The thin gold body is smart and quick, and the handwriting is thin and powerful, so that it is thin without losing meat, and the big characters are particularly attractive. Because of its thin and hard strokes and exposed brushwork, you can clearly see the traces of running Teton and other strokes. This is a very unique font. Song Huizong's calligraphy strokes are thin and hard. He studied under Huang Tingjian at first, then under Chu Suiliang, Xue Ji and Xue Yao, and mixed with other schools to learn from each other's strong points and express their opinions, and finally created a unique "thin gold book" style, which had great influence.
Calligraphy in Song Dynasty is good at rhyme and interest, and Evonne's "The Book of Thin Gold" embodies similar aesthetic interest of the times, which is called "the beauty of heaven and bones is beautiful, and the interest is dull"; It also has a strong personality color, the so-called "such as bending iron and breaking gold."
However, the thin golden body is not a good research object. Why? The main reason is that the thin gold body is too individual, which is difficult for ordinary people to control. This is the main reason. Song Huizong's attainments in calligraphy far exceed others, which also leads to the failure of future generations to give full play to the essence of changing fonts when imitating the thin gold style.
Among many emperors in the past dynasties, one emperor loved calligraphy. He loves calligraphy, but he doesn't like mountains and rivers. He became the highest calligraphy of emperors in China, with the greatest influence. His name is Song Huizong. He practiced and studied calligraphy hard and created a fine gold font, which is a pioneering work in the history of calligraphy.
The scrawny brushwork of the human body can be described as erratic, swift, thin and powerful, thin without losing meat, and the operation of hiding the front and revealing the front at the turning point can be traced. In today's fashionable words, skinny bones have both the beauty of structure and brushwork, and their style is unique. As Tao's book Ming Shi She suggested, "The brushwork is strong and the meaning is natural, so it must be left."