Shoujinti is a font originated by Song Huizong, and it is a very unique font in the history of calligraphy. Because it is quite different from the traditional styles such as "Hua" and "Zhu", it is unique in the history of calligraphy, and its representative works include "Kai" and "Shi".
The thin gold body is smart and quick, and the handwriting is thin and powerful, so that it is thin without losing meat, and the big characters are particularly attractive. Because of its thin and hard strokes and exposed brushwork, you can clearly see the traces of running Teton and other strokes. This is a very unique font.
There are many shoujinti works handed down from ancient times, among which the famous ones are regular script money, stone, iron, peony wind and frost, Daguan Monument, Qing Yu Wanshou Palace Zhao, shoujinti cursive script money Wen Zi and so on. At the age of twenty-three, Evonne wrote a thousand words in regular script for treacherous court official Tong Guan. At this time, the thin gold body has begun to take shape, and the cursive script with thousands of characters was written by Song Huizong in his forties, which belongs to wild grass, and his brushwork is free and easy, which shows his profound calligraphy skill.
Most of the thin gold books are in small print, while Fang Shi is a masterpiece of thin gold books, which is dripping with water, sharp-edged and full of lofty sentiments and unique charm.
Thin gold fuselage features:
Thin gold book is a kind of font with quite unique style. This book is based on the image theory, and it should be slimming. Changing "gold" into "tendon" is a respect for imperial books.
Song Huizong's calligraphy strokes are thin and hard. He studied under Huang Tingjian at first, then under Chu Suiliang, Xue Ji and Xue Yao, and mixed with other schools to learn from each other's strong points and express their opinions, and finally created a unique "thin gold book" style, which had great influence. Calligraphy in Song Dynasty is good at rhyme and interest, and Evonne's "The Book of Thin Gold" embodies similar aesthetic interest of the times, which is called "the beauty of heaven and bones is beautiful, and the interest is dull"; It also has a strong personality color, the so-called "such as bending iron and breaking gold." This calligraphy style has never appeared in previous calligraphy works.
Chu Suiliang's fine brushwork is only a small part of the same, but most of them are different. Compared with Xue Yao's ci in Tang Dynasty, it is the closest. Perhaps Evonne came from Xue Yao's poem Shi Li, but his writing is obviously much more mature than Xue Yao's. This is a very mature calligraphy style, and Evonne gave full play to its artistic personality.
This kind of thin, crisp and elegant calligraphy style, with a side like orchid bamboo, requires extremely high calligraphy skill and self-restraint, as well as a calm mind to complete. Of course, it is not easy for others to imitate. There are many descendants who learn from his books, but few who get his bone marrow are like the morning star. Jin Zhangzong once wrote the famous calligraphy and painting of Song Dynasty in Ming Chang Neifu, like You Chuntu, the wife of Zhang Xuan, which was copied, with delicate brushwork and poor form and quality.