The writing level of cursive script depends on the skill of calligraphy. Calligraphy skills in calligraphy can be divided into three elements: brushwork, structure and composition. These three points are the key factors of a person's calligraphy level, and if you want to write calligraphy well, you must master these three elements.
Among these three elements, the element of composition can be basically ignored. Unless it is necessary to write about Cao Zhang, cursive script seldom pays attention to composition. Because every cursive character in Cao Zhang is independent, it is necessary to deal with the echo relationship between characters. However, Wild Grass and Big Grass often stick words together directly, and the echo relationship between chapters has been linked by solid lines, so it is easier and more casual to arrange chapters.
Structure and brushwork are important parts of cursive script. The so-called cursive structure is how to write words, how to arrange strokes and how to connect strokes. In the final analysis, it is still a matter of writing. The cursive script is very different from the official script, seal script, regular script and running script we come into contact with. They belong to two completely different symbol systems. It is very difficult to remember cursive script, and the essence of memory is to grasp the structure.
In cursive writing ability, structure is not the most important, because structure only needs memory, and cursive brushwork is the most difficult to master and learn. The brushwork factor is the most basic factor that restricts cursive writing. If the brushwork is not in place, the whole cursive script will be unreadable. Therefore, the most difficult part of cursive writing is the brushwork, which can best reflect a person's cursive writing level.
In my opinion, a cursive work needs to properly use the center in brushwork, even with the center as the main part and the wings as the auxiliary part, so as to achieve the harmony between the two, which is the most basic.
At the turning point of strokes, it can be natural and smooth, refreshing and heroic, which requires the use of Fang Bi and a round pen to achieve both Fiona Fang and goodness. In the form of strokes, the lines are rich, smooth, changeable and changeable.