our own ancestors.
20 14, Yang Ying's first female drama "Song on the Cloud" was broadcast. In addition to Angelababy's acting skills, the portrayal of female roles in this drama has also been severely criticized by Japan and South Korea.
JUNG WOO once again issued a document saying: I want to tell those children who were ruined by Japanese and Korean dramas that this is Hanfu!
This year, Zheng Zheng's new drama "Regret for the Past" has just released stills, which has aroused heated discussion.
This costume drama set in the Ming Dynasty was criticized by Koreans not only for its modeling, but also for its use of their costumes. Even our own people complain that Han Feng is too heavy.
So, JUNG WOO came out of the mountain again and hit back with reason. It not only emphasizes that clothes are Hanfu of the Ming Dynasty, but also emphasizes that Korea in the past was only our vassal country, and even the name was given by Zhu Yuanzhang, the emperor of the Ming Dynasty, and they just used it.
It is easy for a person to install for a period of time, but it is not easy to install 10 years.
In other words, the "dead girl" in our mouth has been working hard for 10 years to compete with Koreans for Hanfu!
Some people may want to say, why do you want to fight? This is our own precious culture. Someone else took it. Shouldn't we come forward and take it back and label what belongs to us?
Of course, in this respect, we want to praise not only the maintenance of Hanfu. And explore more traditional cultural skills, so that these traditional cultural skills can reproduce prosperity through their own TV dramas.
For example, the velvet headdress in the big explosion drama The Story of Yan Xi Palace really attracted the attention of the audience and attracted more people who like velvet.
Another example is the Beijing opera art and embroidery technology in "the temples are not begonia red".
In order to live up to the Peking Opera art that this play needs to show, JUNG WOO invited a famous Peking Opera artist to direct this play. Andrew's every move was taught by professionals. All kinds of gorgeous costumes are also hand-embroidered.
Although the play is not a big hit, it has a good reputation. When watching the drama, many viewers couldn't help sighing in the barrage: Beijing opera is so beautiful and the clothes are so textured.
It is more meaningful for the audience to rediscover the beauty of Beijing opera than to become an explosion.
Fortunately, all this continues.
JUNG WOO's next plays, such as The Housewife, The Spring in the Jade House and Appreciating the Stone, are devoted to promoting our traditional culture of textile, Chinese medicine, painting, calligraphy, food and so on through the characters in the plays.
So, you can call him a dead girl when he eats melons. But when he stands up to defend Hanfu and promote various traditional cultures, I hope you can see and support him.
At least we should know that this is one of our treasures, not others'. (Image from the Internet)