1932, five people, Pan Tianshou, Zhu, Zhu, and Zhu, organized the "White Society" painting meeting, inherited the innovative spirit of the "Eight Eccentrics of Yangzhou", engaged in the study of poetry, calligraphy and painting, held the White Society painting exhibition in Shanghai, Jiangsu, Nanjing and Hangzhou, and published the "White Society Painting Collection". I often go in and out of the doors of collectors in Shanghai with Pan Tianshou, enjoying the original works of famous paintings of past dynasties, which broadened my horizons and made progress in art. In teaching, he not only demonstrated painting, but also expounded painting theory and painting methods, and became a famous professor in Shanghai in the 1930s. War of Resistance against Japanese Aggression broke out, actively held an exhibition of ancient and modern calligraphy and painting in Shanghai, and spared no effort to donate to the National Salvation Fund. During the period of 1939, he went to Yunnan to be a professor of ethnic art, and in August 194 1 he was a professor of Chinese painting in Fujian Normal University. After liberation, he and Pan Tianshou worked in the Chinese Painting Research Office of the Central Academy of Fine Arts (the predecessor of Zhejiang Academy of Fine Arts) and the Ink Painting Department of East China Branch, and made contributions to the study of Chinese painting and the identification and purchase of a large number of Ming and Qing calligraphy and painting treasures for the school.
From 65438 to 0957, he served as the head of the department of Chinese painting, closely cooperating with Pan Tianshou's criticism of painting nihilism, and initiated the teaching of Chinese painting figures, landscapes, flowers and birds, and calligraphy. Emphasize the independence of Chinese painting teaching, emphasize the innovation on the basis of inheriting tradition, emphasize that Chinese painting modeling is brush line modeling, and disapprove of using the concept and method of light and dark block modeling as the content of Chinese painting modeling training; Emphasize teaching and educating people, and advocate personality education. During the "Cultural Revolution", his paintings "Hedgehog Chrysanthemum" and "Song Color Rejects Autumn" were falsely labeled as "black paintings" and were criticized, and died on1July 26th, 977.
Wu Fuzhi was a representative of the Third People's Congress of Zhejiang Province, a member of Zhejiang Provincial Committee of NLD, and the executive director of Zhejiang Branch of China Artists Association. Life is lighter than fame and fortune, immersed in artistic creation and art education, and good at painting flowers and birds; Intercropping mountains and rivers, people and animals is known as the "three wonders" of poetry, books and paintings. Wu Changshuo had a great influence on his early painting style. Later, he absorbed Ivy, Ziyang, Shi Tao, Li Xian and other schools, developed his own painting style, formed a colorful and unique style, and had deep attainments and unique insights in painting history and painting theory. Besides writing and teaching, he also wrote books and many books. In addition to paintings and works, there are Ma Yuan and Xia Gui (co-authored with Deng Bai), Notes on Painting, Ten Lectures on Chinese Painting, Essays on Painting Micro, Wu Huo Cao Yin, Yi Di's Poems on Painting, etc.
Wu Fuzhi is good at painting poems, essays, books and paintings, and is good at freehand brushwork of flowers and birds and landscapes. He has profound attainments in painting theory and appreciation of ancient paintings. Jiang Nansha and Yunnan Tian were beginners in painting, and then he took the French green vine and the Eight Schools. Calligraphy is elegant and simple. He graduated from Shanghai Academy of Fine Arts in his early years and has taught in Suzhou No.1 Normal School and Huai 'an Middle School. Later, he and Pan Tianshou and others organized a white community. He has been a professor at Shanghai Academy of Fine Arts, a professor at Hangzhou Academy of Fine Arts, and director of the Academic Affairs Office. After liberation, he served as professor of Zhejiang Academy of Fine Arts, director of Chinese painting department and executive director of Zhejiang Branch of Artists Association. He is a member of NLD Zhejiang Provincial Committee. He is the author of Introduction to Chinese Painting, Ten Lectures on Chinese Painting, Notes on Painting Theory, and Essays on Painting Micro. In the early days, he founded the "White Society" painting meeting with Pan Tianshou to study and promote the art of Chinese painting. He has made great contributions to the development of Chinese painting and the cultivation of fine arts talents. He is a leading figure in modern Zhejiang Chinese painting and one of the founders of modern Zhejiang teaching system.