Yi Zu's "Ode to True Immortal Rock" is in Rong County. "Ode to the Breast Bed" by Liang Anshi, on Longyinyan in Lingui. All wonderful. None of these three people have collected works in the world, and

Yi Zu's "Ode to True Immortal Rock" is in Rong County. "Ode to the Breast Bed" by Liang Anshi, on Longyinyan in Lingui. All wonderful. None of these three people have collected works in the world, and they do not collect poems and poems. They rely on stone carvings to convey their works to the public. Poetry originated in the Tang Dynasty and flourished in the Song Dynasty, so there were no stone carvings before the Tang Dynasty. There are lyrics to "Shui Diao Ge Tou" in Bazhou, which are carved on the cliff. There is no author or date. The running script is inconsistent, and it is the best calligraphy of the Song Dynasty. Secondly, Mrs. Kuo of the Tang Dynasty wrote poems for "Man Ting Fang" and Mi Shu Huaihai's "Tasha Xing". Both the poems and the book are beautiful and wonderful. ”Here, Ye Changchi summarized the value of stele rubbings in compiling lost ancient poems. In fact, most scholars of all ages have noticed this, especially the compilers of local chronicles, who have paid great attention to local inscriptions. Documents, circumstances changed, and the original stele no longer existed or was seriously damaged, and later generations indirectly collected the stone carving information from local chronicles. This method has been widely used in the compilation of the general collection, and I will not give an example here.

3 , philology and calligraphy value

The inscriptions of the past dynasties include ancient Chinese, seal script, official script, and regular script, and a considerable number of alternative characters have been preserved. Qin Gong and Liu Daxin compiled " "Guangbei Biezi" contains more than 3,450 different characters in the inscriptions and more than 21,300 "Chongwen Biezi". As for calligraphy, copying the rubbings of ancient stele inscriptions is a common method. "From Han Li, to Wei stele, to regular script, running script, and cursive script, it can be said that all styles are available. There are many collections of engraving calligraphy in history, and Rong Geng's "Cong Tie Mu" has a systematic description, most of which are for calligraphy copying.

4. Confucian classics and religious historical materials in China

Our country’s Confucian classics have a tradition of carving stone. After the "Xiping Stone Classic" was carved in the Eastern Han Dynasty, there were "Three-Body Stone Classic" in the Wei Dynasty and "Kaiping Stone Classic" in the Tang Dynasty. "Cheng Shi Jing", "Shu Stone Jing" of the Five Dynasties, "Two-body Stone Jing" of the Northern Song Dynasty, "Yushu Stone Jing" of the Southern Song Dynasty, "Qing Shi Jing", etc. The Tang and Qing Shi Jing are well preserved, and the rest have residual stones. There have been many achievements in studying the stone scriptures of past dynasties. It is an interdisciplinary subject of classics and epigraphy and has always been highly valued. There are also many Buddhist scriptures carved on stone. The most famous one is the Fangshan Stone Classic in Beijing. From the Sui Dynasty to the early Qing Dynasty, there were more than 15,000 carved stones. There are more than 1,000 Buddhist scriptures, 88 of which are not included in other Tibetan scriptures. In addition, these Buddhist scriptures have many inscriptions on scriptures and are important Buddhist historical materials. Compilation of Inscriptions on Fangshan Stone Classics", published by Bibliography Publishing House.