1. Start with block letters, and then practice running script. After practicing running script, you can also practice cursive script if you are interested. ...
2. If you like calligraphy, want to study it deeply, and want to reach the artistic height, it is recommended to practice with a brush. People who have practiced calligraphy know everything, and the hard-written calligraphy has charm and charm.
Never put a blank sheet of paper on the template and do it accordingly. It can only be simple and boring plagiarism, which will not help you write well. You often repeat it for more than a dozen times, and when you write it yourself, you often forget what the sample looks like, so the taste you write is completely wrong, or your original taste.
4. Imitation+comprehension is the best way to practice calligraphy, that is, put the template in front, then look at the font in the template, study and observe its structure and stroke posture, then close the template, and practice writing on white paper repeatedly, and compare with the impression of the font in your mind to write the closest effect. Finally, open the template, compare what you have written with what you have written in the template, find out the biggest difference, think about why this is the case, and find out the weaknesses of your own fonts, so that you can practice targeted and inspiring beautiful calligraphy with personal customization and personality, because it is not a completely mechanical description, but through observation, understanding, comparison and learning, so that your own calligraphy can reflect your own personality and characteristics, only through observation and learning.
Chinese characters are an ancient art in China, so I suggest you choose about 65,438+000 Chinese characters for intensive observation and practice. For example, the word "Yong" is called "eight methods of Yong" in calligraphy, because the word "Yong" representatively concentrates eight methods of Chinese characters. At the same time, "Yong" has eight strokes, which is a representative Chinese character to understand the balance of font structure and aesthetic expression.