The word is oblique and anyway, and the meaning of the pen is broken. The original post flowed into Japan in the middle Tang Dynasty, and the existing photocopies came out. -"Appreciation of Historic Sites" Fee
Funeral Notes has a strong brushwork, a long structure and many diseases. It completely got rid of the remnants of official script and Cao Zhang, and became a very pure cursive style. When writing, Xiaocao followed Xiaocao first, and when he left, it can be seen that his feelings changed greatly from depression to agitation. "Funeral Post" is full of brilliance, exquisite brushwork and strong sense of movement. It is a typical work of Wang Xizhi's latest posture and a representative work of his sideways style, which has always been valued by calligraphy learners. Qiu Zhenzhong analyzed the composition of the mourning staff in the article Composition (1985): "The composition of the mourning staff is extremely rich: the broken axe with a large swing, the reappearance of strange connections, and the subtle coordination between spools ... all of these make their axis diagrams show unprecedented moving changes."
Tendency: "In Wang Xizhi's previous works, the axis of a single word generally does not exceed 6 degrees, and it is close to the vertical line." "In Wang Xizhi's frequent mourning posts and mourning posts, 73% of the single word axis exceeds 6 degrees, but they are well connected with other axes of a single word, so the axis of a line presents a continuous polyline, which causes strong fluctuations in the sense and maintains the continuity of the work. For example, the first and third lines of "Frequently Mourning Posts" and the second, seventh and eighth lines of "Mourning Posts". "
Balance: "Most lines of funeral notes are slightly inclined to the left, which forms the special appearance of this post;" The axis of the first word in the first line deviates from this trend and slightly shifts to the right, which just maintains the stability of the axis of the whole line, but does not hinder the downward flow of the axis; The axes of the second, fourth, fifth and seventh lines become variations of the theme of the first line; The axis of the 36th parallel tends to be vertical, which balances the sense of instability that the center of gravity of the work moves to the left. These two lines of axes echo the axes on both sides skillfully, and the lower part is kissed very carefully, becoming an invisible pillar in the work; The axis in the eighth row has a similar effect. Fighting against the left-leaning tendency at the beginning of other lines together with the axis of six lines has also become an important force to maintain the balance of works. "The" Funeral Notes "is extremely exquisite and full of charm. It is the representative of the existing manuscripts in the Tang Dynasty. The words in "Mourning Post" are sometimes careless and sometimes touching, but the body and posture blend, but they are harmonious and unified, and there is no stiff affectation. The weight of the pen is slow and changeable; And the word potential slightly square, to see the bone strength.
On the one hand, we should pay attention to the rich expression of his brushwork-Fang Bi, round pen, center, side, straight line, arc, heavy press, light lift and so on. If you carefully observe and analyze the relative aspects such as line thickness and speed contrast, you will find that there is a big gap. For example, the heavy thread is like a "face" instead of a "thread", while the light thread is like a hairspring and a thin thread, which is three to five times larger. In addition, there are many Fang Bi here, so when writing, you should be calm and not mediocre. On the other hand, it is the embodiment of strength in the shelf structure. It is necessary to analyze and study the rules of post's center of gravity, density contrast, positive and negative contrast, and echo before and after, so as to further cut into its structural principles and understand and master Wang Zijie's general handling methods.