1. Four-character idiom in regular script calligraphy and writing brush
Dragon flying and phoenix dancing
lóng fēi fèng wǔ
Explanation of the original description of the winding majesty of the mountain , later also described the calligraphy strokes as powerful, flexible and stretchable.
From "Tokyo Fu" by Zhang Heng of the Han Dynasty: "My ancestor's dragon flies over the white water, and the phoenix flies over the ruins." Su Shi of the Song Dynasty "Biao Zhongguan Monument": "On the mountain of Tianmu, the Tiao River flows out, and the dragon flies and the phoenix dances. Collected in Lin'an."
Structural combination.
The usage is mostly used to describe the momentum of calligraphy strokes. Generally used as predicate, object and attributive.
The correct sound is phoenix; it cannot be pronounced as "fēnɡ".
Distinguish the shape of phoenix; cannot write "wind".
Synonyms: free and unrestrained
Example: He was sitting in his seat; he had a big red paper spread out in front of him; he was holding a brush; he was getting ready. 2. Four-character idioms in calligraphy works
Sweep the army, the pen moves like a dragon and a snake, the silkworm head and swallowtail, the muscles and muscles are strong, the iron painting silver hook, the fairy dew pearl, tranquility and far-reaching, vivid charm, vigorous and bold , straightforward and simple, unique in personality, hearty and unrestrained, natural and interesting, right in the center, relaxed in the tight, masterpiece handed down from generation to generation, handsome and elegant, gorgeous and natural, smooth and subtle, elegant and graceful, dignified and simple, dignified and elegant, fresh and frank. , precipitous and sparse, thundering, mighty dragons and tigers, powerful and vigorous, vigorous and vigorous, hard, soft and clumsy, round and smooth, well-equipped, self-contained, natural and well-organized, relaxed and relaxed, beautiful and sparse, compact and precipitous, leaning to the side Elegant, free and elegant, straight and strong, strong and powerful, vigorous and powerful, compact structure, flying dragons and phoenixes, graceful style, pen moves like a dragon and snake, as powerful as a startling dragon, pen force is strong, pen power is dangerous, sinister momentum, strong and upright, power penetrates the back of the paper, Chinese calligraphy is an ancient art that is an ancient art and has developed along with the development of Chinese civilization.
There are only a handful of nations in the world that possess the art of calligraphy. Chinese calligraphy has a long history. Calligraphy, as an artistic creation, has profound mysteries.
From oracle bone inscriptions and bronze inscriptions evolved into large seal script, small seal script, and official script. In the Eastern Han, Wei, and Jin dynasties, cursive script, regular script, running script, and other styles were basically finalized. Calligraphy always exudes the charm of ancient art. Huifeng Hechang refers to the gentle wind that makes people feel warm and comfortable.
Dragon flying and phoenix dancing originally described the winding and majestic mountains, and later also described the powerful and flexible calligraphy strokes. Sweeping thousands of armies describes poetry, calligraphy, etc. that are grand and powerful. The strokes of dragon and snake describe calligraphy that are vivid and powerful. Silkworm head and swallow tail describe calligraphy that is dignified in starting and finishing with lightness. Fengjinduoli means that the structure of the font is solid and plump. The writing force is more than strong. Jiao Ruo Jinglong is often used to describe the vigorous calligraphy strokes, or the graceful dancing posture to describe the strong and powerful calligraphy. The tip of the pen almost penetrates to the back of the paper. Penetrating wood three points describes the calligraphy that is extremely powerful. Many metaphors are used to analyze the problem very profoundly. Iron Painting Silver Hook Describes calligraphy as strong and soft. Xianlu Pearl describes calligraphy as elegant and round. Qiujin describes calligraphy as strong and powerful.
