1, attention should be paid to the control ability of the pen when practicing the thin gold body, because the stroke characteristics of the thin gold body require a high turning point, and the horizontal length and scattered pen require high control ability of the pen, and a stable wrist is needed to write good thin gold body characters.
2. Choose a pen suitable for your hand type, and then choose some fine gold for Tian Zige's copybooks and rubbings you like.
3. Check the characteristics of the purchased rare gold font rubbings, hold the pen with the horizontal pole method, and draw the rare gold font on the Tian Zige copybook with the pen side. Observe the position and direction of specific strokes in the process of sweeping graves, keep sweeping graves for two hours every day, and write fine gold fonts on blank copybooks after long-term practice.
4. For beginners, the strokes of the font beside the tomb are the basis of learning various fonts, which can enable beginners to master the basic methods of stroke movement. If you want to achieve something in calligraphy, you must master certain brushwork, practice more, pay attention to skills, and then continue to train strictly and stick to it, so that you can learn something.
Features of thin gold fuselage:
Thin gold book is a kind of font with quite unique style. This book is based on the image theory, and it should be slimming. Changing "gold" into "tendon" is a respect for imperial books.
Song Huizong's calligraphy strokes are thin and hard. He studied under Huang Tingjian at first, then under Chu Suiliang, Xue Ji and Xue Yao, and mixed with other schools to learn from each other's strong points and express their opinions, and finally created a unique "thin gold book" style, which had great influence.
Calligraphy in Song Dynasty is good at rhyme and interest, and Evonne's "The Book of Thin Gold" embodies similar aesthetic interest of the times, which is called "the beauty of heaven and bones is beautiful, and the interest is dull"; It also has a strong personality color, the so-called "such as bending iron and breaking gold." This calligraphy style has never appeared in previous calligraphy works. Chu Suiliang's fine brushwork is only a small part of the same, but most of them are different.