Portrait of Du Fu
Du Fu was born in 7 12 A.D. and came from a family of traditional literary theories. Du Fu began to learn poetry at an early age, and the poems written at the age of fifteen were valued by local celebrities.
Du Fu 19 years old began to roam several times. First, I visited wuyue, the next year, a few years later. At the age of twenty-three, he was admitted to Jinshi and lost. So he started a new round of long-term roaming in Qi-Zhao area.
Du Fu married Yang when he was nearly 30 years old. At the age of 32, he met and traveled with Li Bai in Luoyang, and they forged a profound friendship.
Thirty-five-year-old Du Fu came to Chang 'an to take the imperial examination and lost again. Since then, he has lived in Chang 'an for more than ten years, frustrated and living a poor life. In order to make a living, he constantly became a distinguished guest, reciting poems and dedicating them to dignitaries, only to be appreciated, but to return in vain, just for the right-back to lead the government soldier Cao Shenjun.
After the decline of the Tang Dynasty, Du Fu experienced a period from the prosperous Tang Dynasty to the "Anshi Rebellion". In order to serve the motherland, he was trapped in Chang 'an for several months. During this period, he wrote many sentimental poems about current events, and later he picked them for Zuo. However, due to the civil strife in the dynasty, he was alienated and relegated to join the army in Huazhou. During this period, Du Fu was sad and lost to * * *, so he resigned and retired.
After Du Fu lived a vagrant life with his family, his friend Yanwu helped him settle down. Later, he was recalled by the court and refused to leave his post. In 770 AD, Du Fu died at the age of 58.
Jia ren du fu
? Beauty, a five-character poem written by Du Fu, a poet in the Tang Dynasty, was forced to abandon his official position and wander after the An Shi Rebellion. Du Fu has always been concerned about the Tang Dynasty and worried about national security, but he ended up in this situation, but even so, he could not annihilate the national security he was worried about. Then Du Fu used the image of "abandoning his wife" to express his feelings.
Du fu's beautiful picture
The first paragraph of the poem Beauty describes what happened in her family. Now this beauty can only live in the mountains. At the beginning of the poem, the suffering of the beauty's fate and the desolation of the environment are introduced, and the poet's sigh of "being in the same boat" is also included.
Then the poet described in the first person that the beauty's brother was killed on the battlefield, so she was born in a rich family and lost her dependence, which led to the reason why the beauty was abandoned below.
The second paragraph describes that the beautiful woman was abandoned by her husband's family, not only because her mother's family has collapsed, but also because her husband fell in love with a new person, thus depicting a cold world and feeling that things are changing. The sharp contrast between "new" and "old", "laughing" and "crying" is also the poet's feeling about the cold world.
The third paragraph describes the beauty's noble character and moral integrity despite adversity. The phrase "the mountain stream is pure, the water outside the mountain is dark" reflects this truth well, and the poet also uses it to express his ambition, and his ambition for the motherland remains unchanged.
The image of beauty depicted at the end of the poem is lonely and arrogant, which also represents an ideal beauty pursued by the poet, and also implies that such a lonely and indifferent woman has an unyielding spirit of bamboo.
Du Fu's Two Supplements
The social reality of Du Fu's reaction to the "An Shi Rebellion" is "Two for Tao". The poet Du Fu expressed the corrupt style of the rulers by describing the spring outing of Yang Jia's brothers and sisters. Du Fu was praised for using irony not for Tao's sake, but for expressing irony from beginning to end, and his poems were extremely artistic.
Illustration of Du Fu's "Two Ways"
The whole poem "The Second Way" is divided into three sections. The first paragraph first describes the beauty of ladies' body with "soft skin and beautiful bones" and the service of "Golden Peacock and Silver Kirin" to attract the delicate looks and gorgeous costumes of Yang sisters.
The second paragraph describes the grandeur and luxury of the banquet and the unusual treatment they received. The world takes this as a scruple and treats it with caution, lest they be dissatisfied. The third paragraph describes Yang's arrogance and arrogance, and no one can stop him from playing tricks with his men. The scene described in the whole poem is very grand and gorgeous, and the poet's brushwork is very delicate and vivid. Although it only describes the life scene of the beauty play, it well conveys the corruption and extravagance of being an official.
The poet Du Fu's two offerings satirize the incompetence of the rulers and the corruption of * * *. At that time, consorts seized power, which became a common phenomenon of the ruling class. The consorts group became a huge interest group, usurping power and seizing power, and extravagant enjoyment caused dissatisfaction among the people. Eventually led to the "An Shi Rebellion".
Du Fu satirized current politics with the extravagant enjoyment of Yang's brother and sister. This poem implicitly and profoundly criticized the corruption of the rulers.
Du Fu wrote Wang Zhaojun's poems.
Du Fu visited many places of interest, expressed his feelings, and wrote five poems for ancient celebrities, heroes and other figures. Among them, "Five Places of Interest (Part II)" is Du Fu's seven-character poem praising Wang Zhaojun, by the way, expressing his unfulfilled ambition.
Portrait of Wang Zhaojun
Quote the original poem:
Thousands of mountains and valleys are close to Jingmen, and girls grow up here.
She came out of the purple palace and entered the desert. Now she has become a green grave in the yellow dusk.
Her face! Can you imagine the spring wind? Back to the soul in the moonlight.
The Tatar song on her jade guitar tells her eternal sadness.
This poem points out the village where Zhaojun was born at the beginning. At that time, the poet could not see Zhaojun's hometown. He created this magnificent scene with his own imagination, and the word "go" highlighted the magnificence between mountains. Zhaojun went to the fortress to kiss, which will go down in history forever. The poet thought it was a tragic and masculine feeling, so he described his hometown with great momentum.
In the second sentence, the poet directly tells the story of Zhao Jun's life in the fortress by "going" and "staying alone", from birth to death, leaving the palace and his hometown, leaving only a lonely grave. Legend has it that in winter, only Zhaojun's grave is covered with grass, and the rest are desolate.
In the third sentence, the poet explained why Zhao Jun was not favored in the Han Dynasty. He is a beautiful woman, but he finally married outside the Great Wall. Because Zhaojun offended the painter at that time, and his portrait was ugly and disliked by Yuan Di, no one ever saw him with Yuan Di. Besides, Zhao Jun can't go back to the Central Plains, and now only her dead soul can come back. Poets use this to express their helplessness.
The fourth sentence expresses Zhao Jun's sadness, and this pipa song bears his sadness and melancholy of missing his hometown. At that time, the poet was also in a foreign land, and the situation was so similar to that of Zhaojun, so he entrusted his melancholy to Zhaojun's resentment.