What kind of philosophy does calligraphy embody?

Calligraphy embodies the great culture of the Chinese nation, and we have long understood that calligraphy is based on the use of pens, which not only embodies the momentum of using pens, but also embodies some profound philosophical thoughts. Shanghai Minhang calligraphy training teacher believes that calligraphy training can improve people's self-cultivation, which is related to the philosophical thoughts embodied in calligraphy. This is not only the essence of calligraphy art, but also the essential feature of calligraphy art. Let's take a look at the philosophical thoughts in calligraphy.

doctrine of the mean

The golden mean was founded by Confucius, a great thinker in ancient times. The doctrine of the mean is a neutral attitude towards life, which is actually the core of China culture. Take the color of calligraphy for example, black pen and ink and white paper show a certain harmony. Contrast color embodies a certain balance, which is the artistic image of the golden mean.

Judging from the calligraphy font, it is required to write correctly and smoothly, which also embodies the beauty of neutralization, which embodies some ideas. The strokes are arranged in an orderly way, and the strokes know how to avoid heavy and light, echoing each other, so that a font appears harmonious and beautiful. Calligraphy works reflect the calligrapher's rich personal style, and each calligraphy font has its own unique characteristics. It can be seen from this feature that a gentleman is harmonious but different, though dull.

the banlance of yin and yang

In calligraphy works, there are many aspects that reflect the balance of yin and yang. Yin and Yang are opposites and a unity, which is embodied in calligraphy, including black and white correspondence, virtual and real correspondence, light and heavy correspondence, and combining rigidity with softness. These various forms of calligraphy all embody the philosophy of Yin and Yang and the unique beauty of calligraphy.

The yin-yang theory of calligraphy is not only reflected in the font of calligraphy, but also in the use of calligraphy. For example, the lightness and heaviness of the pen, the concealment and prominence of the pen tip, the center and flank, the fluency and color mixing, and the thick ink and dry ink are all yin-yang theories produced by the pen. These pen forms generally give the process of calligraphy a feeling of harmony between man and nature.

Lao Tzu said that calligraphy is naturally generated. Excellent calligraphy is not deliberately written, but exists in heaven and earth, in harmony with nature. If people want to obey the laws of nature, they must obey the thoughts of God's will. These quintessence ideas have been well reflected in calligraphy.