Jiangnan painting and calligraphy

Jiangnan is like an ancient book that you need to savor carefully, thick and lingering. Numa in fresh clothes is stepping on the foggy south of the Yangtze River, and their arrogant laughter penetrates through layers of misty rain and wind under the quaint umbrella. The umbrella handle touched by countless beautiful women still exudes a faint fragrance and is filled with lilac-like melancholy.

Jiangnan always gives people a gentle impression, such as vivid Chinese paintings and elegant calligraphy, which makes you intoxicated, but completely intoxicated by the gentle appearance of Jiangnan.

The paintings and calligraphy in the south of the Yangtze River are elegant and feminine because of their incomparable elegance. Whether it is a lotus picker in the fog of smoke and water or a broken boat in the water, it is the most fundamental feeling of freehand brushwork or meticulous painting. In its heyday, finding intellectual roots is a rare meaning in a painting. "Zhang Xu realized the meaning of weeds from Gong Sundaniang's sword dance, and Su Shi and Huang Tingjian realized the mystery of brushwork from rowing against the current and rowing.

Painting and calligraphy in the south of the Yangtze River are aura, because there are legends of outstanding people. Calligraphy has the sequence of strokes, strokes and strokes, which makes points, lines and surfaces organically combined, black and white depend on each other, and reality and reality coexist. With the change of brushwork, the ups and downs of the pen, holding your breath, moist rice paper is like a fairy tale.

Jiangnan's paintings and calligraphy are heavy. Because of the accumulation of vicissitudes of life, there is a little more historical background of Jiangnan. The shadow of the Qinhuai River and the shadow of the lamp, the former swallow of Xie Tang, the king of Wei and Jin Dynasties, flew in the morning bell of the Southern Dynasties, and the backs of several dynasties were looming or appearing in the grass that had been swaying for thousands of years. ...

In the Qing Dynasty, Wang said that God meets his heart, and his heart meets his qi, so he can't do things, but he can't stop. He has no intention to ask, and his work is remarkable. Since I have feelings and worries about history in my heart, what I don't need to care about in painting and calligraphy reveals the feelings of managing the world and troubled times. Unfortunately, when the word "Jiangnan" only becomes synonymous with modern people's dream water town, when all. When Leonardo da Vinci's oil paintings are covered with a thick smell of copper, the real Jiangnan painting and calligraphy will inevitably fall into a deep secular mud.

Let your thoughts stay between the beautiful mountains and rivers in the south of the Yangtze River. In a remote mountain village, silence is an ancient Jiangnan painting and calligraphy, sleeping in a fairy tale. Who will hold up the heavy Ge in this dream? Who will wash away the dust accumulated in the Millennium?

When the sound of water spread to the distance, when youth rowed to the other side, I remembered Jiangnan again, and remembered this ancient ship carrying Chinese calligraphy and painting across Jiangnan. That's the mysterious side of the wanderer's heart.

This afternoon, I just want to touch the real side of Gudu.

Label: Jiangnan painting and calligraphy