Zhao Xiqian's calligraphy

Zhang Huaiguan, a native of Hailing, Yangzhou (now Taizhou, Jiangsu), was a calligrapher and calligrapher in the Tang Dynasty. During the Kaiyuan period, he worshipped the Imperial Academy and moved to the right to lead the government soldier Cao to join the army. He is very conceited about his calligraphy, claiming that "regular script and running script are comparable to Yu Shinan and Chu Suiliang, and cursive script wants to be independent for hundreds of years". Chen Si, a scholar in the Southern Song Dynasty, called him "good, upright, practical and cursive" in A Brief History. There is no handwriting in the world. He is an important work in calligraphy theory, including book theory, paragraph, book review, painting paragraph, book review and medical stone theory, six-body book theory, ten strokes, forbidden sutra in Yutang and word theory. It is great that calligraphy can see the original, but the original preserved so far is extremely rare. In Song Dynasty, Su Yijian wrote in Volume IV of Four Books: Painting says that ancient paintings are particularly important on paper. Speech takes 500 years, but silk takes 300 years. Mingdong chess field

"Painting Eyes" also quoted Demi in the Song Dynasty, saying that paper can be used for thousands of years and silk can be used for 800 years. Song said in "Dong Qing Lu Ji": I, who speaks paper, can live to be a thousand years old. By the time the second king was 800 years old, there was no paper left. Not only Jin people are like the traces of Tang Shishan's books, but also look like stars and phoenixes for more than 300 years. Why? Those who try to test their reasons and benefit from the strangeness of things tend to gather in rich and powerful families. Once thieves are in trouble, they will attack them in groups. Unless other things are scattered everywhere, there will still be people. Mao Mingyixiang also mentioned in Painting Miao that paintings can be preserved for about 500 years. In 800, the essence of painting faded, and it died out in the Millennium. Calligraphy can be preserved for about 800 years, until the Millennium essence of 1200 fades away. From this perspective, it is difficult for human beings to preserve the original paintings and calligraphy since ancient times. There are very few original works in Wei, Jin, even Sui and Tang Dynasties. In the ancient legal books handed down to this day, the number of original works is very small, and most of them are temporary or forged. We are used to thinking that as long as it is an ink book, it means it is an original book. This is not the case, we must distinguish it. Below, the author will conduct a detailed investigation and study of the original text.

I. Ascending Edition of Ancient Law Books Yu He in Southern Song Dynasty wrote in his Book List: R's book list is always the same as that of Emperor Cheng, and the emperor ordered Zhang Yi to write, which is the same. Answer the question after it. At first, I didn't realize it. From a more foreign point of view, it was a day when the villain wanted to confuse the truth. Song Yangxin's "Notes on the Names of Ancient Able Books" also records that when Emperor Mu was in Jin Dynasty, he had Zhang Yi and was good at learning books. Write a list to show that you won't feel this way after one day. After the clouds, I want to be chaotic.

Xu Shuri, a monk of the Southern Qi Dynasty, said: Seven books were written by the right army, written by Emperor Jincheng, and later answered by the right army. At that time, the right army did not say goodbye. It was a long time ago, and the boy wanted to confuse the truth. J Wang Heshang Xu also wrote in On Books: What Koukang learned from the grass of the right army was to confuse the truth and write books for the right army with people who knew the truth. It is said that Kang Xin was from the Jin Dynasty. He was born in the conference room. When talking about Yang Xin in the Tang Dynasty, Zhang Huaiguan mentioned: There is another way, that is, in Zhou Nan, listen to the words of Huizhou people, protect the two kings and adjust their own books and goods. The world either misjudged this trail or called it a sheep. Ouyang Tong Cloud, like the gong of Taoist right army, is no different from Wang.

Zhang Yanyuan wrote in "Records of Famous Paintings in Past Dynasties, Volume 5": Listen to it, clear pronunciation and mellow voice, foreign conference semifinals, or promote people. Books are more respectful than sheep's hearts. Qian Yi Zimin invited Fangshan to admire the wall, but Zimin didn't doubt it at first. Hui Miao, the word comes to Linyi. Based on this, we can know that Kang Xin once wrote for Wang Xianzhi. By the Jin Dynasty, some people had made notebooks of Wang Xizhi and Wang Xianzhi. On the other hand, there should be such a replica or eagle in the original works handed down from generation to generation by Wang Xizhi and Wang Xianzhi.

In "On the Desk", I also talked about the imitation of the ancient calligraphy of the two kings and others: new Hou, elegant attack, hanging gold to buy, no matter how expensive sugar. And those who pass through the bay are interested in sailing. The thatched cottage leaks juice, dyes the paper color, insults it, and makes the book long and the original works soft. So there are many untrue things in Huizhou. However, if you get together more, there will be traces. If it is two strokes, it is enough for the name method. Yu He's Lun Shu Biao was written in the sixth year of Taishi Emperor in Song and Ming Dynasties (47O). According to this, there were many copies and forgeries of French books in Jin and Song Dynasties.

In addition, the word "F-extension" also appears in The Desk. /stepping on is to spread the book with thin paper, which is uneven in thickness and good in fluorine. Fan's eyes pretend to be sticky, and Xiaosheng is still refined. .........................................................................................................................................................../The rubbings discussed here are all mounted by calligraphy from the front and back of the article. So the rubbings should be framed. After that, the word Tuoba was widely used to copy books, but there seems to be no such difference between the Southern Dynasties and the Song Dynasty. Copying from the book was also discussed in the literature of the Liang Dynasty. Liang Tao Hongjing wrote in On Liang Wudi: In the theory of gathering together, it is doubtful that benevolence and righteousness are close but not sour. This purpose is not true, and stealing confidence is also quite vulgar. ! Zhi Yong wrote in "On the Right Army's Music and Yi Theory": Music gathers to control sound, and books come first. Liang Shi is a desert and the world is precious. Ever since I had a little Ruan, I have to study.