Dielianhua
Su Shi
The flowers faded to red, green and apricot. When swallows fly, green water surrounds people. There are few willow trees blowing on the branches. There is no grass anywhere in the world.
The swing inside the wall and the road outside the wall. Pedestrians outside the wall, beautiful women smiling inside the wall. The laughter gradually disappeared and became quieter. Passionate but annoyed by ruthlessness.
About the author:
Su Shi (1037-1101), courtesy name Zizhan, also known as Dongpo Jushi, was a native of Meishan in the Northern Song Dynasty. He is a famous writer and one of the eight great writers of prose in Tang and Song Dynasties. He is knowledgeable and versatile, and has high attainments in calligraphy, painting, poetry, and prose. His calligraphy, together with Cai Xiang, Huang Tingjian and Mi Fu, is known as the "Four Calligraphers of the Song Dynasty"; he is good at painting bamboo, wood and strange rocks, and he is also outstanding in painting theory and calligraphy theory. He is the literary leader after Ouyang Xiu in the Northern Song Dynasty. His prose is as famous as Ouyang Xiu; his poetry is as famous as Huang Tingjian; his poetry is majestic and bold in style. Instead of the elegance of his poetry, he is called "Su Xin" together with Xin Qiji in the Southern Song Dynasty, and he is the most bold and bold. Send a lyricist.
Appreciation
The title of this work is "Spring Scenery". The first film depicts the natural scenery of late spring. From the perspective of a boy on an outing, it unfolds from small to large, from near to far, with a strong sense of layering, color and movement. "There are no fragrant grasses anywhere in the world" not only opens up a scene of late spring scenery, but also enlightens the melancholy of young people on spring outings, triggering the next realm. The next film depicts human affairs in a natural setting: a short wall separates the young man from the beautiful woman, and the beautiful woman’s laughter affects the young man’s heart and also causes his troubles. The harmony of spring in nature and the spring in human affairs beautifully expresses the subtle beginnings of love and the confusion of being lost in the blink of an eye in the flowing breath of spring. It is full of sound and color, has a long-lasting charm, and is quite graceful and graceful. It is a masterpiece with perfect charm. Volume 5 of "Ci Lin Chronicle" quotes "Lin Xia Ci Tan" as saying: "Zizhan was in Huizhou, sitting idle with Chaoyun. When Qingnu (referring to the autumn frost) first arrived, the fallen trees rustled, and it was sad and sad for autumn. Ming Chaoyun When I sing the song "The flowers are faded and red", the voice of Chaoyun will sing, and the clothes will be full of tears. Zi Zhan asked him why, and he replied: "The reason why the slave cannot sing is that there are few willow trees on the branches, and there are no fragrant grasses anywhere in the world." "Yeah." Zizhan burst into laughter and said, "I am sad for autumn, and my makeup hurts spring." Then he stopped. Chaoyun died of illness soon. Zizhan will never hear this word again in his life. "
Die Lian Hua
Ouyang Xiu
How deep is the courtyard? The willows are piled with smoke, and the curtains are countless. The jade-carved saddle is in the place where you can see the Zhangtai Road.
The rain is blowing and the wind is blowing at the end of March. The door is closed at dusk, and there is no way to stay in the spring. Tears asked the flowers without saying a word, and the red flowers flew across the swing.
About the author
Ouyang Xiu (1007-1072), courtesy name Yongshu, nicknamed Zuiweng, and later nicknamed Liuyi Jushi, was a native of Jishui, Luling (now part of Jiangxi). He was the advocate and leader of the ancient prose movement in the Northern Song Dynasty and a famous essayist. His prose was eloquent and lyrical, and he was one of the eight great writers of the Tang and Song Dynasties. His poems are graceful and beautiful, inheriting the style of the Southern Tang Dynasty, and are closer to Yan Shu, but there are also differences. For example, he has works that describe feelings, chant history, and write about people's feelings and customs, and their themes are wider than Yan Shu's poems. The style of poetry is similar to that of prose, and the language is smooth and natural. There is "Ouyang Wenzhong Gongji".
Appreciation
This is a sentimental poem written by a beautiful woman in deep boudoir. The author uses implicit writing style to describe the complex thoughts and resentments of a young woman living in a secluded courtyard who is sad about her youth and pregnant with someone else. If you don’t write about the beautiful woman, first write about the beautiful woman’s residence. If the word "deep" is repeated three times, it is conceivable that the beautiful woman is imprisoned in the high gate, isolated from the inside and outside, and the boudoir is lonely. There are many trees, the fog is thick, and the curtains are tight, the deeper you see them. "Zhangtai Road" should refer to the place where Yi Ren traveled, but he couldn't see that he was coming from the deep house and the high building. It can be seen that the luxury of the material environment cannot make up for the desolation of the emotional world. Looking forward to seeing something that is joyful but not seeing it, feeling that youth is difficult to retain, the scene in the eyes of a beautiful woman will inevitably become dim and desolate. I shed tears when I feel the flowers shaking down. I ask about the flowers with tears in my eyes. The flowers fall in disorder without saying a word. Injuring a flower actually injures oneself, and a beautiful woman and a fallen flower share the same fate. Is it a flower or a person? The unity of things and myself, the blending of scenes, and the deepest meaning. The whole poem is as tearful as complaining, sad and moving, with a harmonious artistic conception and clear language, especially the last two sentences, which have always been praised by poetry critics.
