1, Yiyingbei
This monument has a neat structure, even flesh and blood, rigorous statutes, and both pens and Fiona Fang, with a refined atmosphere in the middle. It is a typical work in Han Li's mature period, belonging to all directions and all the way. The flesh and blood are even and comfortable, and the mood is smooth. I really don't flatter, but its waves have opened the way for the Tang people to flatter the vulgar.
2. ode to Shimen
The inscription on this tablet is extremely bold and unrestrained, thin in shape and natural in posture. Multi-purpose round pen, the pen is right in front, the back of the pen is right in front, and the middle of the pen is rigid and calm, so the strokes are ancient, thick, hidden and elastic. Throughout, the word follows the trend of the stone, uneven, open and close vertically and horizontally, free and easy, full of interest.
3. Huashan monument
The inscription on this monument is tall and straight, with neat words and row spacing and beautiful waves. The style of the book is simple, clumsy and round, and the pen is full, neutral and obvious. Every word has a front, and the pen is like casting, which means that it will last forever, and the potential will press three peaks.
4. Fresh Huang Bei
This monument is divided into Yang monument and Yin monument. Yang Bei's pen is stiff and straight. It looks like a golden thread. The structure is full, straight and steep, looks neat, strong, just folded and full of business sense. Some words on the Yin tablet are not limited by the boundary, and the handwriting is uneven, patchwork and rich, which is better than that on the Yang tablet.
5. Fang Heng Monument
Fang Heng Monument is also a work of mature official script in Han Dynasty. The pen is extremely powerful and rich in strokes, especially in turning, skimming and pressing, forming an excircle effect. Its structure is square, waves, wrinkles, strokes and strokes are not exposed, and the font is square and severe, with a sense of tightness. The whole chapter is compact, and there is almost no blank space between words and lines, but there is no sense of bondage.
6. Shi Chenbei
This tablet is well written and elegant. The strokes converge, the waves open left and right, and the density is good. The strokes are round and thick, with a sense of solemnity. Although its feet have entered the square atmosphere at the end of the Han Dynasty, it still has a posture but does not stagnate.
7. The West Chamber
This monument is simple and vigorous, placed in an orderly way, with a pen, picked up and closed in many places, with less mention and less press, taking a pen from the center, and also taking the flank as a wave. Especially at the turning point of the stroke, there is an inner circle outside, which is angular, rigid and deep. This tablet has a unique position in Han Li, and its calligraphy is rigorous and ingenious.
8. Zhang Qianbei
This plaque is beside Gu Zhuo Road. A large number of fonts in the tablet have infiltrated into the seal structure, and the fonts are square. Although the handwriting is full of words, it is elegant and elegant, and the peeling marks are natural. Writing ci has become a fashion in Wei and Jin Dynasties. The structural combination is complex, flexible, interesting and calm.
9. Ritual Monument
This tablet is one of the important representative works of official script in Han Dynasty. The Book of Rites is elegant, strict in statutes, elegant but calm, but leisurely in rules. The inscription is beautiful and elegant, vigorous and powerful, solemn and detached.
Cao Quanbei 10
This tablet is a masterpiece of official script in Han Dynasty. It is famous for its elegant style, uniform structure, clear words, stretched structure, beautiful fonts, dense and elegant, elegant and agile, vivid words, smooth lines, flexibility and hardness, deep into the bone marrow and elegant style, which fully shows the maturity and elegance of Han Li. The beauty is praised as the "official book Lanting".