Appreciation of alpine landscape calligraphy works
Calligraphy is a high-order art with statutes. Focus on "statutes"! The difference between calligraphers and calligraphers is that there is "Fa" but no "Fa". One of the traditional arts. Refers to the art of writing Chinese characters with a brush, such as seal, official, correct, line and grass. Techniques pay attention to writing, pen, stippling, structure and composition, which are closely related to traditional painting and seal cutting in China. It has a history of more than 3,000 years, with the inscriptions on bronze wares of Shang and Zhou Dynasties as the bud. Later, Qin Zhuan, Han Li, Jin Cao, Wei Bei, Tang Kai and Song Xing were all good at winning.
Four-character calligraphy works of alpine scenery
Ancient historians have their own principles and styles in compiling history, which are called "calligraphy".
"Zuo Zhuan Gong Xuan Two Years": "Dong Hu, it's an ancient history, and calligraphy is not hidden." Liu Tang Zhiji's History of Confusion: "Therefore, it is known that at that time, Mi Qi had a straight pen, and Si was guilty of death, and calligraphy was not given up." Song Xie Caibo's Notes on Mizhai Volume 4: "The strictness of the calligraphy of the Analects of Confucius is called the calligraphy of the Spring and Autumn Annals." Ming Liu Ji's Chunqiu Bo: "Gai Tongxu and Zheng Bo's calligraphy."
Practicality of calligraphy
The most basic activity of learning calligraphy is writing, and the primary purpose of writing is to remember things and exchange feelings. The minimum requirement is to write the words in a standard, neat and clear way, so that people are willing to accept them. If the handwriting is messy or even random, readers will lose practical value if they interpret the "heavenly book" and can't recognize it.
Some people think that writing with a brush is not as convenient as writing with a hard pen, and it can completely replace the brush. Only by writing with a brush can we learn calligraphy. Some people think that calligraphy is the patent of "genius" and "we are not cut out to learn calligraphy". Some older friends, in particular, are bound by stale ideas and think it is too late to learn calligraphy. Some people think that calligraphy is mysterious, incredible, impossible for God to find, difficult to express in form, and difficult to achieve good deeds. These ideas are not desirable, because as long as you write, there are rules to speak of, especially in many occasions where there is no "facade" of calligraphy, absolutely not. For example, trademarks, advertisements, slogans, couplets, calligraphy and painting banners are all inseparable from calligraphy. There is no denying that it is convenient and quick to write with pens, ballpoint pens and other tools, but the rules for writing with any tool are basically the same as those for writing with a brush, so you should learn calligraphy no matter how you write.
As for the age of learning calligraphy, there is no doubt that learning calligraphy from childhood or adolescence has great advantages, but older people also have many advantages in learning calligraphy. Young people have knowledge, life, experience, quick understanding, deep feelings and good expression, which is incomparable. Calligrapher Mei replied: The so-called "genius" means "a person with this talent". Any cleverness and wisdom are acquired through enthusiasm, diligence and scientific research. "Nothing in the world is difficult to a willing mind" and "Nothing is afraid as long as you make up your mind." Mei calligrapher's answers to students' questions are enlightening, concise and unforgettable.
"What age is the best for learning calligraphy?" Answer: "It is suitable for any age from literacy."
Q: "Can I become a calligrapher?" Answer: "You think you can-you can!"
Learning calligraphy is the same as learning other arts. As long as we don't doubt our ability, have confidence and enthusiasm, and adopt proper methods, we will certainly succeed. Don't be intimidated by the metaphysics of some monopolists. They talked about calligraphy wonderfully, taught abstractness, gave up the root and sought the end, and knew nothing about the closed circle, which delayed their later study. In fact, calligraphy is also like "enough paper", and it is also "a poke that breaks". Its charm is acceptable, its image can be expressed, its technique is desirable and its composition can be reached. "Climbing into the room" is within reach.