Li Bai's poems are mainly lyrical. He is the first poet who can really absorb and improve from the folk literature and art at that time and Yuefu folk songs since Qin, Han, Wei and Jin Dynasties, and form his own unique style. He has extraordinary artistic talent and great artistic power. Everything that is surprising, comforting, exciting and thought-provoking comes out.
Pei Min, a native of Kaiyuan in the Tang Dynasty, was also one of the "Three Musts" in the Tang Dynasty. A person's swordsmanship can be compared with Li Bai's poems and songs and Zhang Xu's Wild Grass, which shows that his skill is very superb.
Zhang Xu's calligraphy began with Zhangzhi and Erwang, with cursive script as the highest achievement. He himself is proud of inheriting the tradition of "two kings" and is meticulous in every word. His regular script is accurate.
In calligraphy, Zhang is good at observing objective things and combining objective natural images with personal subjective feelings. He not only inherits tradition, but also dares to innovate. By inheriting and innovating the calligraphy achievements of predecessors, his own weed art reached a peak in the prosperous Tang Dynasty. From the perspective of a real artist, Zhang Xu looked for symbols corresponding to his emotions and personality in his life, and integrated the situation of all things in the world with his subjective modality.
In the prosperous Tang Dynasty, calligraphy, painting and economy developed rapidly, showing a trend of prosperity, which also reflected the extremely open and inclusive social atmosphere in the Tang Dynasty and prompted many innovative ideas and inventions, which were the product of the whole era and the result of ideological progress.