3. Four-character idioms in regular script
Dense and full, rich and graceful, soft yet strong, wrapped in iron, majestic, powerful, thick and strong, majestic, majestic, thunderous, dragon Powerful, strong and vigorous, forceful and vigorous, hard and soft, clumsy and skillful, round and smooth, well-equipped, self-contained, well-organized, flexible, beautiful and sparse, compact and steep, sideways and graceful, elegant and elegant, tall and straight Strong, strong and powerful, vigorous and powerful, tight structure, flying dragons and phoenixes, graceful style, pen moves like a dragon and snake, as powerful as a frightening dragon, pen force is strong, pen power is dangerous, steep momentum, strong and upright, power penetrates the back of the paper, penetrating into the wood, combination of hard and soft, airy Smooth, concise, skillful, flowing, free, hearty, pleasing to the eye, elegant and charming, charming, vigorous, powerful, iron painting with silver hook, meaningful and handsome, beautiful structure, smart and delicate, delicate and rich, peak fall Stone, unrestrained and unrestrained, thousands of miles of clouds, simple and powerful, natural, simple and elegant, smart and unrestrained, simple and peaceful, peaceful and smooth, graceful and magnanimous, naturally stretched, naturally made, smart and flowing, lifelike, flowing and smooth, Round and round, round and smooth, inspired by foreign teachers, learning from others' strengths, profound in skill, majestic and majestic, smooth in spirit, strong and simple, changeable in style, changing of ideas, vivid in spirit, powerful and unrestrained, straightforward and simple, unique in personality, Hearty and unrestrained, natural and interesting, harmonious in the center, relaxed in the tight, masterpiece handed down from generation to generation, handsome and elegant, gorgeous and natural, smooth and subtle, elegant and elegant, solemn and simple, dignified and elegant, fresh and straightforward, steep and clear. 4. The four-character idiom of calligraphy for primary school students is in regular script
如木三三
rù mù sān fēn
[Explanation] This refers to the vigorous and powerful calligraphy strokes. The metaphor is a thorough insight; the discussion is profound.
[Quotation] Zhang Huaiguan of the Tang Dynasty's "Book Break": "When the Jin Dynasty offered sacrifices to the northern suburbs; he updated the edition; the workers cut it; the pen penetrated the wood into three parts."
[Authentic pronunciation] Three ; Cannot be read as "shān".
[Distinguish form] Enter; cannot write "人".
[Similar meaning] Powerful to see through the back of the paper, Iron painting and silver hook
[Antonym] A glimpse of something
[Usage] Used as a compliment. A word used to praise others or make profound comments. Generally used as predicate, attributive, adverbial and complement.
[Structure] Formal.
[Example] Some of Lu Xun's essays revealed the ugly face of the Kuomintang reactionaries.
[English translation] written in a forceful hand
[Idiom story] 5. Four-character words in Yanti calligraphy
The bottom of the pen is dragon and snake, and the pen is fine ink. Wonderful, the pen moves the dragon and the snake, the silkworm head swallowtail, the head is hidden and the tail is protected, calm and happy, calm and happy, beginner graffiti, ups and downs, Ding Zhenkai grass, Ding Zhenyong grass, flying dragon and dancing phoenix, abundant muscles and strength, phoenix boluan drifting , the phoenix dances and the dragon flies, the phoenix flies back, the ancient fat and the present are barren, the crane's knees are the wasp's waist, the fox is fat and the bell is thin, painting sand seal mud, painting earthworm graffiti, domestic chicken pheasant, domestic chicken pheasant, daggers drawn, as powerful as a frightening dragon , strong as a swimming dragon, strong bones and muscles, thirsty and angry, thirsty and thirsty, and thirsty and deer rushing to the spring, strength through the back of the paper, Linchi Xue Shu, willow bones and tendons, dragons flying and phoenixes dancing, dragons circling and phoenixes, dragons and snakes flying, dragon Snakes are flying, dragons are stretched out, dragons are flexing, dragons are leaping and tigers are crouching, dragons are mighty and tigers are vibrating, dragons are mighty and tigers are shaking, dragons are flying and leopards are changing, dragons are flying and phoenixes are dancing, dragons are flying and phoenixes are leaping, luan is flying and phoenix is ??dancing, luan is drifting and phoenix is ??floating, luan is floating. The phoenix is ??parked, the luan is flying, the luan is flying among the phoenixes, the paper smoke is falling, the iron is wrapped in cotton, the wonder is in the heart and the hand, the ink is accumulated in the mountain, the angry cat is picking the stone, the thirsty cat rushes to the spring, the angry cat is thirsty, fluttering like a fairy, Floating like wandering clouds, a group of heroes playing in the sea, like a cone painting sand, penetrating into wood three-quarters, good at writing without choosing paper and pen, Tang Lin Jin post, iron painting silver hook, spitting jade hook silver, Wang Yang Dawan, Wang Yang Hongsi, Wang Yang Xuansi, literary talent Binghuan, Writing wind and thunder, fairy dew pearls, writing sutras for geese, the heart is correct and the pen is correct, learning the book is not good, learning the sword is not good, the Yan family is hungry for officials, Yan Guliu Jin, Yan Jinliu Gu, Yan Jingliu Gu, one word can see the heart, Silver hook tail, silver hook iron painting, silver hook jade saliva, wandering clouds frighten the dragon, right army habits, Yu Chu Ouyan, Zhenwei into wonderful pen and full of ink: the use of pen and ink is very smooth and full.
