⒉ "Wei stele style" has diversified aesthetic characteristics. This is a highly integrated book with a complex cultural background. It permeates the blood of Confucianism, Buddhism and Taoism, blends the roughness of northern minorities with the introversion of Han nationality, blends the simplicity of northern calligraphy with the charm of southern regular script, and blends the opening of official script with the rigorous structure of regular script, giving people a rich psychological experience with high aesthetic value, which is incomparable to any previous dynasty.
3. "Wei stele style" has an important influence on the evolution of calligraphy style in later generations. It is an important carrier to study the evolution from official script to regular script, and a link between Han Li and Tang Dynasty. Although "Wei stele style" is not well known, its changeable brushwork has greatly amazed later calligraphers. Therefore, Kang Youwei said in "Guang Yi Zhou Shuang Residence Wei Bei X": "If you look at historical sites, if you travel to Yushan, if you travel to Shan Ye, you will be well prepared for future generations, and you will be well prepared for future generations."
Precautions:
(1) Tamia Liu said on page 435 of the History of Calligraphy in the Wei, Jin, Southern and Northern Dynasties in China that "this new type of regular script, characterized by' oblique strokes and tight knots', is beautiful and solemn, close to the regular script of Twenty-nine Posts written by Wang Xianzhi in the Eastern Jin Dynasty and Scheeren Posts written by eminent monks in the Southern Dynasties. Because this kind of regular script in the north was first popular in Luoyang, we might as well call it "Luoyang style". Shi Anchang named it Mangshan body. The author thinks that this kind of regular script is the most representative one in Weibei, which was widely popular at that time, so it was called "Weibei Style".
(2) Cui Hongchuan in "The History of the North" said: "Hong Zuyue and Tong Yi are all strange in demonstrating Zhong You's law, arguing Kai's law and learning grass. Zhan Chuanzi Yan, Yan Chuanzi Miao; The more you spread a thousand sons, the more you spread a thousand sons, and the world can't replace the industry, so you value the books of Cui and Lu. "
(3) The inscriptions on the statues of Yungang Grottoes, such as "Statue of Fazong in Yi Shi" (489), are regular script, and are located on the east wall of CaveNo. 1 1 in Yungang Grottoes, Datong, Shanxi. The statue of Ding Hui Bhikuni written in regular script on the south wall of Cave 17 of Yungang Grottoes in Datong, Shanxi (489).
(4) Taoist inscriptions, such as "Da Ai Hua Yue Temple Monument" (439), are official scripts. The monument was originally in Huashan, Huayin County, Shaanxi Province, and together with the inscription, it is called "Song Gaoling Temple Monument" (456). The inscription is official script, and the inscription is "Song Zhongyue Gaoling Temple Monument", which is located in Songshan, Dengfeng County, Henan Province.
⑤ The book traces recorded in Pingcheng period of Northern Wei Dynasty are quoted from Tamia Liu's Calligraphy History of China, Volume of Wei, Jin, Southern and Northern Dynasties, and Yin Xian's A Brief Introduction to Datong and Weibei.
⑥ For example, The Statue of Cao Tiandu (466) is an official script, and Yu Epitaph (468) is a regular script.
⑦ Tamia Liu wrote on page 425 of the History of Calligraphy in Wei, Jin, Southern and Northern Dynasties in China: This kind of official script has an obvious pattern, such as the horizontal strokes are written obliquely with a low left and a high right, many left strokes are sharp, and some structural elements such as "Chang, Sun, Kou and Tian" are close to the pattern, and many words in Ode to the Emperor's Southern Tour are like "He, He, Gong and Tian".
See Tamia Liu's History of China Calligraphy, Wei, Jin, Southern and Northern Dynasties, page 43 1.
Pet-name ruby, such as "Inscription on Statue of Fazong", is rich in style, straight and smooth, with a horizontal structure, and some horizontal paintings still have the meaning of wave picking and have a strong sense of reason. The regular script in Tang Ming Wawen is mostly "horizontal and vertical", with scattered structure and rich meanings.
Attending the word "Cao Li" mentioned here is a combination of cursive script and official script. See Cong Wenjun's Textual Research on the True Style of Scholar-officials in Wei and Jin Dynasties, and Cong Wenjun's Collection of Calligraphy Studies, pp. 227-23 1.
⑾ "Sui Shu" Volume 23 "Tongzhi Jing" includes: "Primary School" Volume, written by Wang Yi, "History of Pi in the Jin Dynasty"; Records of Classics in the New Tang Dynasty and Records of Arts and Literature in the Old Tang Dynasty also recorded the articles of primary school students, both written by Wang Xizhi. The collation of the nineteen volumes of Shu Wei said, "Maybe there was a book of Xi in the Northern Wei Dynasty".
⑿ The official script in Luoyang period has obviously shown a declining trend. At this time, the "Wei stele" formed in Luoyang has been widely used, and the official script at this time is obviously backward, so I will not introduce it here. [13] In Shi Anchang's Analysis of Mangshan Style in the Northern Wei Dynasty, the characteristics of this kind of regular script are summarized as follows: "The structural frame has been changed from a wide knot drawn horizontally to a tight knot drawn obliquely. When drawing horizontally, the pen is no longer buckled downward, but the front is upward, and the pen is no longer lifted but put down, and there is no curved arc when jumping." See Calligraphy Series No.38 (1994 bis).
[14] For example, during the reign of Emperor Daowu, King Changshan followed the principle of "fewer but stronger"; King Yangping is "eight feet long, beautiful, sincere and superb in martial arts"; Wang Jian of Yongchang is "dignified and strong, good at bowing horses, reaching the art of war, and making great contributions in constant battles"; Xiangcheng Gonghao "little smell of its martial arts"; Jiuyuan Gongyi is very good-looking, very beautiful, with a beard and a little calculation. He can rarely dance sword and shoot people. " Wang Yao, at the age of five, could shoot a sparrow. Emperor Taizu really believed that Hou Lu was "blessed with martial arts."
⒂ As recorded in Shu Wei Ren Wang Cheng Chuan Attached to Yuan Shun, "the son of Shu Wei" is Shun, a nine-year-old teacher, Le Feng, and the first book "Primary School" by Wang Xizhi is thousands of words, which is recited day and night for five days in ten days, all of which are thorough. "
References:
China's Calligraphy History, Volume of Wei, Jin, Southern and Northern Dynasties, by Tamia Liu, Jiangsu Education Press, 2nd Edition, June 5-4-38+2, 2002.
Datong, edited by Xu Shixin, published by China Tourism Publishing House, first edition in May 1997.
Shu Wei (Northern Qi Dynasty) by Wei Shou, Tang School, Zhonghua Book Company, 1974 edition.
A Proofreading of Northern History (Tang Dynasty) by li yanshou and Chen Zhongan.
Introduction of Wei Bei in Datong, Yin Xian, published in the first issue of calligraphy series 1999.
Shi Anchang's Analysis of Mangshan Mountain in Northern Wei Dynasty was published in the second issue of calligraphy series 1994.