Liu Zigang's Creative Experience

Liu Zigang was born in Luoyang, the land of the Central Plains. At the age of 6, he studied calligraphy and rubbings with Wang Xinping, a calligrapher from the Central Plains. Mr. Niu, a 9-year-old worshiper of Yuxi University, is 65,438+065,438+0 years old and specializes in wrist hanging. He is a talented young man, persistent and diligent. /kloc-when he was 0/4 years old, he successfully held a personal painting and calligraphy exhibition in Luoyang, which was praised by many painters and people from all walks of life. When he went to the art college, he practiced calligraphy hard. In the summer, he completely ignored it. He came to the school playground with a bucket of water as ink and galloped freely on the concrete floor of the playground. When the water in the bucket ran out, he was sweating, too. Winter is still the same, I continue to practice books. 17 After graduating from the Art Institute, he entered the military camp and became a soldier in the 200 th Division at the foot of Mount Tai. Because of his lively and humorous nature, he is proficient in piano, chess, calligraphy and painting, playing and singing, which not only creates a cultural atmosphere for the army, but also brings joy to his comrades. Mount Tai, the sacred mountain, sacred mountain and cultural mountain in China, is the source of China culture. Its broadness and grandeur, as well as many celebrities carving stones on Mount Tai, broadened his mind to learn calligraphy. Later, he was admitted to the PLA Art College with excellent results. After graduating from undergraduate course, I will go to graduate school. Because of his many social activities, he took up a lot of time, but he insisted on finishing his homework without sleeping every night, either drawing, writing, reading and reciting poems. He took every opportunity to visit the famous mountains and rivers of the motherland, get close to nature and draw nutrition from them. For a time, the strange trend of mountain peaks, the changing state of clouds, the songs of rivers and gullies, and the appearance of rushing rivers are all hidden in the chest, looking at each other and communicating; He asked teachers to visit friends and learn from others. He made unremitting efforts, visited ancient and modern famous posts, observed the mood, mind, mind and spirit of predecessors when they used pens, got carried away, took the method ahead, went in, typed, changed to the method, cared about innovation, and sought differences in the environment. Finally, he made himself increasingly progressive and unique in both painting and calligraphy. After Liu Zigang became famous, he used the imagination of China's landscape paintings and traditional calligraphy, based on reality and transcended reality, and integrated the real world with the symbolic world, creating a shocking huge ink painting and a large number of wild grass calligraphy works. After Liu Zigang entered the Ziguangge Painting Academy in Beijing, he adhered to the purpose of pragmatic innovation, guided by the "direction of advanced culture", adhered to the party's literary and artistic direction and the policy of "letting a hundred flowers blossom", and created a good development platform for painters at all levels. At the beginning of 2005, he was invited to visit and perform in the United States, and had discussions and exchanges with overseas colleagues and people from all walks of life, aiming at strengthening the exchanges between Chinese and Western arts, understanding the essence and essence of Western art, and creating a platform for future exchanges between Chinese and Western arts. His visit was very successful, and his calligraphy and painting skills won unanimous praise, and he was called "Zhang Daqian's second" by overseas colleagues.