Appreciation of calligraphy works for the elderly birthday
Pictures of calligraphy works for the elderly birthday 1
Pictures of calligraphy works of elders' birthdays 2
Fig. 3 Calligraphy works of elder's birthday
Figure 4 Birthday calligraphy for the elderly.
How to learn calligraphy
Which font should I start learning calligraphy? Calligraphers have different views on this issue. Some say it is good to start with seal script; Some say it's good to start with official script; Some people say it's good to start with running script. These views all have some truth. But I think it's better to start with regular script.
The reason why I don't agree to learn from seal script and official script is because learning seal script first encounters a difficult problem, which increases the difficulty of learning; Secondly, the era of the rise of seal script and GM is far away now. At present, most of the contestants don't know seal script. Nowadays, as a font, seal script still has its artistic appreciation value, but its practical value is not what it used to be. I think it is unnecessary for those who just want to learn calligraphy to write neat and beautiful regular script and running script to meet their study and work needs. Official script is easier to read and write than seal script, but stippling is more flexible, less rigid and easy to distribute evenly than regular script. It is difficult to learn official script first and then regular script well, but it is easy to learn regular script well. For beginners, it is not easy to learn any font well if you want to have a glimpse and reach a profound artistic realm.
Su Dongpo, a calligrapher in the Song Dynasty, said: Truth is like standing, action is like walking, and grass is like walking. ? It means regular script, running script, cursive script. Models here refer to models and models. Regular script stippling is clear, symmetrical, square and well-behaved, which is suitable for beginners. Feng Fang, a calligraphy theorist in Ming Dynasty, said: You must learn books first? Regular script is established, but it is a running script. Running script is established, but it is cursive. ? For beginners, if they bypass regular script and learn running script or cursive script directly, because they ignore the basic stippling and structural training of regular script, they are prone to some disadvantages such as irregular stippling, inflexible brushwork, uneven density, unstable structure and inappropriate proportion. Therefore, Don Sun Guo Ting said: If you really can't read pictures, you will be fascinated by learning grass. ? Wang Zhuyun of the Ming Dynasty also said:? Recently, grass is still popular, and it is ridiculous to learn grass before you know the truth. If people want to leave without learning. ?
As for which font beginners should start with, different people have different opinions, so it is unnecessary and impossible to stick to the same principle. As long as the method is proper and you work hard, you can succeed from any font, which can be said that all roads lead to the same goal. But the time and energy spent and the distance traveled are probably very different. On this issue, I still stubbornly believe that it is appropriate to start with the model.
Regular script has been in its embryonic form since Han Dynasty, and it was very popular in Wei and Jin Dynasties. In Sui and Tang Nai, it was a great success. Which dynasty should beginners learn?
I think since Tang Kai, there have been rules to follow. The strokes can be written in square, round and straight lines, with appropriate length, appropriate thickness and stable structure, thus laying a solid foundation.
Some people think that the laws in Tang Kai are very strict, and it is easy to be bound by strict rules when studying. However, it is suggested that beginners should start from the Wei and Jin Dynasties, saying that this can make the writing look childish and unrestrained. I think it is necessary to write these words, handsome, solemn, elegant, gorgeous, chic, solemn, or flying. In short, it has certain style characteristics. For beginners, try to keep the structure clean and tidy. As sun said: beginners learn distribution, but seek fairness; Knowing that justice is right, we must pursue danger; It can avoid danger and restore justice. ? Beginners will be skewed if they don't learn the correct body and don't go through the instrument; But if it is too fair, it will be dull and lifeless, so we should pursue danger; If the risk is too great, you will go crazy, so you will turn over a new leaf. This is the cycle of learning books and the process of continuous sublimation. To be fair, Tang Kai got what he deserved. Liang said in Qing dynasty:? Learning books must be in the Tang Dynasty tablet, and when it is extremely strong, it still belongs to the Jin people, so it is full of backbone in the charm, otherwise it will be written as a weak word. ? Learn strict statutes first or learn freedom and indulgence first. Don Xu Hao's On Books says:? At the beginning of learning, it is advisable to practice your bones and muscles first. If your bones and muscles are not standing, why should you attach meat? ? This is very insightful. I am in favor of starting with stippling a thin and hard Tang Kai.
The regular script written by Ou Yangxun, a calligrapher in the early Tang Dynasty, is clean with a pen and rigorous in structure, which has a great influence on later generations. The European book Huangfuyun Monument best represents the bold and unconstrained style of the European book, which is the clearest and most impressive among the published European books. The calligraphy of Jiuchenggong Liquan Ming is simple and heavy, vigorous and strong, and pursues rigor and steadiness. Liang spoke highly of Ou Ci. Write a thorough European book and you can write it on a tablet. ? Yang Shoujing in Qing Dynasty said: Li Quanming of Ouyang Xin and Zhao Zigu are the ultimate principles of Kaifa, and no one has any objection. ? Beginners can avoid the problem of loose structure by learning these two monuments.
Yan Zhenqing, a calligrapher in the mid-Tang Dynasty, wrote "Duota Monument" at the age of 44, most of which was written by Fang Bi. The horizontal light and vertical weight are in sharp contrast, full of three-dimensional sense, neat and rigorous structure, suitable for beginners. Some of Yan Zhenqing's works in his later years are full of brushwork and rich in structure, and often pursue innocence and return to the original interest. Beginners tend to be bloated and ugly and should not be used as a way to get started.
Liu Gongquan, a calligrapher in the late Tang Dynasty, wrote Xuanta Monument and Shence Army Monument with pen. The brushwork is clear and vigorous, just like clanking iron bones, and the heart is tight and the four sides are stretched. After learning, you can get fine and hard strokes and rigorous structure.
As long as the professors use the right methods, scholars will persevere, within six months to a year? Entering the post? Not a problem.