The History of Fu Baoshi's Characters

Fu Baoshi was born in a family of umbrella repairers in Nanchang, Jiangxi. 192 1 was promoted to the first normal school in the province with the first place. At that time, after he was in charge of printing, he began to read some theories about the history of ancient paintings, especially when he suddenly saw Shi Tao's "I use my method", and he appreciated Shi Tao's idea of "searching all the strange peaks and making a draft". 1933 In March, Fu Baoshi traveled to Japan, entered the Imperial Academy of Fine Arts in Tokyo, and studied under the art historian Jin Yuan. Fu Baoshi China Art Exhibition in Tokyo in May, 1935. Dean Naoko Masaki and painter Yokoyama Taikan visited the exhibition. 1June, 935, Fu Baoshi returned to China due to his mother's illness. /kloc-0 held a solo exhibition in Nanchang in July, 936, which was his first solo exhibition in China. After the summer vacation, at the invitation of Xu Beihong, he taught in the Art Department of Nanjing Central University. 1937 After the outbreak of the Anti-Japanese War, he returned to his hometown in Xinyu with his family. 1April, 938, at the invitation of Guo Moruo, he went to Wuhan to take part in the work of the Three Pavilions. Since then, he moved to Chongqing and entered a peak of his artistic creation. His family lives in Jingangpo, Shapingba. Since then, he often painted "Jingangpo Xiazhai". He painted a picture of Yuntai Mountain, compiled a chronicle of Master Shi Tao, and created a portrait of Master Shi Tao and a picture of Dida Cottage, all of which reflected the relationship between Fu Baoshi's artistic creation and historical research, as well as his artistic origin.

In more than six years after 1939, on the one hand, Fu Baoshi entered the peak of his own historical research, on the other hand, he also completed the transformation from seal cutting, historical research to painting creation. 1942 10, Professor Fu Baoshi's art exhibition was held in Chongqing. 1September, 944, Fu Baoshi wrote his masterpiece "The Second Way" based on Du Fu's Yuefu poem "The Second Way" (Guardian International Auction Company 1997 sold for10.78 million yuan). Later, Xu Beihong praised his painting: "This is a symphony of sound, emotion and flesh", and inscribed: "Mr. Bao Shi's recent works are more unrestrained, with endless landscaping benefits, and the characters are particularly artistic and dense. What is the so-called perfection? "

After the victory of the Anti-Japanese War, he and his family moved back to Nanjing with the school. 1947- 10, Professor Fu Baoshi's art exhibition was held in Shanghai, and Guo Moruo used "immersion" and "elegance" to evaluate the art exhibition. However, at this time, Nanjing of the Kuomintang government was in full swing. Fu Baoshi took advantage of the evacuation to leave Nanking and return to Nanchang with his family. After the founding of New China, the modern history of China entered a new era. Fu Baoshi began to welcome a new life full of hope.

As the president of Jiangsu Provincial Academy of Traditional Chinese Painting, Fu Baoshi led the "Jiangsu Traditional Chinese Painting Working Group" for 23,000 miles in September 1960, which promoted the development of new landscape painting in the mid-20th century and pushed the movement of Chinese painting from sketching to innovation to a historical climax. Later, Fu Baoshi's social theme represented by "Magnificent Coal City" and his efforts in the integration of landscape and industrial themes have clearly pointed out the development law of modern landscape painting in line with the trend of the times; The natural theme represented by Flying Spring on the Mirror is the shock and reflection of the northern landscape in Fu Baoshi's mind. 1965 is dead.

Fu Baoshi was born in Nanchang, Jiangxi, and his ancestral home is Xinyu, Jiangxi. The young man is very poor. 1 1 years old as an apprentice in a porcelain shop, teaching himself calligraphy, seal cutting and painting. 1925 Write an Overview of the Origin of Chinese Painting. 1926, graduated from the art department of the first normal college of the province, and stayed as a teacher. 1929 wrote the Outline of the History of Painting Changes in China, 1933 went to Japan to study with the help of Xu Beihong. 1934 held a solo exhibition in Tokyo. 1935 returned to China and taught in the Art Department of Central University. During his stay in War of Resistance against Japanese Aggression, he settled in Chongqing and continued to teach at Central University. 1946 moved to Nanjing.

After the founding of New China, he served as vice chairman of China Artists Association, chairman of Jiangsu Branch of Artists Association and vice chairman of Jiangsu Calligraphy and Seal Cutting Research Association. Vice Chairman of China Artists Association, Chairman of Jiangsu Branch of Artists Association and Vice Chairman of Jiangsu Calligraphy and Seal Cutting Research Association. He was elected as a deputy to the Third National People's Congress and a member of the Second Chinese People's Political Consultative Conference. 1952 Professor, Fine Arts Department, Nanjing Normal University. 1957 Dean of China Painting Academy.