The value of Zhang Xuewu’s calligraphy and painting

Zhang Xuewu, courtesy name Yunwen, was born in Tianjin in 1952. In the 1980s, he joined the Chinese Calligraphy Association and was elected as a director of the Tianjin Calligraphy Association. He is now a national first-class artist and professional calligrapher. I have been passionate about calligraphy since I was a child. I am persistent and enlightened, do not follow fashion, and have accumulated a lot of experience.

Zhang Xuewu[1], courtesy name Yunwen, was born in Tianjin in 1952. In the 1980s, he joined the Chinese Calligraphy Association and was elected as a director of the Tianjin Calligraphy Association. He is now a national first-class artist and professional calligrapher. I have been passionate about calligraphy since I was a child. I am persistent and enlightened, do not follow fashion, and have accumulated a lot of experience. Take the two kings as their clan. The large characters started from Ou, Chu, Zhang Menglong, Longmen, etc., forming an elegant and vigorous style; the running script was deeply studied in Lanting's brushwork; the beige artistic conception was used to form a free and unrestrained style; the small regular script started with Wen Zhengming, and later spread throughout the Jin, Sui and Tang Dynasties when writing scriptures , shape your own style. Mr. Liu Jiu'an, a member of the Standing Committee of the National Cultural Relics Appraisal Committee, a master of contemporary calligraphy and painting appraisal, and a member of the Standing Committee of the National Cultural Relics Appraisal Committee, marveled at the exquisiteness of his regular script and wrote the inscription "Contemporary scripture writers, the wonderful brushwork is better than that of the Jin and Tang Dynasties." Since winning the grand prize in the Shanghai Wenhui Po National Competition in the 1980s, he has been selected in dozens of national competitions, and has been selected into calligraphy collections and dictionaries.

Since the 1990s, hundreds of thousands of words of important classics of Confucianism, Taoism, Buddhism and Zen have been written in gold and gold. In 1994, the 70,000-word Buddhist classic "Miaoho Lotus Sutra" was completed, which has had great repercussions at home and abroad. , whose artistic creation of calligraphy in small regular script with gold and gold is unique and remarkable. In 1995, he was specially invited by the National Museum of Singapore to exhibit his works, which caused a sensation in the Lion City and was hailed as a "contemporary scripture writer".

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