What are the characteristics of Wang Shimin's paintings?

Wang Shimin, who inherited the mantle of incense, took the ancient method as his teaching. In his later years, his pen was old and deep, and he carved his own home. Some people broke the fence. Compared with Dong Xiangguang, Wang's respect for the ancient, antique, antique and antique is even worse. However, if we want to learn ancient times, we can't hide more famous calligraphy and paintings, let alone more original works of sages. Therefore, Wang Shimin paid special attention to the collection of ancient and modern masterpieces. His Postscript to Dong Zongbo said: "Dong is a personable and knowledgeable person who shocked ancient and modern times. On weekdays, there are not many words at home, and every bit is pearls. Just like Jiyuan gathered in Tibet, it has been secretive for many years. It is a hidden and indifferent Guanyin stone, which is immortal with the sages of Jin and Tang Dynasties. It was born in the world and has a natural beauty. " Pet-name ruby "Beiyuan painting changes vertically and horizontally, and everything you see in your life is the same. It is especially wonderful to be dyed with clouds and gas. Mijia and his son have both come out since then. " Attending the Xiaoxiang Map of Beiyuan, which I borrowed from Zongbo in the past. I fasted for more than one year, and Bing Yin returned to the north, and slept for more than 20 years. ⑾ It is gratifying that the famous work Xiaoxiang Map has been lent out for more than twenty years. After this picture entered the Qing palace, it was exiled to the people during the Anti-Japanese War. /kloc-I bought it from Hong Kong in 0/952 and now it is in the Palace Museum in Beijing. "A big idiot painting much addiction, life can see the scroll 20 Yu Ben. I bought some from Dong's office. Although it is not the ultimate, it must be original. "⑿ Wang Shimin not only bought places of interest widely, but also chose the essence of historical sites, which was reduced to 24 articles, and the volume became its own, which set an example for that time. It can be seen that he studied the ancient times and learned the law. Although Dong Yuan, Zhao Mengfu, Wu Men are the four schools in Wang Shimin, they are close to Dong Qichang and Huang Yuan. Huang Yisheng's admiration and research can be described as extremely well prepared. However, how can he learn from Huang? "The masters and sects in ancient Pan Bo have their origins, but the artists are extremely bleak. However, his brushwork and position can be learned. But there is a kind of frivolity outside the stupid pen and ink, so they are all interesting in nature and can't be learned. "[13]" Zi Jiu's paintings are all broken from light to thick, simple and naive, and they are all verve from Ju Ran. " [14] It's also called Zi Jiu's painting "A brainwave, unique, changing vertically and horizontally, without trace.". "Scholars can learn more from here and get the truth." ⒂ It can be seen that those who learn from the ancients get the brushwork and position of the ancients. However, light reasons and arrogant attitudes are all out of natural interest, which is hard to get. The reason why Wang Shimin is still ancient is because he has paintings and salvation; Its reason is ancient, because of its brushwork and position; The reason why it was hidden in ancient times was not to brag, but to facilitate learning; So archaize, borrow the pen and ink of the ancients, and speak your mind. Therefore, the ancient method is the Tao, and the natural interest is the purpose. Today, there are many surviving paintings by Wang Shimin. Liu Jiu 'an's Chronology of Handed Down Works by Painters and Calligraphers in the Song, Yuan, Ming and Qing Dynasties recorded 89 pieces (sets) of his works, and the earliest work was "Map of Nanshan by a sculptor at the age of 32 in June of the third year of the Ming Dynasty (1623)". The latest works are Five Laws of Lishu and Yanqi, which are 89 years old in the 19th year of Qing Emperor Kangxi (168O). Today, they are all hidden in the Palace Museum in Beijing. According to the Complete Works of China Paintings compiled by China Ancient Calligraphy and Painting Appraisal Group, the earliest painting was a landscape painting (16) in the fifth year of the Apocalypse (1625), which is now in the Palace Museum. The latest painting with an exact date is Ten Pages of Ancient Scenery (17), which is now in Shanghai Museum. Title: "More than two years, poor and sick, happy for a long time. This volume was written from Bingwuchun, occasionally with one or two frames, and the number of stops was four. It was not completed until Wushen Winter, and some of it was slightly entertaining. However, old ideas are boring, weak wrists are weak, ancient methods are not appropriate, and they are unbearable in the eyes of generosity, but they are only