There is no such problem in Xiao Peng's copybook. The author tries to simplify the original complicated calligraphy techniques, and at the same time, he no longer artificially emphasizes the style mark, so that this copybook has more "public awareness" and "aesthetic width". This fact also shows that even in a fairly simple horizontal and vertical direction, as long as the most critical Chinese character modeling elements can be mobilized, exquisite shapes can be created. I think that if you get close to such copybooks, you will not only feel easy to learn and use, but also feel the author's humanistic care and goodwill under the influence of beauty.
Calligraphers all know that rich and delicate strokes are often crucial or even decisive in calligraphy performance. But at the same time, as we all know, as writing tools, these "decorations" should be almost ignored in practical application. When a pen copybook is purely for "seeing", 18 martial arts are naturally used; However, if this copybook is really to be "used", then you must take off all your clothes and use all your muscles to show your elegance. This kind of courage may not be available to everyone: on the one hand, it may not reflect your level, and the chef who can cook abalone "degrades" to make tofu sometimes makes people feel poor; On the other hand, even if you want to, the publishing house may be difficult to make up its mind to print because it is not gorgeous and advanced enough. Xiao Peng is now willing to "cook tofu" and dedicate delicious food to those in need with the simplest raw materials and condiments. He believes that only by understanding and grasping the structure of Chinese characters, even simplified characters, even if the ups and downs are weakened to a minimum or even vaguely invisible, can still achieve the ultimate "beauty" of horizontal and vertical. Of course, courage depends on hard work, and "knowledge" depends on "action" to prove it. Xiao Peng, with his precise understanding of Chinese character modeling and super control of braille typing, almost set a concise "standard" for "writing"-both standardized and rigorous, elegant and generous. A "floating goose hook" only uses a simple combination of "straight", "horizontal" and "straight", but it can still be photographed well and brightly because of its length and position.
It should be said that Xiao Peng must have considerable experience and written established principles in this respect. I hope this part of experience can be included in the future when I publish a good copybook. To "do", we must first "know"-if students encounter problems in clinical learning and ask themselves or others, the answers they get are often superficial and even full of twists and turns. The author himself will say that this is the truth and will not mislead people. Of course, there is a little difficulty here: the content that the author wants to talk about should be completely implemented in the "composition" and "stroke relationship" of "this kind of words", and the principle of speaking is general, concise and regular, rather than individual, sporadic and word-by-word. For example, "you can get a right triangle by hooking three strands, four mysteries and five mysteries", which is the experience of a case rather than the induction of laws; Only the expression "When the length relation of three sides is a2+b2 =c2, all triangles must have right angles" has the value of "axiom" and is really useful. Unfortunately, what we often see is "the process and experience of learning books", not "as long as we can do a few things, we can meet the basic characteristics of this word"