1, in terms of characteristics, Yan's figure is brand-new, her statutes are severe and her momentum is unprecedented.
2. From the aesthetic point of view, the beauty of face and figure is dignified, masculine, artificial and combined with beauty, which sets the rules for future generations.
3. From the perspective of the times, the early Tang Dynasty inherited the remnants of Jin and Song Dynasties and failed to stand on its own feet. As soon as the body came out, the new body cast by the Tang Doutan became one of the distinctive features of the prosperous Tang Dynasty.
Extended data:
Yan Zhenqing's calligraphy is mainly guided by Zhang Xu, inheriting the tradition of Wang Xizhi, learning the characteristics of the four schools in the early Tang Dynasty, and absorbing the fresh nutrition of calligraphy in the Southern and Northern Dynasties.
Yan Zhenqing opened up a new and magnificent realm of calligraphy, and the times created the realm of Yan Shu, just as the times created the realm of Wang Xizhi's calligraphy. During the Wei, Jin, Southern and Northern Dynasties, the society was in turmoil for a long time, but the cultural history became a shining era.
The art of calligraphy in this era has become an art and skill that literati consciously entrust with lofty spirit. They deeply discovered the external beauty of nature and the internal beauty of spirit.
Judging from the broad atmosphere of Yan Zhenqing's education in Tao Zhu, his calligraphy realm can be regarded as eclectic, so as to reach its height, learn from others and reach its breadth.
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