Right-hand writing of European regular script

Point is an important part of the middle line in calligraphy. In Ou Yangxun's masterpiece "Jiuchenggong Liquan Ming", the words with dotted lines account for a considerable part. Of course, there are many repetitions. For example, the word "zhi" has been repeated 37 times. Words are more important than books, and there are differences between words, which reflects everyone's demeanor. The most common strokes in European style are: right point, left point, vertical point, pick point, left point, long point, opposite point, opposite point, up and down point, two points, three horizontal points, three horizontal points and four horizontal points. In addition, according to personal experience, some other strokes in the European style have also evolved into dots and strokes, dots (short horizontal of the word "year", middle horizontal of the midpoint of the words "Dan" and "dry", etc. ) in turn, it is a point (such as the midpoint of the word "one", the short horizontal direction of the word "Shang", the upper point of the word "Wei", etc. ). Have a good understanding of these pairs of writing.

The ancients said: Make the finishing point. Pointillism is like the eyes of a word. If the stippling is not well written or the position is not accurate, and the words are not beautiful, it may become a failure. Therefore, braille writing is particularly important.

The right point is one of the most commonly used point strokes. It often appears on the right side of prefixes and fonts, and also in the middle of fonts. This is different from other fonts and can be said to be one of the characteristics of European style. Be careful not to underestimate this "point". It is difficult for beginners to write "European flavor" because most of them don't observe it carefully. Therefore, learning books should start from the "point" and must not be taken lightly and tasted.

The key point of right-click writing is: gently pick up the pen and press it to the right again to close it. Note that the upper part is small, the middle part is large, and the lower part is slightly pointed and triangular. Special: the lower left line cannot be a straight line from the beginning to the end, but a slightly convex curve, which many novices will not pay attention to and is difficult to master when writing. Without some efforts, I really can't write this taste.

My experience is that if you want to make the strokes slightly convex to the left and a little more to the right in the process of writing alignment, you should fully unfold the first half of the pen, and then press it to the lower right, and the corner recovery pen at the lower right will appear.

In order to achieve this effect, some people use the back of the pen to trace the belt to the left, so as to achieve the effect that the strokes written are slightly convex to the left. However, writing is writing, which achieves the effect of bringing it back, but loses its "spirit". Calligraphy pays attention to the rhyme and style of the book, not the description. Take some time and practice a few times to achieve it.

How to arrange when the correct point is the first point? The first method of Tian Yingzhang's Twenty-eight Laws of Bookshelf Structure says: "The first point is correct". Tang Taizong's brushwork says that "husband and wife should be sharp and angular, avoid roundness and be gentle." The first point should be the phoenix-eye posture of the dzi bead, the state of falling rocks from mountains, living in the center of the whole word, with prominent edges and corners and refreshing spirit, which is the key to the brushstroke technique. Therefore, when the right point is the first point, we must find the center of the writing and know fairly well. Such as "six, high, high, mysterious, Beijing, eternal, good, and chapter". In European books, although the point in the treasure cover is also the first point, it is not the correct point because it has the special feature of crossing the horizontal pen. Although it is at the first point, it is mostly regarded as a vertical point.

The third method of the 28 Law also means "vertical alignment of points". When there is a vertical pen under the point, the center of gravity must be directly aligned. Such as "border, family, rate, science, city, love, Beijing, emperor, worship, home, house, god" and so on.

Arrangement rules when the correct point is not the first. At this time, although strokes are no longer the main pen, they should have a good position, show the trend of looking around and become the finishing touch. Such as: "stroke, style, body, dragon, e, smelly, generation, division, public, corridor" and so on. As for the right point of the word "Wu" and "Cheng", because the same word often appears in posts, calligraphers have made variant characters, and the right point has become a lower left triangle, with different upper and lower positions. This really requires calligraphers to plan the layout of articles. When studying, they should pay attention to the author's intention, not blindly imitate it.

There is also a position-the position of tuck. I invented the name myself. As the name implies, the position of acupoints is not on the top of the head, nor on the left and right shoulders, but below the navel. Such as: "pressure resistance, senses, energy, beauty, jealousy, etc." Next to the words "time" and "clothes". There are still many short lines in the European style, such as the short lines in the words "Wu, Yuan, Shi, Suo and Gan" and the short lines in the words "Nian", which have a unique charm after writing.