Brief Introduction of Brush Calligraphy Brush calligraphy is a unique traditional art in China. Throughout the ages, Chinese characters in China were created by working people, who began to express their characters in the form of pictures. After thousands of years of development, it has evolved into today's writing. In ancient times, writing with a brush for a long time produced brush characters. Brush calligraphy mainly uses brush to write Chinese characters. As for other writing forms, their writing rules are not completely different from those of the brush, but they are basically the same. Here, the emphasis is on brush calligraphy.
There are now six styles of brush calligraphy, namely, running script, cursive script, official script, seal script, regular script and horse script. The quality of calligraphy works is mainly judged by the lines, fluency and integrity of fonts. China is the birthplace of calligraphy art and culture, and also the first country to use brush. There are many calligraphers of brush writing in China, such as Wang Xizhi, Huai Su, Su Dongpo, Huang Tingjian, Mi Fei, Wang Duo and Liu Gongquan, as well as modern Sha Menghai, Qigong and Liu Huipu. These artists are all highly skilled calligraphers. The art of writing brush calligraphy needs to be carried forward by the next generation and needs our efforts.
Brush calligraphy usually refers to soft pen calligraphy. Brush calligraphy refers to the method and law of writing Chinese characters with a brush. Including writing, calligraphy, stippling, structure, layout (distribution, lines, composition) and so on. For example, the pen refers to the palm and the five fingers are Qi Li; The pen carrying center is unfolded; Stippling is the same as a pen; The structure is shaped by words and echoes each other; The distribution is intricate, the density is appropriate, and the virtual and the real are born together, and the whole chapter is full of gas fields; Every word is ancient for literacy, and every word is big and small, and high is not as good as low. In a word, brush calligraphy plays an important role in the development of calligraphy art in China, and it is worth carrying forward today!
What are the characteristics of brush calligraphy? There are now six calligraphy styles, namely, running script, cursive script, official script, seal script, regular script and horse script.
The quality of calligraphy works is mainly judged by the lines, fluency and integrity of fonts. China is the birthplace of calligraphy art and culture, and also the first country to use brush. Chinese brush calligrapher
There are many writers, such as Wang Xizhi, Yan Zhenqing, Huai Su, Su Dongpo, Huang Tingjian, Mi Fei, Wang Duo and Liu Gongquan, as well as modern Sha Menghai, Qi Gong and Liu Huipu (alive). These literati are all great calligraphers with profound skills. The art of writing brush calligraphy needs to be carried forward by the next generation and needs our efforts.
Artistic characteristics of brush calligraphy works Calligraphy works are unique cultural phenomena in the world. China is unique (and its writing originated in several countries around China), which is loved by the public and lasts for a long time. It has rich artistic connotations and forms, and can reflect the essence and aesthetic soul of national culture? This kind of calligraphy art can be called the quintessence of China, which is not inferior to traditional Chinese painting, poetry, music, drama and other literary and artistic categories. Therefore, I named this first chapter? National quintessence theory? Too lazy to praise this in our culture? The essence is not as good as some reference books explaining the quintessence of Chinese culture? When the word says:? Is it conservative or idolatry? .
What are the achievements of China's calligraphy works? The unique advanced art of the door is determined by the special shape of Chinese characters in terms of object.
Chinese characters are square characters, each word occupies a square space, especially in the printed words, which are neither too big nor too small and uniform. But is it neat here? Although our square inch is small, the apricots are very uneven, resulting in various styles. They are simple and complex, long and flat; There are positive and oblique, and there are some connections between their parts, directions, backs, piles, products, weights and combinations.
Although there are few basic strokes of Chinese characters, there are about ten kinds of regular script theory, such as one point, horizontal, vertical, jun, skimming, receiving, lifting, folding, grid and queue. There are several kinds, but these strokes can spell thousands of different words and figures because they have many permutations and combinations: up and down, left and right, reconnection, crossing and interleaving. So there are 10,000 permutations and combinations of 10,000 Chinese characters, each with its own unique form.