What is American writing?

The so-called beautiful writing should be like a good cup of tea. Looking at Shu Ya soaking in the cup, the tea leaves slowly spread out, just like a dancer, with graceful posture. Every movement contains strength and the beauty of music. Then, there is a faint green floating on the clear water, just like a naughty child casually drawing a colored pen, and the water begins to move towards a green world when it changes rapidly. The faint fragrance is like a cigarette rising in the wind, which arouses the desire in the heart. So I couldn't help but want to take a bite, and the bitterness and sweetness spread from my mouth to my heart. The so-called beautiful writing should be like a Chinese painting, between black and white, light and thick, highlighting the firmness of mountains, the tenderness of water, the free and easy rain, the obscurity of fog, the cleanliness of snow and the stretching of wind. The so-called beautiful prose should be a beautiful dress, decent and elegant, which makes men look handsome and full of vitality, and makes women look as light as clouds, as soft as silk, and as fast as the wind. The so-called beautiful writing should be like calligraphy. The cursive script is vigorous and vigorous, just like a dragon and a phoenix dancing. The block letters are dignified and generous, the brushwork is secret, the four sides are steady, the official script is simple and mellow, vigorous and vigorous, and Wei Bei has a rigorous structure, and the brushwork is calm, changeable and beautiful. American writing should be unconventional and contain all kinds of knowledge. For example, A Dream of Red Mansions, with love stories as the main line, reproduces poetry, piano, calligraphy and painting, eating, drinking and wearing, which is completely a three-dimensional encyclopedia. American writing should fully embody a great spirit, such as Mao Dun's praise of poplar: "It is a tree that strives for the upper reaches, with straight branches." Populus euphratica in the west wind of Pan Yue: "Born for a thousand years, died for a thousand years." American writing should make people feel sad after reading it, and it is not limited by time and space. For example, the whole article of "South Rain and North Snow" in black and white is written in one go. No matter the words or sentences, it is like standing on the top of Mount Tai, splashing ink, pointing out the mountains and inspiring words. American writing should organically combine history and modernity, and reproduce the sense of mission and responsibility through words. For example, Zhu Yong's cultural note "Jiangnan-An unsinkable ship": "An abandoned town. All the symbols point to the past.