Lu Qiguang (approximately 1828~1898), whose courtesy name was Zhiyou and whose nickname was Fushan. A native of Nanfeng, Jiangxi Province, he was a famous calligrapher in the Qing Dynasty. In the 7th year of Tongzhi (1868), he became a Jinshi in the Wuchen Branch. He was appointed as editor and editor, promoted to the imperial envoy of Shaanxi Province, appointed to be the prefect of Dengzhou in Shandong Province, and assigned to Denglai Qingdao, and was transferred to the prefect of Jinan. His writing ethics were unparalleled, and he was especially good at calligraphy. It combines Ouyang Xun's elegance with Mi Fu's posture. The book beggar has a house full of paper and writes dozens of paintings every day without getting tired of it. There are many fake ones on a large scale, but it is easy to tell the truth from the fake. When I was working in the Hanlin Academy, there was an endless stream of people requesting books. Even people from Korea and Japan were vying for precious scraps of the book. In his later years, his calligraphy became more refined, round and graceful, and collectors rushed to appreciate and collect it. He is a philanthropic man who often recruits and supports dozens of old people who are living in embarrassment. Jiangxi fellows, both acquainted and unfamiliar, who turn to him for help, all stay under the curtain and provide food and accommodation. Therefore, he has been an official for thirty years, but he is still as poor as wash. He died at the age of 70.