It mostly describes calligraphy and poetry as smooth and vigorous.
The pen moves the dragon and the snake: The pen depicts the dragon and the snake leaping.
Describes the vigorous and free-spirited style of calligraphy. He also writes on behalf of the commander.
First written about Huang Ting: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have "Huang Ting Jing" small regular script calligraphy. In old times, when commenting on calligraphy, there was an idiom: "The first time I wrote Huang Ting, it was just right."
Later used to describe doing things just right. Spring earthworm and autumn snake: a metaphor for poor calligraphy, as crooked as the tracks of earthworms in spring and snakes in autumn.
The sword was at war: the sword was drawn from its sheath, and the bow was opened. Describes a situation that is tense and on the verge of breaking out.
Later, it also means that calligraphy is vigorous and powerful. Giving examples: Zuo Qiuming wrote a biography of "Chun Qiu" and summarized the calligraphy of "Chun Qiu" into several categories and gave a general explanation.
Later, the classification examples are called "examples to enlighten the world" in the style of explaining a book. See "Fanfan Jiexi".
Strongly penetrating the back of the paper: Originally referring to the powerfulness of calligraphy, it is now also used to describe vivid, profound and powerful poetry. Dragon flying and phoenix dancing: Like a dragon soaring, like a phoenix flying.
The original description is unrestrained and majestic. Nowadays, calligraphy is often described as lively, flexible and skillful writing, and also describes the lifelike dragon and phoenix sculpture art.
Flying dragon and snake: describes the vigorous and vivid calligraphy strokes. Su Shi's "Xijiang Moon? Pingshan Hall" lyrics: "I haven't seen the old immortal for ten years, and dragons and snakes are flying on the wall."
Luan Piao Feng Bo: Luan: a legendary bird like the phoenix. It turns out that calligraphy is described as free and unrestrained.
It is also a metaphor for the separation of husband and wife of advanced students. Luan Xiang Feng Zhu: Zhu: Flying high.
It is a metaphor for the flying posture of calligraphy strokes. Beauty Hairpin: Describes the beauty and beauty in calligraphy or poetry style.
Penetrate three-thirds of the wood: The original description is the strong calligraphy pen (it is said that when Wang Xizhi of Jin Dynasty wrote on the wooden board, the ink penetrated three-thirds of the wood into the wood), now it is used to describe the profound and powerful analysis, description, and discussion. Iron painting and silver hook: painting: strokes; hook: hook.
Describe calligraphy as strong and beautiful. Xinbi graffiti: Xinbi: write casually.
Graffiti: The metaphor is poorly written and scribbled carelessly. Later, "graffiti" and "graffiti" were used to describe poor calligraphy or random writing.
