Secondly, once you choose a position, don't be half-hearted, but keep writing.
Finally, we should study scientifically. We should learn from two aspects: first, the distribution of fonts, that is, how the "shelves" are distributed, and analyze the distribution characteristics and aesthetic feeling of the original posts, which are so beautiful and not so beautiful; The second is to use a pen. What are the strokes of the original post (starting, lifting and closing)? What are the characteristics? You'd better ask yourself why you carry a pen like this. The reason should be made clear, otherwise it is "the reason why people are fascinated." The strokes written for no reason have no texture, how can they be "spiritual"? !
The ultimate goal is to master the basics of brushwork and brushwork, and to own other people's words, no matter how similar you write, they are others', not your own. At the same time, we should constantly cultivate and improve our understanding of beauty in our posts. Seeking beauty is not only beauty, but also connotation. This is the "look" of the work. Of course, there is no "seeing" without ugliness, so personal understanding of the beauty of calligraphy often determines everything. The cultivation of the beauty of calligraphy is a very important link, otherwise it will become a writer and waste a good time.
The above is my post experience, I hope it can help. Tang poetry from the book (part), * * * reward.