Positive appreciation of calligraphy works
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The Beauty of China's Calligraphy
Structure, also known as. Knot words? 、? Knot? . Refers to the arrangement and layout of each dot. China's unique square Chinese characters provide a broad space for the artistic creation of calligraphy. The written words should not only conform to the norms and laws, but also be rich in changes. Chinese character or form, calligraphy? Metaphysics? (Qing Kang Youwei) Therefore, knot is particularly important. Yuan Zhao Yu bent over Lanting Postscript:? Calligraphy is based on the use of a pen, and it takes effort to finish writing. ? All kinds of fonts of Chinese characters are connected and matched with dots and strokes. The length, short, thick, thin, prone, upturned, contracted and stretched strokes, and the width, narrow, high, low, narrow and straight radicals constitute different forms of each character. In order to make the stroke matching of Chinese characters appropriate, appropriate and uniform, it is necessary to study its structure. Zhang Menglong's stele stippling is changeable. From the point of view, there are several similarities. The inscription on this tablet is sparse outside and dense inside, large and small, suddenly closed and released, borrowed from the side, extremely ugly, precise and interesting in structure. 2 1? What? Characters, different expressions and vivid charm are known as the best running script in the world. As Feng Ban said in the Pure Book of Songs in Qing Dynasty:? Learn the shelf first, which the ancients called "knot words". When the shelf is clear, learn to use a pen. You can see the stone tablet on the shelf, so you must use a pen to create it. To sum up, Jin people used reason, Tang people used it, and Song people used it attentively. ? Another cloud:? Calligraphy has no secrets, only pens and ears. ? Visible structure plays an important role in calligraphy. For calligraphers, only by combining line and form can calligraphers put sincere and strong feelings into the realm of their works, and can viewers be moved by feelings and produce thoughts and feelings.
The form of calligraphy consists of strokes, structure and composition. In terms of strokes, it is considered that strokes are natural and smooth, such as pushing, stumbling, slowness, long talk and Fiona Fang. Structurally, it is considered to be dense, scattered, progressive, hard to give in, straight and considerate, symmetrical and vivid. In terms of composition, it is considered that its size, height, width, black and white, virtual and real are coordinated and smooth. China's unique square Chinese characters provide a broad space for the artistic creation of calligraphy. The written words should not only conform to the norms and laws, but also be rich in changes. Fonts are long, flat, sparse, dense, simple, odd, etc. If the words are too straight, it will appear rigid, the structure is too dangerous, and it is easy to involve strange customs. So we should try to do it? How to balance the risk in the middle, balance in the risk, tighten the middle palace, swing from side to side, lean to the right, and seek straightness in the middle of the curve? Only in this way can it be called art, and what people pursue is true feelings and natural tastes, which are in line with people's aesthetic tastes today. Zhang Menglong's stele stippling is changeable. From the point of view, there are several similarities. The inscription on this tablet is sparse outside and dense inside, large and small, suddenly closed and released, borrowed from the side, extremely ugly, precise and interesting in structure. 2 1? What? Characters, with their unique modality and vivid image, are up and down, like natural carvings, and are known as the best running script in the world. The form of calligraphy is extremely changeable, neat and symmetrical, uneven and ethereal, airtight, and the form is essays. Words are born with the situation, showing countless weather and customs. For calligraphy appreciators, only by combining lines and forms can calligraphers put sincere and strong feelings into the realm of their works, so that viewers can be moved and produce thoughts and feelings.