Zhenyongcao, Feilongwufeng, Fengjinduoliu, Fengpoluan floats, Fengwulongfei, Fengzhuluanhui, Ancient fat and now barren, Crane's knees and wasp's waist, Hu fat and bell thin, draw sand seal mud, draw earthworm graffiti , chickens and pheasants, chickens and pheasants, daggers drawn, powerful as a frightening dragon, powerful as a swimming dragon, strong bones and muscles, thirsty for the spring, thirsty for the angry leopard, thirsty for the deer to rush to the spring, power through the back of the paper, Linchixueshu, willow Bones and tendons, dragons flying and phoenixes dancing, dragons coiling and phoenixes flying, dragons and snakes flying, dragons and snakes flying, dragons stretching and flexing, dragons jumping and tigers crouching, dragons and tigers vibrating, dragons and tigers vibrating, dragons and leopards changing, dragons flying and phoenixes dancing, The dragon flies and the phoenix leaps, the luan dances with the phoenix, the luan floats with the phoenix, the luan flutters with the phoenix, the luan stumbles with great alarm, the luan flies with the phoenix, the paper smoke cloud falls, the iron is wrapped in cotton, the wonder is in the hand, the ink debt accumulates in the mountain, the angry cat makes the decision Stones are thirsty for springs, angry cats are thirsty, fluttering like immortals, floating like clouds, flocks of animals playing in the sea, like a cone painting sand, penetrating into wood three-quarters, good at writing without choosing paper and pen, Tang Lin Jin post, iron painting with silver hook, saliva jade Gou Yin, Wang Yang Dayan, Wang Yang Hongsi, Wang Yang Xuansi, literary talent Binghuan, pen wind and thunder, fairy dew pearl, write scriptures for geese, heart is correct and pen is correct, learning calligraphy fails, learning swords fails, Yan family is hungry, Yan Guliu Jin, Yan Jin Willow Bone, Yan Jing Willow Bone, One Word to See the Heart, Silver Hook Hao Tail, Silver Hook Iron Painting, Silver Hook Jade Spit, Wandering Cloud Startled the Dragon, Youjun Habits, Yu Chu Ou Yan, Subtlety into Wonderful Life Dragon vividness describes paintings, sculptures or written narratives that are extremely lifelike. 1. A dragon and a snake race to wear through the iron inkstone." "The hand keeps waving." 2. "The ancient ink is lightly rubbed with fragrance, and the new bath in the inkstone shines brightly." 3. The glyphs are leaning against each other, large and small, open and wide. When combined, the thickness of the lines changes significantly, with ups and downs.
The last line is crooked, almost to the point of falling over, but this tilt is not rigid, but more free, reflecting his willfulness. The willful side has its own style.
Chen Rong's posture is steep, and the shape of his knots may be leaning or upright, heavy or light, which has the beauty of "coming like thunder and gathering its wrath".
He writes quickly, uses the pen powerfully and exerts heavy force. 4. With a few strokes of the pen, a picture of a soaring dragon appears on the paper. The dragons he painted are lifelike, majestic and varied.
Chen Rong often does not paint the whole dragon, but paints the head or claws of the dragon, which flicker and appear, as if hearing its sound, as if seeing its shape, and splashing ink into clouds, spraying water into The fog is so magical that people call it "Suoweng Long" (Chen Rong's nickname is Suoweng). 5.: "The writer is scattered. If you want to write, you must first scatter your arms."
(Cai Yong's "Bi Lun") "The intention should be before the pen, and then write the book." (Wang Xizhi's "Inscribed on Mrs. Wei" "Bi Zhen Diagram") when writing, "the emotional description takes the meaning of meeting ***; the yang is soothing and the yin is miserable, which is based on the heart of heaven and earth" (Sun Guoting's "Book Book") and "the spirit of the book must reach the Tao" , the same as the principle of Hunyuan... holding the pen to the edge is based on nature."
6. Liu Xizai of the Qing Dynasty even put it bluntly: "The person who writes writes the will." "Calligraphy is like this. Learning is like his talent, his ambition, and in short, just like his person." 7. "Bi Lun." 6. Four-character idioms about calligraphy
The pen is full of ink: the pen and ink are used freely and fully. It mostly describes calligraphy and poetry as smooth and vigorous. The pen moves the dragon and the snake: The pen depicts the dragon and the snake leaping. Describes the calligraphy style as vigorous and free-spirited. He also writes on behalf of the commander.
