The 3,000-word "Inner Scenery of the Huangting" written by Li Mi in his later years made up for the shortcomings of "The Sutra of the Outer Scenery of the Huangting" written by Wang Xizhi. Commentators called it "wonderfully crafted and unparalleled in detail." , "Like a goddess scattering flowers, they are colorful, dense, and naturally ethereal." His reduced version of "Lanting" with small characters is particularly smaller and more exquisite than Liao Yingzhong's jade pillow version. It has been praised by connoisseurs such as Wang Ruolin, Yue Xiaoqin, Huang Xiaosong, and Chong Yi. As for the Jiaji Monument, the silver hook and iron painting are both elegant and popular, and are highly regarded by the calligraphy community. In the thirty-fifth year of Wanli in the Ming Dynasty (1607), Li Mi wrote the "Stele of Recordings of Master Guangji in Sanping Temple". The handwriting is beautiful and the beads are shining, which can be called a treasure in the ink forest. The small stone screen of the "Heart Sutra" written in the first year of Qi Ming Dynasty (1621), and the "Stele of Mr. Chen Zhuhuang's merits in resisting bandits and rescuing famine" written during the Chongzhen Period of the Ming Dynasty are also full of spirit and full of ink rhyme. In recent years, it has been discovered that the "Inscription on the Release Pond" of Nanshan Temple in Zhangzhou was also written by Li Mi. Different periods have different expression techniques, and their "pure and endless" skills are almost comparable to those of ancient martial arts masters.
Li Mi is not only good at calligraphy, but also good at sculpture. He recorded many inscriptions, some of which were carved by himself, such as "Huang Ting", "Lanting" and other small stone screens. They are both unique in calligraphy and engraving and can be called treasures. Yan Jizu, a local sage who was an official in Beijing at that time, once wrote a letter asking him to "make more tea trays and stone screens and send them to Chang'an."
The rubbings of the Jiaji stele are widely circulated. In the past, whenever an official came to Zhangzhou, he must buy two copies of Zhangzhou famous rubbings as precious gifts for relatives and friends when returning home. One is the Xiantong stele of Kaiyuan Temple in Zhangzhou during the Tang Dynasty, and the other is the Jiaji Temple stele. Local families with higher status often hang eight banners of Zhu Tuo in their halls to show their elegance.