Luo Shen Fu has pure and mellow brushwork, rigorous and charming structure, and peaceful and unique composition. Zhao Mengfu learned from the "two kings", got his brushwork and combined with his own characteristics. His running script shows a delicate and elegant style, and Luo Shenfu also shows his aesthetic ideal incisively and vividly. The beauty of "neutralization" runs through the book and has a far-reaching influence on the development of calligraphy art in later generations.
About the author:
Zhao Mengfu (1254101October 20-1322 July 30) was born in Song Xue Road, Han nationality, also known as the Taoist of Crystal Palace (speaking of Taoist of Shuijing Palace), Ou Bo. I worked for the Mengfu in middle age. Xing Wu (now Huzhou City, Zhejiang Province) was originally from Lanxi, Wuzhou. From the late Southern Song Dynasty to the early Yuan Dynasty, he was an official, calligrapher, painter and poet. He was the grandson of XI, Zhao Kuangyin, Song Taizu, and a direct descendant of Zhao, the king of Qin.
Zhao Mengfu is well-read, good at poetry, proficient in Confucian classics and learning, good at calligraphy, good at painting, good at epigraphy, good at temperament, and good at understanding and appreciation. In painting, he created a new painting style in Yuan Dynasty, which was called "the crown of Yuan people".