The imperfect creation of my first six-foot work.

This is a six-foot work written recently. It is said to be six feet in size, but it is not, because there is a word missing in the first row. Fortunately, the front is missing. If I miss a word in the middle or behind, I think I will collapse completely. But I don't want to change another piece of paper, because it takes a lot of time to fold the grid, so I'm going to cut off the line where the missing words are written and start writing from the second line. Disembarking, the "left" seal script in the second row was written wrong. In addition, I just bought rice paper without my test paper, and I didn't understand both sides. One side is coated with ink and the other side is cooked with alum. At first, I wrote from the covered side, but I felt that the strokes were dry, and I found that I wanted to write the other side.

So I have to cut three rows of six-foot paper, one * * * wide 18 cm. Fortunately, I wrote it carefully later, and I was particularly careful about missing words, which was successfully completed. This is the first time I have written a paper as big as six feet. I feel that the paper is too big and there will be more words. I think writing is a little stressful. I am afraid that if one word is wrong, the whole paper will be scrapped and rewritten.

This time, when I reflect on my own creation, I feel that it is the first time to write a six-foot work, and I have insufficient experience. I will do more large-scale creation in the future. I believe that writing more will naturally make me feel less challenged.

Secondly, I have written many four-legged works before. Compared with the six-foot works, the overall visual effect of the six-foot works is better. The larger the size, the more shocking the effect. You can imagine how shocking those eight-foot works exhibited in the national exhibition are. At the same time, I also see that there is still a long way to go before those excellent calligraphers, which inspires me to study hard.