Jing was born in 1965. 1986 graduated from the Department of Fine Arts Education of Lu Xun Academy of Fine Arts. I have stayed at school since graduation. In September 2002, he entered the postgraduate class of Chinese painting department of Lu Xun Academy of Fine Arts. He studied under Professor Xu Yong, Li Lianzhong and Yan Yang.
On June 5438- 10, 2007, he entered the large-scale historical Chinese painting figure research class of the School of Fine Arts and Design of Shenyang Normal University, and studied under Professor Xu Yong.
Now he is the librarian of Luxun Academy of Fine Arts, the deputy secretary-general of China Tongze Painting and Calligraphy Institute, the director of China Artists Association, the member of Liaoning Artists Association, and the signing painter of Shenyang Painting and Calligraphy Institute.
Chinese name: Jing
Nationality: China.
Ethnic group: Han nationality
Place of Birth: Yixian County, Liaoning Province
Date of birth: 1965
Occupation: painter, teacher
Graduate school: Luxun Academy of Fine Arts.
Main achievements: Deputy Secretary-General of China Tongze Painting and Calligraphy Research Institute.
Member of Liaoning Artists Association
Shenyang Painting and Calligraphy Institute signed a contract painter.
Representative works: Jing's Sketch Collection of Ink and Wash Figures, Anti-Soul, Bean Season, Autumn Morning in Mountain Pond, and Jing's Freehand Flower-and-Bird Painting Collection.
character introduction
Jing, male,1born in February 1965, from Yixian county, Liaoning province.
Jing, 1986 graduated from Luxun Academy of Fine Arts, and is still in school. Now he is the Deputy Secretary-General of China Tongze Painting and Calligraphy Institute, a member of Liaoning Artists Association, and a contracted painter of Shenyang Painting and Calligraphy Institute.
Character experience
Jing 1965, from Yixian county, Liaoning province. 1986 graduated from the Department of Fine Arts Education of Lu Xun Academy of Fine Arts. I have stayed at school since graduation. Now he is the librarian of Luxun Academy of Fine Arts. Member of Liaoning Artists Association, Deputy Secretary-General of China Tongze Painting and Calligraphy Research Institute, and director of China National Painters Association.
In September, 1998 held a personal flower and bird exhibition at the Art Center of Taipei University in Taiwan Province Province. 1999 Flower-and-bird painting participated in Wang Shenglie's art invitation exhibition.
1999165438+10 participated in the first China ink painting exhibition by China painters and won the excellent prize.
In September 2002, he entered the postgraduate class of Chinese painting department of Lu Xun Academy of Fine Arts. He studied under professors Xu Yong, Li Lianzhong, Wang Yisheng and Yan Yang.
In May, 2005, the figure painting "Sonata of Village Road" participated in the "Kanto Painting School Chinese Painting Figures Exhibition" of China Art Museum.
On June 5438- 10, 2007, he entered the large-scale historical Chinese painting figure research class of the School of Fine Arts and Design of Shenyang Normal University, and studied under Professor Xu Yong.
In May, 2008, he participated in the Invitational Exhibition of Contemporary China Famous Paintings in the Exhibition Hall of the Central Academy of Fine Arts.
In May 2009, the work "Hero Search and Rescue Dog" participated in the national art exhibition to commemorate the first anniversary of the Wenchuan earthquake.
In July 2009, her work "She and Them" participated in the Liaoning Fine Arts Exhibition on the 60th anniversary of the founding of the People's Republic of China.
In August 2009, he participated in the "Academic Invitational Exhibition of Contemporary Chinese Painting Masters" of the National Academy of Painting.
20 10 participated in the second kanto painting school Chinese painting oil painting exhibition in September.
20 10 10 participated in the contemporary Chinese painting art exhibition of cultural context and image in Beijing backstreet art museum.
Many paintings of large historical figures are collected by large domestic museums. Published "Sketch Collection of Jing Shuimo Characters". Freehand flower-and-bird painting of Jing.
On the afternoon of September 15 and 14, Shenyang painter Jing donated his large-scale and huge Chinese painting "Anti-United Heroes" which took a year to the "September 18th" History Museum for free.
2065438+On May 22nd, 2006, the "Exhausted Nature-Jing China Art Exhibition" jointly sponsored by Luxun Academy of Fine Arts and China Tongze Painting and Calligraphy Research Institute, undertaken by China Tongze Art Museum and Mutual Creation Media, and co-organized by Sun Valley Manor Wine Co., Ltd. was held in Tongze Art Museum, with famous painter Xu Yong, chairman of Liaoning Calligraphers Association, Song Huiying, director of China Calligraphers Association and famous painter Jing as the protagonists.
On August 20 17, Jing was hired by Shenyang Painting and Calligraphy Institute as a contracted painter of Shenyang Painting and Calligraphy Institute.
On May 3, 20 18, I participated in the production of Jing's series "The Artist" at the invitation of the artist section of Liaoning Education TV Youth Channel. On May 29th of the same year, he was invited to participate in the artist column of Liaoning Education TV Youth Channel again, and produced and played the charming program of Jing Bi Mo Shu.
On September 6th, 20 18, Jing took China's flower-and-bird paintings "The Season of Bean Fragrance" and "Autumn Morning in Mountain Pond" to participate in the "Shenyang Splendid Taiyuan Beauty-Academic Exchange Exhibition between Shenyang Painting and Calligraphy Institute and Taiyuan Painting Institute" jointly sponsored by Shenyang Painting and Calligraphy Institute and undertaken by Shenyang Art Museum.
Style of works
Jing's flower-and-bird painting is still based on the principle of ink freehand brushwork, grasping the relationship between self and object. In this "object-self" relationship, the painter highlights the empathy of the soul and the bearing of the spirit; Therefore, his freehand flower-and-bird paintings, which are born under the wrist, are not for material services, but informal. In the pursuit of painting instead of drawing, his brushwork is boundless, which is quite unexpected. Moreover, the interaction between points and lines, twists and turns, the relationship between lifting and pressing, and traces all reflect a kind of aesthetic feeling and charm of writing, such as pomegranate trees, red leaves and spots in painters' works. The painter's ink drops are moist and the shade is suitable, which seems to be somewhat arbitrary. In fact, everything is at arm's length, intentionally or unintentionally. In this way, ink color shows richness, complexity and diversity in the changes and deduction of water method, ink method and brushwork, such as faint fragrance, clean stream, lotus pond waterfowl, autumn wind and Qinghe River. What's important is that in the use of pen and ink, the painter has gained the essence of "strong gas makes the sky light, moist gas makes the spirit". All the dots, lines, ink and colors in the picture are full of "literary spirit", which makes the limited picture vivid. Even a few drops on Mo Yun are interesting and meaningful, such as Elegant Rhyme by the Waterside and Flowers and Birds Sketch.
Jing's flower-and-bird painting is characterized by being good at extracting poetry from daily life and ordinary scenery, and transforming it into concrete pen and ink forms and languages, so that his works are replaced by a refreshing and pleasing sense of reality, and his feelings and understanding of life reality are integrated into it. For example, the fragrance of new grass is an example, but in a simple and simple picture, he wrote. Moreover, he no longer copied the routine of classical flower-and-bird painting, but expanded the connotation and breadth of flower-and-bird painting with the help of "creating environment", such as Morning Fog, Morning Fog on the Lake, Ink Still Life, Painting Two Gooses, xia yang and other works, and then absorbed some elements of landscape painting, so that the connotation and extension of flower-and-bird painting were expanded and expanded in "creating environment".