Enjoy the most chic Mongolian calligraphy pictures 1.
The most unique picture of Mongolian document law II
The most unique picture of Mongolian document law 3
The most unique picture of Mongolian document law 4
The most unique Mongolian document law Figure 5
Mongolian literature law
Before13rd century, Mongolians living on the Mongolian plateau had no unified writing. Genghis Khan borrowed Uighur-style Mongolian characters in completing the career of Mongolian tribes, which has a history of more than 800 years. But since the birth of Mongolian characters, she has had the Mongolian calligraphy art of writing with soft pen (brush) and hard pen (bamboo pen). This argument can be confirmed by the cultural heritage and historical sites handed down from various dynasties after Genghis Khan's era, such as copybooks (written on sheepskin or silk), woodcuts, inscriptions, seals, plaques and so on.
The artistic connotation of calligraphy is profound and profound, and the factors that form this artistic connotation include psychological thinking consciousness, noble ethics, numerical order of mathematics, rhythm and melody of music, logical thinking of philosophy, literary inspiration, joys and sorrows, etc. , are organically integrated into the hazy color of aesthetic consciousness, forming the broad artistic connotation of calligraphy. Thereby producing a strong artistic effect. Therefore, it can be said that calligraphy is the crystallization of polygonal art that expresses rich connotations through external plastic arts.
However, under certain aesthetic conditions and requirements, Mongolian literature method has its inherent advantages and possibilities. First of all, just like Mongolians riding horses, Mongolian characters are vertical structural words with letters riding on them to form words. Each character not only has a head, trunk (waist) and tail, but also has a structure similar to a certain part of a human or animal.
For example, word corners, word arguments, prefixes and other letter structures with visual names are all behind the stem (called waist in Mongolian); The letter structures with visual names such as teeth, hooks, bellies and claws are all in front of the stem; Some visualized names, such as left hand (called front and tail in Mongolian) and right hand (called tail in Mongolian) are all under the word; And single-point, double-point and other drops of sweat can be on the left side of the word or on the right side of the word.
Because Mongolian characters have this unique pictographic structure, if they are artistically conceived, cleverly laid out and properly written, they will have endless artistic appeal. Observe carefully and savor the beautiful and vivid words written in those books. Those who raise their horns and wag their tails are like dragons sailing out to sea and roaming the sky; Standing tall, braiding like a smiling and dancing milkmaid, Ana is colorful; Teeth stretch out like tigers, and the danger is endless; Like a wrestler with a hook in his stomach, he jumped into the arena and was radiant; Those who throw words are like a herdsman riding a horse and dragging a pole on the Yuan Ye.
If we appreciate the works that lead to the perfect unity of vertical lines, horizontal lines, density, gathering and scattering, and virtual and real shapes with the aesthetic vision of calligraphy, we will enter a hazy and vivid aesthetic artistic conception; Some are like green grass and flowers, giving people fresh, natural, simple and vigorous vitality impulses; Some roar like pines in the dense forest, giving people a deep, steady, serious and solemn atmosphere; Some, like everything, are filled with dust and smoke, which makes people fall for the majestic, unrestrained, strong and solemn momentum; Some are like waterfalls on high mountains. Breathing through Changhong makes people feel vigorous, nervous and imposing. The profound artistic conception of Mongolian literature law is silent music and dynamic pictures, which gives people the enjoyment of beauty and the enlightenment of wisdom. Therefore, Mongolian writing method, with its unique writing structure and characteristics, can produce artistic effects different from those of other nationalities.
Although Mongolian literature law has its own independence in artistic expression means, it has been naturally influenced or absorbed nutrition from the long-term communication with China culture and art, especially China painting and calligraphy art, thus making Mongolian literature law in the aesthetic category of reproduction techniques and expression forms.
Mongolian traditional calligraphy also pays attention to two methods in brushwork, namely, reverse brushwork, dragging brushwork, effective brushwork and lying brushwork. And there are differences in brushwork, such as full brushwork, thirsty brushwork and astringent brushwork. However, in the past, the tradition that no matter what brushwork, only the ink quality is different, and there is no difference between shades, has been broken, and a new expression technique of using two shades of ink with the same pen has emerged. Some dipped in rough ink and then dipped in light ink, and some dipped in light ink and then dipped in rough ink. This is not only the change of Mohism, but also the product of Mongolian literature law's efforts to realize free will without being bound by tradition. This technique of writing with thick ink and thin ink obviously produces artistic style, color, artistic conception and charm that coarse ink calligraphy can't produce.
For example, works written with different proportions of shades and two kinds of inks naturally reduce the contrast between black and white, giving people a wonderful feeling connected with the sky and clouds; The works written in light ink and slightly thick ink, such as the flying fairy dancing in a glittering and translucent dress, make people feel soft, relaxed, harmonious and beautiful, and make the calligraphy lines more spiritual and artistic. Of course, this artistic effect will also be different because of the different associations of the appreciators.
Those works that unify the above expression techniques with aesthetic ideals and artistic styles undoubtedly come from those with solid skills and profound knowledge. If we lack the down-to-earth and hard-working skill and pen power, it will not only cover up the affectation on the outside, but also produce the artistic charm of calligraphy with far-reaching artistic conception and rich connotation. If we neglect the cultivation of various knowledge and the tempering and sublimation of moral sentiments, even if the window is bright for several years, it will be difficult to leave the ranks of calligraphers in the end. Therefore, the organic unity of skills and knowledge cultivation is the basis of the vitality of polygon art and Mongolian literature law art.