First written about Huang Ting: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have "Huang Ting Jing" small regular script calligraphy. In old times, when commenting on calligraphy, there was an idiom: "The first time I wrote about Huang Ting, it was just right." Later it was used as a metaphor for doing things just right.
Spring earthworm and autumn snake: a metaphor for poor calligraphy, as crooked as the tracks of earthworms in spring and snakes in autumn.
The sword was at war: the sword was drawn from its sheath, and the bow was opened. Describes a situation that is tense and on the verge of breaking out. Later, it was also used as a metaphor for calligraphy to be vigorous and powerful.
Example: Zuo Qiuming wrote a biography of "Spring and Autumn" and summarized the calligraphy of "Spring and Autumn" into several categories and gave a general explanation. Later, the style of classifying and exemplifying a book was called "example and enlightenment". See "Fanfan Jiexi". Powerful and penetrating the back of the paper: It originally refers to the strong and powerful calligraphy, but now it is also used to describe the vivid, profound and powerful poetry.
Dragon flying and phoenix dancing: Like a flying dragon, flying like a phoenix. The original description is unrestrained and majestic. Nowadays, calligraphy is often described as lively, flexible and skillful writing, and also describes the lifelike dragon and phoenix sculpture art.
Flying dragon and snake: describes the vigorous and vivid calligraphy strokes. Su Shi's "Xijiang Moon? Pingshan Hall" lyrics: "I haven't seen the old immortal for ten years, and dragons and snakes are flying on the wall."
Luan Piao Feng Bo: Luan: a legendary bird like the phoenix. It turns out that calligraphy is described as free and unrestrained. It is also a metaphor for the separation of husband and wife among advanced students.
Luan Xiang Feng Zhu: Zhu: Flying high. It is a metaphor for the flying gesture of calligraphy strokes.
Beauty Hairpin: Describes the beauty and beauty in calligraphy or poetry style.
Penetrating three-thirds of the wood: It originally described the power of calligraphy (it is said that when Wang Xizhi of Jin Dynasty wrote on the wooden board, the ink penetrated three-thirds of the wood into the wood), now it mostly describes the profound and powerful force of analysis, description and discussion.
Iron painting and silver hook: painting: strokes; hook: hook. The calligraphy is described as strong and beautiful.
7. What are the four-character idioms in calligraphy works?
Sweep the army, the pen moves the dragon and the snake, the silkworm head and the swallow tail, the strong muscles and the strong, the iron painted silver hook, the fairy dew pearl, the quiet and far-reaching, the vivid charm, Powerful and unrestrained, frank and simple, unique in personality, hearty and unrestrained, natural and interesting, embodying tranquility in the center, seeing release in the tightness, masterpieces passed down from generation to generation, handsome and elegant, gorgeous and natural, smooth and subtle, elegant and graceful, dignified and simple, dignified and elegant, Fresh and straightforward, steep and sparse, thunderous, mighty and powerful, vigorous and vigorous, strong, soft and clumsy, round and smooth, well-equipped, self-contained and natural, well-proportioned, flexible, beautiful and sparse, compact and steep, Leaning sidely and graceful, free and elegant, straight and strong, strong and powerful, vigorous and powerful, compact structure, flying dragons and phoenixes, graceful style, pen moves like a dragon and snake, as powerful as a startling dragon, pen force is strong, pen power is dangerous, dangerous momentum, strong and straight, Penetrate the back of the paper, penetrate the wood into three parts, combine hard and soft, have a smooth expression, be concise, skillful, smooth, free, hearty, pleasing to the eye, elegant and charming, etc.
Chinese calligraphy is an ancient art. Developed with the development of Chinese civilization. There are only a handful of nations in the world that possess the art of calligraphy. Chinese calligraphy has a long history.
