Brief introduction of Huang Tianxiang.

Huang Tianxiang's early "flower-and-bird painting" calligraphy art is famous for its vividness and vividness, and its artistic level is a must in Mazu's hometown. He is currently a member of Fujian Calligraphers Association, president of Malaysian Chinese Painting and Calligraphy Institute and president of China Calligraphy Institute. His calligraphy works have won many awards in calligraphy competitions at all levels.

For decades, Huang Tianxiang has been sticking to his own inkstone field, indifferent to fame and fortune, and quietly cultivated. Calligraphy is mainly cursive and regular script. His running script, with "two kings" as the main vein, involves "Su, Mi, Zhao and Dong". The overall style is elegant, the font is vivid, the line spacing is sparse, the spatial contrast is emphasized, and the writing is calm. His regular script was a beginner in Europe, and later he specialized in Le Yi Lun, King, Jade Edition Sonnets, and then he worked hard on Chu Suiliang's Yin Fu Jing and Wei Bei's Zhang Hei Nv. Take the method of Tang dynasty, the rhyme of Jin dynasty and the bone of Wei dynasty to form a whole. Regular script is elegant, elegant and vigorous, which has formed its own calligraphy style in the contemporary calligraphy pattern of paying equal attention to inscriptions and being inclusive.

In the past few years, Huang Tianxiang has traveled all over China and visited famous calligraphers. His works have been instructed by calligraphers Shen Peng and Chen Fenwu for many times, and baked by Zhu Cheng Gan, calligrapher and chairman of Putian Calligraphers Association. He has made great progress in art and made remarkable achievements.

Calligraphy appreciation: