Question 2: There are several ways to write hundreds of Chinese characters, namely, Oracle Bone Inscriptions, inscriptions on bronze, Da Zhuan, Xiao Zhuan, Li Shu, running script, cursive script and regular script.
Question 3: How to write the cursive script of "a hundred blessings complete" as shown in the picture below?
Question 4: How to write a hundred words in Wang Xizhi's running script?
Question 5: How to write a running script? Running script technology
Running script has the characteristics of both regular script and cursive script, but it is by no means good to write regular script.
As an independent style, running script has its own characteristics in its development.
To learn running script well, we must go through special copying training and master its brushwork and writing rules.
We introduce the technical characteristics of running script from two aspects:
In terms of brushwork:
Take advantage of the trend to write: running script is no longer like regular script, which requires going backwards and forwards, hiding the head and protecting the tail. but
When you put pen to paper, you go with the wind, and when you put pen to paper, the center swims. When you receive a pen, you usually take it out with the wind, or participate in writing or hook it up.
Choose the front. Never go back to the front. So many strokes have been changed. The following pages.
Most of these strokes are exposed. The brush gesture is obviously smooth. It also makes more songs in the running script.
Pens and strokes should not be too straight, so as to increase the sense of stippling and make it not stagnant. These paintings
Change will naturally speed up writing.
Pointing echo: It is formed because the running script is no longer a pen tip, but mostly a pen tip.
Did you draw a hook and a pick? That is to say, when the last one is finished, it will be taken down conveniently, and the next one will be taken over naturally, so that you can stipple.
Although seemingly connected, the pen is disconnected from the meaning, resulting in an obvious relationship of looking around and echoing.
Obviously, these condescension and echoes make the font more vivid and interesting.
Tie the thread and lead the tape: the cross-drawing between stippling and painting makes it look around and produce an echo, sometimes this echo is written through the pen tip.
Travel silk, connected to form two or more strokes, is written continuously in one go, making the words appear coherent.
Very handsome. For example:
Generally speaking, the inherent strokes of each character are heavier, and the connection between the two paintings is lighter, but it is not.
You can jump completely, otherwise it will be dull and boring. The effect of binding strings is one of the main features of running scripts, but
But used properly. Blindly involved in winding, when intermittent, but self-defeating, forming a weak float.
This disease is a taboo in running script writing. A calligrapher once said, "Connection and disconnection have different effects. It is easy to connect but difficult to disconnect.
So, you know, break. "Therefore, in order to distinguish their different functions, we should separate the tie from the stippling echo.
This is another important feature of running script.
Abbreviation and ellipsis: As mentioned earlier, Lian can write two or more strokes together, which has actually played a role.
In order to simplify, the writing speed is accelerated, but the original strokes are not reduced, only between strokes.
They are related, but they don't exist in isolation. In the running script, there is a simpler situation, that is, simple combination.
The original stippling has formed a unique writing style in the running script. such as
Among them, the middle four vertical points and the lower four vertical points of the word "Wu" are replaced by a set of connected vertical strokes, which not only keeps
The face of the original word has been simplified. The rest of the words are written in this way.
Law. Sometimes for the convenience of calligraphy, you can even change the original stroke order when writing calligraphy.
For example:
The change of collection and interpretation: compared with regular and rigorous fonts such as regular script, official script and seal script, there is a kind of running script that is the same as cursive script.
The characteristics of. That is, it can adjust its font and stroke shape at any time according to the needs of composition and the characteristics of a word.
State. For example, the words in Wang Xizhi's Preface to Lanting Collection, such as:
Can restrain, can indulge, can expand and contract at will, and can do it for longer.
Make it flat, for example, this is the feature that the running script can be collected and released.
Away from the square to avoid the circle: how round the regular script is, how many ways to fold the pen, that is, Zhao Meng? \ Turn the circle into the main book.
It is undoubtedly necessary to express one's intention when writing, which also adds some strength to the writing. The running script follows the trend.
Turning point, endless changes, Fiona Fang, flexible and vivid. For example:
Therefore, notice the changes in Fiona Fang, make it blend naturally, and make the effect of writing have the power of Fang Bi.
Strength, and the fluency and agility of the round pen. If you fold the square blindly, it will become dull and stiff. If you simply turn it around, it will
Slippery and weak. In short, we should observe more in our study and think more in our creation.
Press it again and mention it gently: some strokes of regular script, such as returning to the front of the pen and reversing the pen, have been used in running script.
Now it is not used or rarely used, but more used is the use of homeopathic lifting and pressing. Where the sun is shining, there is a need for sunshine.
Pick up the pen gently, so it's faster. And the heavy place needs to press the pen again, and the speed is a little slower. Of course, a stroke
The alternation of light and heavy thickness should have a reasonable ups and downs process, and it should not be ups and downs, so it should be self-contained
However. Almost everywhere in the running script, you can see the change of lifting and pressing within one word, such as the preface to the selected works of Saint Education.
Chinese: There should also be light and heavy points in a painting, such as:
As for the light and heavy layout in the article according to the needs of composition, it also appears repeatedly in running script works.
Very rare. Calligraphers of all ages have their own experiences about this, and we can understand it by carefully tasting the works of later generations.
Wonderful use in running script writing.
Lucky ... >>
Question 6: The feeling of calligraphy is about 200 words. -Experience in learning calligraphy
Love calligraphy and practice calligraphy for about ten years; I came to the examination room because I like calligraphy art and want to feel the beauty and artistic charm of ink lines and font structure. In order to improve my quality and spread the beauty of calligraphy to more friends, I choose calligraphy to study.
I know that if I learn from calligraphy, I can write in many ways. For example: the structure of characters, the layout of characters, the historical origin of rubbings, ancient and modern calligraphy theory ... But at the moment, I think calligraphy is not just a technique, it is an art form that embodies and experiences beauty. Through the carrier of calligraphy, creators and appreciators gain beauty from each other. And these different levels of beauty reflect each other's self-cultivation and state of mind. I want to describe my experience of learning calligraphy from two levels. That is, the artistic beauty of calligraphy and the realm cultivation of calligraphy. The following are some of my superficial calligraphy learning experiences.
The artistry of calligraphy
Art is the creation of human beings. Calligraphy works are practical and expressive. From hieroglyphics to cursive scripts, our Chinese characters have experienced a series of abstractions. The primary purpose of the ancients' reform of calligraphy style is practicality and convenience. The evolution of calligraphy has both inheritance and innovation. Creativity is one of the driving forces of artistic development. Vertically, the five styles of calligraphy, namely seal script, official script, regular script, running script and cursive script, are both related and quite different. Every style has different rules. Horizontally, each book has a different style. As far as regular script is concerned, the most famous is Liu Zhao, a tern. Running scripts include running scripts and running scripts. The horizontal and vertical development of calligraphy and fonts has greatly enriched the art of calligraphy. From a practical point of view, writing and fonts embody a standardization. For example, learning to write, of course, is to choose a good template for copying. Good templates are inherited as specifications. This eliminates some relatively poor fonts. Therefore, China's calligraphy has created some brushwork techniques and structures from the perspective of practical aesthetics. Although these feel dogmatic, they provide some basis for us to write and appreciate calligraphy well.
Calligraphy is an art, and art not only expresses the content, but also expresses some information beyond the content. I like Yan Zhenqing's "A Manuscript for the Sacrifice of a Nephew". The style of Yan characters is gorgeous. It embodies the spirit of the prosperous Tang Dynasty. As we know, this commemorative manuscript commemorates the nephew of the calligrapher, and the author was fighting the rebel An Lushan as the leader of the Heroic Society. His nephew was killed in the battle with the rebels. At this point, the author has three emotions. The grief of losing my nephew, hatred for the rebels, and confidence enough to defeat the rebels. These feelings are pinned on this famous manuscript and also reflected in the calligraphy artistry of the manuscript. From the contents of his works and calligraphy, we can feel the Wang Yang wantonness of his feelings. It is no exaggeration to become the "second running script in the world". It is through the practicality and expressive force of calligraphy that the artistic creativity and artistic emotion of calligraphy are promoted. Through the creation of calligraphy and the appreciation of excellent calligraphy works, the artistic effect of mutual communication can be achieved.
Understanding of the beauty of calligraphy
Beauty is a feeling. In calligraphy, different styles and fonts reflect different beauty to some extent. "Li Yanqin Bay", I feel the beauty of heroism. The word is not big, but full and substantial, like a vigorous warrior of the Tang Dynasty, dignified and sincere. Ling Fei Jing written by Tang people gives people a sense of beauty of hibiscus. The weeds in Zhang Xu have the dynamic feeling of dancing. Some calligraphy works use dry brush, which gives people the beauty of vicissitudes. Like an old tree, weathered. Although the branch has all kinds of refutations, it still shows tenacity in the dry pen ... People appreciate different beauty and bring different feelings of beauty.
The relationship between calligraphy and mood
Calligraphy is really from practice. In the Yuan Dynasty, Zhao Ziang wrote thousands of words every day. And there will be feelings in the process of practicing calligraphy. Whether extroverted or introverted, as long as you pick up a pen, you must integrate your heart and book. Modern society is impetuous and full of temptations. Do a lot of things. If there is a little distracting thoughts in calligraphy creation, it may affect the charm of calligraphy works. Wang Xizhi's Preface to Lanting is the best in running script. I think the literati in Wei and Jin Dynasties have a kind of freedom and a kind of natural liberation. The Seven Sages of Bamboo Forest recited poems and couplets in Huiji Mountain, visited the landscape and had a heart-to-heart talk over drinks. Without the liberation and relaxation of this kind of mood, there would be no "Preface to Lanting", an eternal masterpiece, and there would be no "best running script in the world". Although I can't see Wang Xizhi's original work, I can vaguely feel a kind of carefree feeling that the author wants to express from the Preface to Long Ting written by Shuanggou. This feeling has been passed down through calligraphy for more than a thousand years. And pass it on forever. What kind of heart ... >>
Question 7: How does calligraphy make a composition? 200-character calligraphy is the essence of Chinese characters. In the calligrapher's pen, they can produce endless changes, or they are as tall and straight as mountains, as clear as streams, as vast as the sea, or as slippery as grease. They themselves have a power of wisdom, an imaginary world where you can fly and gallop freely.
Since the fifth grade, we have really learned a lot of knowledge. Many students' handwriting is really beautiful!
When I first started practicing calligraphy, I was impatient and thought, I won't be a calligraphy teacher in the future. Why should I practice calligraphy so well? Besides, it's very tiring to hang your arm when writing Chinese calligraphy. Plus standing, then I won't be a coolie? So every time I hand in my calligraphy homework, I always get a "poor" and the best one is a "good". So I lost confidence in calligraphy.
But later, teachers often read the list of "excellent" students, and I always felt that others could write well without me. How can I write badly? I shouldn't give up on myself. So, I gave up the idea of giving up on myself. Every time the teacher assigns homework in class, I always copy down the words on the copybook first, and then dip them in ink with a brush, so that the words will be straight.