1, hidden and exposed. Generally speaking, the strokes of regular script should be written against the front, back to the front and back, with hidden edges, which is extremely subtle. Zhao Ti dares to talk about going against the trend, but Zhao Ti's brushwork only focuses on going against the trend, going against the trend in space and not completely hiding his edge. Closing the pen means going back to the front, but I didn't mean to be frustrated. Force circle. This way of writing not only does not destroy the beauty of animals, but also increases the sense of life and natural relaxation.
2. The pen path stops evenly. Zhao Ti's strokes vary, but they are more elegant. Liu's body is obviously much more uniform. And there is no fixed program for horizontal light and vertical weight. Which one should be heavier and which one should be lighter in the end depends entirely on the need of words.
3. ups and downs. Zhao Ti's paintings. Horizontal painting is full of ups and downs and twists and turns.
4, stippling echoes. Zhao Ti's regular script draws lessons from the writing method of running script, which means running script, and points and paintings echo each other and are connected by freehand brushwork. Some even use running script, and there is a draw between strokes.
Zhao Ti character
Structural features of Zhao characters;
1, the font tends to be flat, Zhao Ti's strokes are round and beautiful, and the shelf is square, not as tall as European style or Liu style. Zhao Ti's sketch. Draw it. Moreover, the horizontal direction is relatively long, and the word potential is horizontally expanded.
2, dignified flowing, Zhao Ti's words are horizontal and vertical, the center of gravity is stable, the structure is rigorous and dignified, and some words are between the running scripts, so it looks beautiful and moving.
Zhao style
Zhao Mengfu's creation
Zhao Mengfu was an influential calligrapher in the early Yuan Dynasty. Xing Wu (now Huzhou, Zhejiang Province) was born. He has been a bachelor of Hanlin, a doctor of Rong Lu, a duke of Wei and a scholar of Wen Min.
He is the author of Song Xuezhai Collection. "Biography of the History of Yuan Dynasty" records: "Meng Yi's calligraphy is the best in the world, so the book is the theme of the world." Praise. According to Song Lian, a scholar, Zhao's calligraphy learned the book of the Four Spirits (namely,) of the Eight Laws in his early years, Zhong You and Immortals in his middle years, and books in his later years.
trait
Fonts tend to be flat, Zhao Ti's strokes are round and beautiful, and the shelves are square.
Zhao Ti sketched, pressed, stretched horizontally, and the word potential spread horizontally. Borrowing running scripts, some words are beautiful and moving between running scripts.
1, hidden and exposed. Generally speaking, the strokes of regular script should be written on the front of the pen, and the pen should be closed from the back to the front, which is extremely subtle. Zhao Ti dares to talk about going against the trend, but Zhao Ti's brushwork only focuses on going against the trend, going against the trend in space and not completely hiding his edge. Closing the pen means going back to the front, but I didn't mean to be frustrated. Force circle. This way of writing not only does not destroy the beauty of animals, but also increases the sense of life and natural relaxation.
2. The pen path stops evenly. Zhao Ti's strokes vary, but they are more elegant. Liu's body is obviously much more uniform. And there is no fixed program for horizontal light and vertical weight. Which one should be heavier and which one should be lighter in the end depends entirely on the need of words.
3. ups and downs. Zhao Ti's paintings. Horizontal painting is full of ups and downs and twists and turns.
4, stippling echoes. Zhao Ti's regular script draws lessons from the writing method of running script, which means running script, and points and paintings echo each other and are connected by freehand brushwork. Some even use running script, and there is a draw between strokes.
Zhao Ti's regular script pen is steady, well organized, round in appearance and rich in bones and muscles. His stippling is gorgeous and vigorous, with broad and beautiful structure, plain and contains risks, and stippling echoes closely. Zhao Ti's regular script not only retains Tang Kai's statutes, but also does not stick to Tang Kai's style. There are often some vivid and handsome calligraphy techniques and structures in regular script, and the strokes are vivid and natural. Zhao Ti regular script is known as living regular script; Zhao Ti's running script is gentle and elegant, light and elegant; Exquisite and beautiful brushwork, full of book spirit and wealth. Its "calligraphy is based on the use of pens, and it takes labor to knot words." The word Gaijie has been circulated from time to time, and it is not easy to use a pen through the ages. " It has become a famous saying through the ages.