1, Roshev
Luo Shen Fu is the representative work of Wang Xianzhi's regular script in the Eastern Jin Dynasty. The original ink is written on hemp paper, and the content is the famous poem "Luo Shen Fu" by Cao Zhi, a famous writer of the Three Kingdoms. In this work, Wang Xianzhi's pen is tall and powerful, with beautiful style and spacious structure. The strokes in Chinese characters, such as left and right strokes, tend to stretch very long but not frivolous, and the end of the pen is carried by the pen force, which is vigorous and powerful. The font is symmetrical and harmonious, and the combination of each part has subtle and vivid changes. The size of words is different, and the spacing and spacing of words naturally change.
2. Inscription of Liquan in Jiucheng Palace
The Inscription of Liquan in Jiucheng Palace in Tang Dynasty is a regular script written by Ou Yangxun, a calligrapher in the sixth year of Zhenguan in Tang Dynasty (632). This paper describes the origin of Jiucheng Palace and its magnificent architecture, and praises the martial arts and frugality of Emperor Taizong.
This work is slender, the middle palace is tightened, it is open on all sides, and it is left and right, which saves the day. The glyph is shaped with the trend, and the left and right structures are opposite. The upper and lower structures are narrow and wide, the shelves are stable and the weather is solemn.
3. Confucius Temple Monument
Yu Shinan's Confucius Temple was inscribed in the 9th year of Tang Wude (AD 626). Yu Shinan writes books. It is an outstanding work in the inscriptions in the early Tang Dynasty, and it is also a wonderful book of Yu Shu recognized by the stone engravers and calligraphers in past dynasties. This monument was erected to record the ninth year of Emperor Gaozu's Wude (626), and the thirty-third grandson, Kong Delun, was canonized to restore the Confucius Temple.
4, Yanta holy fatwa
Chu Suiliang's Preface to the Wild Goose Pagoda is a famous piece in the history of calligraphy. It was written by Chu Suiliang at the age of 58, and it is the most representative work of Chu Suiliang's regular script style. The font is beautiful and vigorous, and the brushwork is skillful and mature.
In the word structure, it changed the long characters of Europe and Yu, and created a slim but full font. The preface to the sacred teachings of Yanta is written by Fiona Fang, which is the opposite; Horizontal painting is vertical painting, and vertical painting is horizontal painting. There are ups and downs between the beginning and the end, and the rules are fascinating.
5. Duobaota Monument
Yan Zhenqing's "Duobaota Monument" is a classic regular script written by scholars Cenxun, Xu Hao, Yan Zhenqing Shudan and stone engraver Shihua in the 11th year of Tang Tianbao (752).
This monument is beautiful and vigorous as a whole, refreshing and pleasant, concise and lively, with exquisite words. The brushstroke is rich and beautiful, smooth and steady; Horizontal thin vertical thick, strong contrast; Start with more hints, end with more hints, and turn with more hints. The structure is rigorous, compact, regular, smooth and well-proportioned, and the tablet has excellent body and many words. People who study Yan style mostly start from this monument and enter its temple.