Part I: Youth has feelings and no regrets. Youth thinks without regrets.
bottom line: lush years are like bamboo, and products are like bamboo.
the first part: years are like songs, and years are hard to come by.
bottom line: A boy who is ignorant and happy knows what he is happy with.
Top line: Years are like yesterday, songs are like the tide, and the tide rises and falls, and he dies without regrets.
Bottom line: Time flies like water, and words are blowing away with the wind.
Top line: The wind rises, ripples ring, and microwaves gently ripple to draw a poetic time.
the second part: when the rain stops, the blue drops, and the wind invites the green branch dance to wash out the flawless youth
the first part: every minute is accompanied by miracles, and there is passion and collision every moment, and the youth releases dazzling sparks.
bottom line: every year is like a dream. I feel hope and sow at sunrise and sunset, and I am sure that I will add a few silver hairs.
expanding materials
People generally think that couplets are the most unique literary form in China. Where is its uniqueness? Mainly in structure and language. Couplets can be called "dual structure" style. A standard couplet is always composed of two opposing parts. The former part is called "couplet", which is also called "sentence", "antithesis" and "antithesis". The latter part is called "bottom couplet", also called "antithesis", "antithesis" and "antithesis".
the two parts are paired. Only the upper couplet or the lower couplet can only be regarded as a half couplet. Of course, many couplets, especially those written and hung, have horizontal comments in addition to the upper couplet and the lower couplet. Horizontal criticism is an organic part of this kind of couplets, which is often a summary, finishing point or compatible with the couplets, usually four words, but also two, three, five or seven words.
From the linguistic point of view, the language of couplets is neither a verse language nor a prose language, but a special language that pursues antithesis and richness. This special way of "language and structure" of couplets depends entirely on the special nature of Chinese language and its characters.
The uniqueness of this "language structure" makes the creation of couplets different from other literary forms in conception, conception, layout and planning. With the same objective object and content, we always try to observe and describe things from two aspects and angles, and strive to "shape" the language into a binary symmetrical structure.