"Why the room is elegant, but there are not many flowers" is a pair of books often written. The general idea is that no matter where one lives, big or small, there must be cultural connotation.
The aesthetic spirit of China people pays more attention to seeing the invisible "big" in the tangible "small" and paying attention to the release and galloping of the soul. Compared with "the unity of heaven and man, the spirit of heaven and earth", the key to the smallest "shape" lies in "being in the shape" and "being outside the god" God's infinite openness can help people to extricate themselves and reach the realm of spiritual awareness as Buddhism says. I'm sure you're all familiar with meditation sofas. It can only accommodate a couch for one person to meditate and an ou for holding tea. It can't be smaller, but meditation can be decided, and tea can be Zen. These are very high realms of human practice. This is how Buddha Sakyamuni practiced. Lan Zhi's fragrance is praised by scholars as the first fragrant plant, so Lan Zhi's rooms are often used to describe places with cultural taste. Orchids are fearless of wind and frost, which is in line with the literati's personality. Their faint and lasting fragrance is in line with the philosophical pursuit of "tasteless and even tasteful", making orchids the first choice for study, which is based on the rhetoric of few flowers. So why did "elegance" come from? Care about the collection of books, care about poetry and songs, care about the tea on the meditation couch, care about fragrance and music. ...