Second, Chinese painting is mainly line and ink, paying attention to brushwork, pursuing the artistic effect of "exquisite brushwork and Mo Miao" and paying attention to brushwork. These are all requirements for the connotation of pen and ink. "Bone method", also called "bone strength", refers to the pen power contained in writing stippling. It is the pillar of stippling and form, and also the basis of expression. The painter injects his feelings into the image with strong brushstrokes, making it more vital. In the process of modeling, the painter's feelings have been integrated with brushwork. Wherever the pen goes, it leaves traces of the painter's emotional activities.
Third, Chinese painting is mainly ink in color. Although Chinese painting also pays attention to color matching, the most important thing is the overall effect of the picture. For the needs of the whole, the color of the object can vary greatly. In Chinese painting, ink is an essential basic color. Ink is divided into Jiao Mo, thick ink, heavy ink, light ink and clear ink. If each ink color is used skillfully and appropriately, it will show rich changes.
Traditional Chinese painting emphasizes "the nature of foreign teachers is the source of China's heart", requires "keeping the pen in mind first, and being satisfied in painting", and emphasizes the integration of people and scenery, so as to achieve the artistic conception of vivid expression, both form and spirit, and vivid charm. Inheritance is for better development, and the premise of innovation is to inherit the valuable experience of predecessors. Of course, the inheritance of traditional painting is not thoughtless, but selective and should adapt to the development of the times.