There are about 4,000 existing Su poems, which have a wide range of contents and diverse styles, but they are mainly bold and unconstrained, with changeable brushwork and romantic color, which has opened up a new road for the development of Song poetry. Xie Tiao's "The Original Poetry" said: "The realm of Su Shi's poetry has never existed in ancient and modern times, and everything in the world has been inspired by God." Zhao Yi's "Ou Bei Shi Hua" said: "It is a spectacular sight for a generation to take literature as poetry and go from Changli to Dongpo Yida. ..... Especially out of reach, born with a healthy pen, as cold as a sad pear, cut it together quickly. There is a hidden meaning that must be achieved, and there is no difficulty in showing it. Therefore, after Li and Du, it is a big family, not as good as Li and Du Chu. " His poems are fresh and vigorous, good at using exaggerated metaphors and unique in artistic expression. A few poems can also reflect the sufferings of the people and accuse the rulers of extravagance and arrogance. The bold and unconstrained writing has a great influence on later generations. "Nian Nujiao, Red Cliff Nostalgia" and "Shui Diao Ge Tou, Ice Dust Mid-Autumn Festival" are widely circulated. His poems include Seven Chapters of Dongpo and so on.
There are more than 340 poems written by Su Shi, which break through the narrow theme of writing about love and parting between men and women and have a wide range of social contents. Su Shi occupies a special position in the history of China Ci. He extended the spirit of the poetic innovation movement in the Northern Song Dynasty to the field of Ci, swept away the traditional style of Ci since the late Tang Dynasty and the Five Dynasties, and created an unconstrained Ci school that kept pace with the graceful school, expanded the theme of Ci, enriched the artistic conception of Ci, broke through the boundary between poetry and poetry, and made great contributions to the innovative development of Ci. His representative works include Nian Nujiao and Shuidiao Tou, which created the first example of unconstrained ci, and was also called "Su Xin" with Xin Qiji. Liu Chenweng said in the preface to Xinjiaxuan: "Ci is broad and aboveboard, like poetry, prose and wonders of heaven and earth."
Selected poems of Su Shi;
1 chibifu
2 "Post-Red Cliff Fu"
3 "The Story of Shi Zhongshan"
The first time I met Hu Aishan in Yingkou was the day I went to Shouzhou.
5 "Spring Night"
6 "Begonia"
7 "He Zi You Mianchi Nostalgia"
8 "Crane Travel Zou Qing"
9 "Flower Shadow"
10 Hui Chong Chunjiang Night Scene (This poem was written for the author Su Shi to watch the night scene of Chunjiang painted by Hui Chong).
1 1 "Visiting two monks, Qin Hui Huisi, on an isolated mountain in Lari"
12 "Drunk Book of Wang Hu Building on June 27th"
13 "March 29th"
14 "Shangyuan Shi Yan"
15 "Cang Shi Shu Zui Mo Tang"
16 "autumn scenery painted by Li Shinan"
17 "Tijinshan Temple"
18 "Title Xilin Wall"
19 "Night View of Wanghailou"
20 "Book Wall of Beitai after Snow"
2 1 "Drinking Rain after Clearing the Lake"
22 "Rainstorm in Beautiful Hall"
23 "Living in Dinghui Garden, the east is full of flowers, and there is a begonia. The natives don't know how expensive it is."
24 "To Liu Jingwen"
25 "On the 20th day of the first month, I went to Qiting, and the county people Pan, Gu and Guo sent the Jade Queen to the Zen Village in the east of the city".
26 "On the twentieth day of the first month, Sheng and Pan Guoer went to the suburbs to look for spring, and suddenly remembered that they went to Queenstown to write poems on the same day last year."
27 "Klang Ganzhou (Send Several Children)"
28 "operator (no moon hanging sparse tung)".
29 "Butterfly Love Flowers (Flowers Withered, Reddened, Apricot Small)"
30 "Dead Hua Lian (Remember to meet at the beginning of painting)"
3 1 "Die Hua Lian (Michigan Shangyuan)"
32 "Gathering Wind and Rain (I often envy the world to cut jade lang)"
Set the storm (don't listen to the sound of knocking leaves through the forest).
34' Water's Second Rhyme Huayang Ci'
35 "Fairy Song (Ice Muscle jade bone)"
36 "Fairy Song (Jiangnan)"
