1, Wen Peng
The cursive script is idle without losing its composition, patchwork and strong charm. This is also the strength of his father and grandson, and he is very skilled. I have an in-depth study of six books. According to the tooth marks used in Indian biography, I wrote it myself and asked Nanjing Li quartz to engrave it.
2. Wei Xu
The contrast between calligraphy and the depressed atmosphere in the early Ming Dynasty is particularly prominent. What he is best at is the magnificent Wild Grass, but it is difficult for ordinary people to understand and his pen is messy. He likes his calligraphy very much and thinks that "calligraphy is the first, poetry is the second, writing is the third and painting is the fourth".
3. Deng Wenyuan
Do good deeds and grass. There are books handed down from ancient times, such as The Book of Urgent Chapters. He, together with Zhao Mengfu and Xian Yushu, is known as "the great master in the third grade of Yuan Dynasty", especially in Cao Zhang.
4. Huang Daozhou
He is considered as one of the most creative calligraphers in Ming Dynasty. His calligraphy is good at regular script, running script and cursive script. His running script and cursive script are vigorous and powerful, and his style is vigorous and unrestrained. Strength and posture are the main melody melody of Huang Daozhou's cursive script.
Step 5 take pictures
A great calligrapher in Qianlong period, he often ghosted for Emperor Qianlong. He is good at writing regular script and is an expert in calligraphy. Calligraphy began in Dong Qichang, followed by Yan and Mi; The sky is open and full of energy.
Scenery activities caused by various stimuli inside and outside the body or external stimuli remaining in the brain during sleep: do ~. ~ hallucinations. ~ villages and towns. ~ hey. ~ talk in your sleep. ~ think. ~ covet. In the same bed.