Before nightfall, a poet who was "singing a song about rest and standing outside" was enjoying the scenery in the countryside. Reciting can refer to poetry or reading poetry. The poet sits at his desk all day. At dusk, feeling a little tired, he went out of the house and stood outside the railing of the balcony (he lived in a humble building, so he was called "Chai Men") for a while. One, two and four sentences were seen when he was "standing".
He looked at Chai Men carefully first. It's already late spring, flowers are falling, some float into the door, keeping the afterglow of the sunset out of the door, showing how many fallen flowers are piling up. Then look at the Woods from a distance. There is a forest in the distance. In the twilight, you can see several crows at dusk, flying up and down and up and down by the Woods. Crows are called "dots" because they are far away, the sky is dark and they look like "dots". Finally, the poet looked into the distance. At the end of the country road, he saw the woodcutter fishing and came back all the way to collect firewood and fish.
In the three scenes of the Spring Festival Evening in front of the poet, the word "late" is deducted from the title, and the word "spring" is pointed out with the pen "flower fall" (poetry refers to late spring). The combination of the three scenes forms a harmonious and quiet artistic conception of rural dusk. However, the tranquility described by the poet does not appear barren and empty: flowers fall, crows fly and people return. The three verbs dotted between the lines add a lively atmosphere of birds flying and fish jumping to this quiet environment, and the poet stands and watches with great interest in this quiet and business-rich realm.
Zhou Dunyi was the founder of Neo-Confucianism in the Northern Song Dynasty. Neo-Confucianism attaches great importance to the so-called "meteorology" when talking about numbers. Cheng Hao once said: "Since I saw Zhou Maoshu again, I have been making love to the moon, which means' I am with you'." It's about Uncle Mao (Zhou Dunyi). The realm of this poem, like his personality, is quiet and not silent, full of business, and quite full of the breath of "bathing in interpretation, dancing in the wind and singing back" (The Analects of Confucius)