37 He Xinlang (Wu).
38 "Huanxisha (covered with green wheat)"
39 "Huanxisha (draw a falcon crossing the river, want to swim again)"
40 "Huanxisha (mountain color invades and soaks dizzy)"
4 1 "Huanxisha"
42 "Huanxisha (Send Mei Ting to the Party as a Scholar)"
43 "Huanxisha (drizzle and slanting wind make it slightly cold)"
44 "Huanxisha (Italy)"
45 "Huanxisha (watching fish in the warm red sun)"
46 "Broken Magnolia (Spring Moon)"
47 "Minus Magnolia (empty bed)"
48 "Jiangchengzi (Cui E is ashamed to watch)"
49 "Jiangchengzi (endowed with Zhang Xian on the Lake)"
50 "Jiangchengzi Mizhou Hunting (Old People Talk about Juvenile Madness)"
5 1 "Jiangchengzi (endless thoughts on the horizon)"
52 "Jiang Chengzi Mao Yi's Twenty Dreams in the First Month (Ten Years of Life and Death)"
53 "Linjiang Xian (drunk after drinking Dongpo at night)"
54 "Man Jiang Hong (Jianghan West)"
55 "Man Jiang Hong (Liu)"
56 Man Fang Ting (Thirty-three Years)
57 "Magnolia Order (Rhyme of West Lake in Europe)"
58 "Nan Gezi (Suspicious Night at the Beginning of Rain)"
59 "Nanxiangzi (cold birds are full of hedges)"
60 Nanxiangzi (Liangshan Bisha Kitchen)
6 1 nanxiangzi (the first frost water trace set)
62 "Nanxiangzi (sending ancient stories)"
In 63, Nu Wa (Huaigu Chibi).
64 "Qinyuanchun (Lonely Pavilion Lights Green)"
65 "Qinyuanchun (Love on a Chain)"
66 "Jade Case (Three Years on Wuzhong Road)"
Ruan Langgui (early summer)
68 "Youth Journey (issued last year)"
69 "Whistle (bend over to get rice)"
70 "Shuidiao Song Tou (Sunset Embroidered Curtain Volume)"
7 1 "Water Tune Heading (When is the Bright Moon)"
72 "outing"
73 "Jade House Spring"
74 "Night Tour of Chengtian Temple"
Su Shi encouraged himself to write couplets: even if he can't find his way, he should live in the wild.
The number of Su Shi's graceful words accounts for an absolute proportion in his total number of words. These words are pure and profound in feelings and healthy and lofty in style, and they are also the inheritance and development of traditional graceful words.
1 July, 079, Su Shi took office in Huzhou, was convicted and imprisoned for Wutai Poetry, and was exiled to Huangzhou in the following year1month. Before the poem case happened, Su Shi had served as a judge in Hangzhou in 107 1 and had outstanding achievements. Generally speaking, his poetry works are free and easy in the desert, but in content, they mostly point to official life to express political pride. After the poetry case, although there were times when I was a bachelor of official Hanlin, there were few bold and unrestrained embarrassment in my works, but more and more people turned to the understanding of nature and life. As for living in Danzhou, Huizhou in his later years, his indifferent and broad-minded state of mind is even more obvious. As soon as he inherited the style of Huangzhou's works, he converged all his life, and I moved things freely to achieve a suddenly quiet environment.
Taking Wutai Poetry Case as the boundary, Su Shi's poetry works have both inheritance and obvious differences in creation. Behind the "going home" complex throughout, we can see that the poet's brush strokes gradually turned to the helplessness of middle age and the broadmindedness of old age-getting older, maturing and becoming dull.
First of all, in terms of subject matter, Su Shi's early works mainly reflect his "specific political worries", while his later works mainly focus on "broad life worries", with evil as their resentment. When it comes to evil, it means "spit it out like a fly in Taiwan Province". His flowing works triggered the Wutai poetry case. Huangzhou's relegated life made him "ironic and cruel, sharp in writing style, nervous and angry, all of which disappeared and replaced by a brilliant, warm, kind, tolerant and harmonious understanding." Very sweet, very mature, very thorough and deep. "
Secondly, culturally, Confucianism was advocated in the early stage and Taoism in the later stage.
In the early stage, he had a sense of social responsibility advocated by Confucianism and was deeply concerned about the sufferings of the people; Later, especially after being demoted twice, he advocated Taoist culture more and returned to Buddhism in an attempt to get rid of religion. Inspired by Buddhism's "normal mind is the Tao", he lived a real peasant life in Huangzhou, Huizhou and Danzhou, and enjoyed it.
Thirdly, in style, the previous works are magnificent and unrestrained, like a flood bursting its banks and spilling thousands of miles; Later works are ethereal and meaningful, simple and light, such as Deep Willow and White Pear Flower.
As far as ci is concerned, there are not many works that really belong to the bold style. According to Mr. Zhu Jinghua's statistics, similar works accounted for about one-tenth of all Su Shi's poems, and most of them were concentrated in Xuzhou, Mizhou, which was the mainstream of creation at that time. Although these works are not dominant in quantity, they truly reflect Su Shi's positive attitude towards being an official at that time. Some later works have both the style of local people's feelings and the charm of hospitality. For example, it is almost all-encompassing, colorful and lyrical, remembering the scenery, nostalgic feelings, giving gifts away, pastoral scenery and talking about Zen. This part accounts for about nine times out of ten of all Su Shi's poems, among which Zhuangzi and become a butterfly are very fond of forgetting me. At this point, he expelled all dissatisfaction with reality and politics, hysterical rants, and criticisms that criticized the shortcomings of the times. Its subject matter is more and more extensive, and its style is more and more plain and far-reaching.
I hope it helps you.