As an artistic creation, calligraphy has profound mysteries. From oracle bone inscriptions and bronze inscriptions, it evolved into large seal script, small seal script, and official script. In the Eastern Han, Wei, and Jin dynasties, cursive script, regular script, running script, and other styles were basically finalized. Calligraphy always exudes the charm of ancient art.
Hui Feng He Chang refers to the gentle wind that makes people feel warm and comfortable.
Dragon flying and phoenix dancing originally described the winding and majestic mountains, and later also described the powerful and flexible calligraphy strokes.
Sweeping thousands of troops describes poetry, calligraphy, etc. that are grand and powerful.
The pen moves like a dragon and snake describes calligraphy that is vivid and powerful.
Silkworm head and swallow tail Describes calligraphy with a dignified starting stroke and light and quick finishing.
Fengjinduoli metaphors the structure of the font is solid and plump, and the writing force is more than strong.
Jiao Ruo Jinglong is often used to describe the strong and vigorous calligraphy strokes. Or dance gracefully
Penetrate through the back of the paper to describe the calligraphy that is strong and powerful, and the strokes of the pen almost penetrate to the back of the paper.
Penetrate into the wood to describe the calligraphy that is extremely powerful. The analysis of multiple metaphors is very profound.
Iron paintings and silver hooks describe calligraphy as strong and soft.
Immortal dew and pearls describe calligraphy as elegant and round.
Vigorous and powerful describes calligraphy as strong and powerful. 8. How can there be a good description of calligraphy 4 Words
Calligraphy: The pen is vigorous and the ink is full: the pen and ink are used very freely and fully. It mostly describes calligraphy and poetry that are smooth and vigorous.\x0dThe pen moves like a dragon and the snake: the pen is full of dragon and snake. It describes the vigorous and vigorous calligraphy strokes. Free and easy. He also writes calligraphy on behalf of the commander.\x0dWritten Huang Ting for the first time: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have "Huang Ting Jing" small regular script calligraphy. In old times, when commenting on calligraphy, there was an idiom "When I first wrote Huang Ting, it was just right". Later Used to describe doing things just right. \x0dSpring earthworm and autumn snake: Metaphor for poor calligraphy, as curved as the tracks of spring earthworms and autumn snakes.\x0d Dreaded: The sword is drawn from the sheath and the bow is opened. Describes the situation Nervous, on the verge of breaking out. Later, it is also used as a metaphor for calligraphy that is vigorous and powerful.\x0dExample: Zuo Qiu Ming wrote a biography of "Spring and Autumn" and classified the calligraphy of "Spring and Autumn" into several categories and gave a general explanation. Later, it is said to be a classification example. The style of the book is "exemplify the extraordinary". See "exemplify the extraordinary".\x0dLi penetrating the back of the paper: originally refers to the strong and powerful calligraphy, but now it is also used to describe the vivid, profound and powerful poems.\x0d龙飞峰五: Like a dragon flying soaring , like a flying phoenix. The original description was unrestrained and majestic. Nowadays, it mostly describes the lively calligraphy strokes, flexible and skillful writing, and also describes the lifelike dragon and phoenix sculpture art.\x0dDragon and snake flying: describes the vigorous and vivid calligraphy strokes. Su Shi's "Xijiang" "Yue? Pingshan Hall" lyrics: "I haven't seen the old immortal in ten years, and dragons and snakes are flying on the wall." \x0d Luan Piao Feng Bo: Luan: a bird like the phoenix in the legend. It originally described the calligraphy as free and unrestrained. It also It is a metaphor for the separation of husband and wife of advanced students. \x0d Luan Xiang Feng Zhu: Zhu: Flying high. It is a metaphor for the flying posture of calligraphy strokes. \x0d Beautiful hairpin flower: describes the beauty and beauty of calligraphy or poetry style. \x0d Three points into the wood: It originally described calligraphy as a powerful one (it is said that when Wang Xizhi of Jin Dynasty wrote on a wooden board, the ink penetrated into the wooden board three-thirds deep), but now it mostly describes the profound and powerful force of analysis, description, and discussion.\x0dIron painting and silver hook: painting: stroke; hook: hook. The calligraphy is described as strong and beautiful.