Hello everyone! I am very willing to discuss calligraphy skills with you. I hope all teachers love calligraphy and are willing to practice it and have fun from it! I don't know much, and I haven't practiced for a long time. I'm just one step ahead, hoping to encourage you.
China, calligraphy theory and the art of calligraphy are a very extensive and profound field, and a pen contains many China people's feelings. As China people, we should know the unique Chinese characters and calligraphy in China. Mr. Zong Baihua said: China's Chinese characters have three beauties, namely, "beauty in sound, beauty in form and beauty in meaning", and Li Zehou also elaborated this view in detail in The Course of Beauty. Today, I will take a short break here and give you a brief talk, so as to attract more people's attention and learn from each other.
1. First of all, why do you want to learn calligraphy?
Why learn calligraphy? It is a hobby! You can also understand it this way. I remember I said before, why do people live? I have learned a lot since I learned about Freud's five levels of life. First of all, people should meet their basic needs, that is, food, clothing, security and beauty. After these gratifications, it is self-cultivation, which is the highest realm of life, and calligraphy also creates beauty in self-cultivation.
2. What is the art of calligraphy?
What is calligraphy? It's actually quite simple. Books mean writing. Dharma: It's a regulation. Today, we use Tianzi power grid to give Mi Zige power grid and so on. In ancient times, we used nine squares, and every painting should be in that part of the palace. Therefore, later generations have commented on Tang operators, which is a dispute over calligraphy aesthetics, so I won't say it here.
Art is a form of showing or expressing beauty.
3. How to appreciate calligraphy?
There are many ways to appreciate calligraphy, which are related to everyone's aesthetics and so on. The basic thing is to distinguish font, stroke, structure and composition, so I won't go into details.
The origin of calligraphy is history.
China's calligraphy is the inscription of stone drums from the knotting period to Oracle Bone Inscriptions in the Yin and Zhou Dynasties and the Eastern Zhou Dynasties. After the Qin Dynasty unified China, it unified weights and measures, currency and writing, and its writing was Li Si seal script. Today, we can see the stone carvings of Mount Tai. Han Li turned the triviality of Xiao Zhuan into a cicada's head and a swallow's tail, and continued to maintain the mellow brushwork of Zangfeng. The Southern and Northern Dynasties is a very important period, which is the embryonic stage of the Tang Dynasty. In the Southern Dynasties, the stone carvings continued to retain round pens, while in the Northern Dynasties, there were stone carvings from Fang Bi and Fiona Fang. The most representative is the Longmen 20 products in Luoyang, which is what we call Weibei today. Kang Youwei's admiration for Tan and the study of steles in the Han, Wei and Six Dynasties had a far-reaching impact on the prosperity of steles. During the Jin and Sui Dynasties, regular script had formed a middle tour. Wang Xizhi drew lessons from Mrs. Wei's ink painting, and later wrote the preface to Lanting, a running script that has been handed down through the ages, also known as the world.
The first line of books. It is said that Zhi Yong is the brushwork of Wang Xizhi, the seventh grandson of Wang Xizhi, and has been written 800 times. The Tang Dynasty was the most prosperous and brilliant period in China, including Ou Yangxun, Chu Suiliang, Liu Gongquan and Yan Zhenqing. During this period, Zhang Xu was the founder of Wild Grass. The Song Dynasty was dominated by freehand brushwork. Calligraphy is the same as Song Ci, and Tang Poetry is the same as Tang Kai. As the saying goes, people in the Tang Dynasty had their own ideas. The representatives of this period are Su Shi, Huang Tingjian, Mi Fei and Cai Xiang. Song Huizong has a thin golden body. The Yuan Dynasty mainly followed the style of Jin and Tang Dynasties, with little change. During this period, Zhao Mengfu's Italian regular script was unique, with fresh fulcrum and so on. Calligraphers in the Ming Dynasty included Dong Qichang, Wen Huiming, Zhu Yunming, Tang Bohu, Wang Chong, Wang Duo, Zhang Ruitu, Song Ke and others. The dry and rich regular script, Deng's seal script, Wu Changshuo and Kang Youwei appeared in the Qing Dynasty. During the Republic of China, there were a generation of cursive master Yu Youren, Tan Jieshu, Wu Jingheng's seal script and Hu Lishu. There are many Buddhist leaders in modern times, such as Zhao Puchu, Lin Sanzhi, Sha Menghai, Li Shutong, Qi Gong and Guo Moruo.
5. Calligraphy skills
1) First of all, stick to your fingers and practice basic skills instead of quick success.
2) Calligraphy techniques can be divided into stippling, paying attention to writing, using a pen, gestures and other writing techniques. Not much to say here, you can see it on the computer now.
3) The structure of calligraphy is very important. As the saying goes, the seven-point structure is divided into three parts. The contact structure depends on some ancient structural rules, starting with basic copybooks and inscriptions.
4) Read more theoretical books and some related books, and use theory to guide practice.