Pan Tianshou (1897- 197 1) was a godsend in his early years, with a big word, also known as the longevity of Leipotou.
Zhejiang Ninghai people.
Graduated from Zhejiang First Normal University.
He used to be a professor at Shanghai Academy of Fine Arts and Xinhua Art College.
From 65438 to 0928, he served as the director professor of Chinese painting at the National Academy of Arts.
1945 president of the national academy of arts.
1959 Dean of Zhejiang Academy of Fine Arts.
He is full of confidence and perseverance in inheriting and developing national painting.
Make every effort to defend the independence of traditional painting, struggle for a lifetime, and form a whole set of Chinese painting teaching system.
Affect the whole country.
His art draws on many talents, especially Shi Tao, the Eighth National Congress and Wu Changshuo, and forms a unique personal style.
Not only is the pen and ink simple and concise, but it is magnificent and magnificent, with a breathtaking sense of strength and modern structural beauty.
He used to be the vice chairman of China Artists Association, a deputy to the National People's Congress, and an honorary academician of the Soviet Art Institute.
He is the author of History of China's Painting and Listening to Tian Ge's Painting Essays.
He is a generation of master artists and art educators.
Pan Tianshou's painting themes are eagle, lotus, pine, four gentlemen, mountains and rivers, figures and so on. Every painting must have a peculiar situation, seeking a balance among structural risks.
Form can be concise and far-reaching;
Gou's square is long; Mo Yun is thick and light, concise and healthy with a pen.
He is good at freehand brushwork of flowers and birds, landscapes and occasionally works of figures.
You are good at drawing eagles, starlings, fruits and vegetables, and pine plums.
Boldly put pen to paper, be careful of dyeing.
The ink is criss-crossed, and the composition is fresh and beautiful, magnificent and interesting.
The picture is smart and fascinating.
Pan Tianshou's finger painting is also unique and has made great achievements.
Such works, such as Xia Qing, Zhu He and Fang Xin. , refers to the ink flowers, are "lotus reflecting the sun", splash ink to dye it.
Wipe the lotus leaf with the palm of your hand and hook the line with your fingertips. The vivid charm is beyond the pen.
When Pan Tianshou paints, every stroke should be carefully scrutinized and meticulous.
Under the guidance of the thought of "changing what is constant", he took the advantages of others and formed his own style. His painting materials are common themes, but the paintings he started painting,
But it can produce extraordinary artistic appeal.
For example, his "A Corner of the Little Dragon", especially the composition that pressed the main body of the picture to a corner, implicitly let the viewer see the majestic Lingyan Mountain first.
Brilliant mountain flowers, and then enjoy the dragon water,
This method is in contrast to those methods that make the picture "unobstructed", which not only shows the artist's amazing composition ability,
It also expresses the painter's inner feelings about ordinary things.
The value of Pan Tianshou's art mainly lies in his bold creative spirit. He often said, "There are flowers in the grass.
Although there is no special commonality,
Smart and skilled people get the best.
"His calligraphy skill is also very deep. In his early years, he studied Zhong and Yan, took the essence of Wei and Jin inscriptions and ancient seals, and was good at poetry and seal.
I usually paint, write poems, inscribe and print. I am very serious and particular, and I am never careless.
He is also proficient in painting history and painting theory, and has written History of Painting in China, Gu Kaizhi, Listening to Poetry in Tian Ge Pavilion and Talking about Silk Screen Printing.
Also collected "Listening to Tian Ge's Painting Essays" and so on.
Pan Tianshou talks about art;
The nationality of art
A nation has a nation's literature and art,
Having the characteristics of a nation,
Because literature and art are created by the temperament and wisdom of all ethnic groups, it is not accidental to combine the life of time and place.
Every country in the world takes its own national culture as a great pride to prove its civilization and wisdom.
China is recognized as an ancient civilization in the world, and its rich traditional heritage and profound artistic achievements are rare in the world.
As China people, we should study hard, organize and publicize our national heritage, and introduce new achievements of national style from it, otherwise we will really be sorry for our ancestors.
Art should be different, don't force the same.
It is good that writers from all ethnic groups and regions create things with different styles, forms and verve.
If it's all the same, it's not art but machine production.
Of course, the principle of artistic greatness is the same, but different nationalities and writers have different performances.
Being different is his achievement.