self-defeating. Three days after the Mid-Autumn Festival, Wang Shimin, an old man from Xilu, wrote a question. At the age of seventy, there were nine. " In his later years, due to poor eyesight, he painted very little, and more often used calligraphy to communicate with people. Wang Shimin's landscape paintings in the early, middle and late periods have little difference in composition and brushwork, but their styles and techniques are getting better and better. However, the wind is full of style and skill, and it must be known to good observers. Confucius said of his disciple Gong Xi Yun Chi: "Although red is small, who can be big?" The handwriting is ok, so it can achieve great things. Isn't painting the same? Only when the pen and ink are exquisite and full of charm can the artistic conception be elegant and outstanding. Wang Shimin's paintings have long enjoyed a good reputation. At the age of thirty-four, he made a fan of "Landscape Map", and wrote a beautiful autumn scenery on the fan with Runxiu's pen and ink. Three or five trees have faint red leaves, and they stand on the hillside as if dancing; There are one or two villages surrounded by hedges behind the slope, which are desolate and lonely; A ridge across the back of the village, or steep cliffs, or springs and waterfalls, or platforms, or Maolin, is uneven and full of thickness. The painting pen is quiet and elegant, and the composition is concise and appropriate; The main color is light ink as the bottom, and ochre is dyed; Occasionally, the thick ink makes you feel refreshed, and the bright colors make you slightly dizzy. It can be said that the clouds are half warm, which is different from the wind. Chen Meigong wrote an inscription: "The trees in front of the window are red, and the mountains in the dream are still green." The scene in front of me is very bright, and the scene in my dream is very quiet. Only when you are awake, waking up is distressed; It's just that its seclusion is intoxicating The Shadow Map of Quasi-Yunlin Spring Forest (18) was written on the boat trip of Xishan Mountain in Gui You in the early summer (in the sixth year of Chongzhen, AD 1633), when Wang Shimin was 42 years old. The brushwork and brushwork are deep in clouds and dense forests, all of which are exposed in lush dense forests. If you don't know the title, you can visit Yunlin mountains and rivers several times. No wonder Dong Zongbo wrote: "Yunlin has a small scene, and there are no lies in several works. I'm exhausted, but my pen has a clear owner. If I come back, I'll be cool. Take care! Take care! In early winter, it is prosperous. " Jade Mountain Farewell Map (19), written in the 7th year of Kangxi (1668), is one of Wang Shimin's late masterpieces. This painting is 134 cm long and 60.2 cm wide. It is now in the Palace Museum in Beijing. This painting was painted by Dai Ruiyang, a tobacco dealer in central Fujian, a neighbor. Write the scenery of Yushan in dry ink. Write far-reaching, writing about the turning of the stream, the winding of the mountain and the dislocation of the cottage; Write waterfalls, smoke clouds and peaks high. Composition is dense, indirect and harmonious. Dry pen can be moistened, wet pen can be penetrated, pen power is restrained, and the weather is muddy, which is sincere for benevolence and righteousness. The title says: "Dai Junrui in central Fujian pays tribute to the old clan with this poem and has lived in the city for many years." Neighboring songs know that he is a person, honest and gentle, generous and scholarly, which is quite heartbreaking. Today, I will move to Yushan to say goodbye, so I made this photo as a gift. Wang Shimin, an old man from Xiqiao, Wu Shen, met him at the age of 70. "Renshan Yishui is for benevolent people, and Zhenren is also righteous. What is the most important thing about Confucian scholars' paintings? Shanghai Museum has eight volumes (20) of Atlas of Ancient Scenery, with a length of 28.5 cm and a width of 20.4 cm, respectively imitating Li Yingqiu, Huang Zijiu, Huang Heshan Qiao, Zhao, Mei Daoren and Mi. This volume of pen and ink is thick and steady, with simple and profound style and elegant color, which is the peak of his later years. Another volume of Changshu Museum, Ancient Scenery Map, has ten volumes (2 1), with a length of 30.6 cm and a width of 23 cm. This book was originally a relic of Huang Qiushan in Xin 'an. Daoguang was acquired in Jiaxing in the 21st year and later entered Gu Yun Building. 1980 was donated to Changshu Museum by Gu's descendants. Zhang Tingji said: "This book is a masterpiece of Wang Shimin's life, which can be described as exquisite." However, in this book, Wang Shimin actually imitated Dong Qichang's so-called green landscape "Gao Jiang Qiu Cai Tu" in Zhao Boju. It can be seen that the king is only eager to learn, not because people waste their skills.