Die Lianhua
Ouyang Xiu
Who says that leisurely love can be abandoned for a long time? Every time spring comes, the melancholy still remains. I often get sick and drink in front of flowers every day, and my beautiful face looks thin in the mirror.
The willows on the green bank of the river are asking for new sorrows, why do they happen every year? The wind on the independent bridge fills the sleeves, and the new moon people in the flat forest return.
Appreciation
This poem expresses an indescribable and strong sentimentality, which has the kind of "when did the spring flowers and autumn moon come, how much do you know about the past" about the whole life The poem also contains the protagonist's endless attachment to beautiful things and his willingness to languish for it. The two sentences "The wind fills the sleeves of the independent bridge, and the people return to the new moon in the flat forest" express the protagonist's feeling of waiting for something but also feeling of missing something. The words are light but far-reaching.
Die Lianhua
Ouyang Xiu
Where will Xingyun go in a few days? Forgot to return, don't know that spring is approaching. There are hundreds of grasses and thousands of flowers on the cold food road, whose tree is the incense chariot tied to?
With tears in his eyes, he leans on the floor and talks alone. When the two swallows come, will they meet on the road? The spring sorrow is like catkins, and Yiyi is nowhere to be found in her dream.
Appreciation
This is a poem about boudoir. The first part of the film depicts a lover who wanders away like a cloud and forgets to return home. Spring is about to fade away, and the cold food of hundreds of grasses and thousands of flowers is followed by spring. Pairs of tourists on the road meet each other, which further highlights the loneliness of the woman in the boudoir. She even misses him in her dreams, which expresses her love for her lover. Longing and infatuation. The whole poem creates an image of a missing woman in a boudoir, with emotions and resentments intertwined in her heart. The language is clear, graceful, pathos and touching.
Die Lian Hua
Liu Yong
Standing in the dangerous building, the wind is blowing softly, looking at the spring sorrow, the gloomy sky. In the grass-colored smoke and the lingering light, I am speechless. Who will be silent?
I want to get drunk and sing to the wine, but the music is still tasteless. The belt becomes wider and wider, but I don't regret it anymore. I feel haggard because of the beauty.
Appreciation
This is a touching piece. The poet combined the feeling of being wandering in a foreign land with the lingering thoughts of missing his beloved. He used the expression method of "winding paths leading to secluded places" to describe the scenery lyrically and with sincere feelings. The first film depicts the scene of climbing up the stairs and waiting. The soft wind, the color of grass, the light of smoke, and the setting sun are used to combine the images of lovesickness and separation to form a spring look at dusk. The first film uses "Spring Sorrow" as the core to describe the scene and state of Spring Sorrow in multiple levels, with graceful writing style. The second piece is lyrical, expresses one's heart directly, and writes lyrics with deep feelings and strong aspirations. The meaning of the three sentences "Yubao" and "Qiang Le" suddenly changes. The writer wanted to use the wild song to shout and get drunk, seeking to be drunk and forget his worries, and sing for a while to be happy, so as to get rid of the depression and entanglement of spring sorrow. The result is "still tasteless" boredom and emptiness, which shows that the spring sorrow is so deep and deep that it cannot be relieved. Finally, the poet's decisive attitude towards "spring sorrow" is revealed: "I will never regret it." "For Yi", Fang Shi painted a clear picture of the difficulty of getting rid of spring sorrow, and the secret of being haggard and unrepentant because of spring sorrow: For her, the steadfast love of "Fairy Yingying" ("Qu Yu Guan"), I am worthy of being haggard and thin. Damn it, trust me with your life! The words are direct and affectionate, with citizen-like passion, which is really soul-stirring. The whole poem successfully portrays the image of a sincere man, and describes the psychology fully and delicately, especially the last two sentences of the poem, which speak directly from the heart and reveal the protagonist's spiritual state like a finishing touch. Wang Guowei called it "specialized in love words." The Absolute One”.
This is a sentimental poem. The first film is about climbing high and looking far away, and the sorrow of separation arises spontaneously. "Standing in a dangerous building, the wind blows softly", "Dangerous building", implying that the lyrical protagonist has a high foothold and must travel far. "Leaning" shows that the protagonist has been leaning on the railing for a long time and has deep thoughts. But unexpectedly, the result of "standing still" is "looking at the extreme spring sorrow, and the sky is gloomy." "Spring Sorrow" refers to the sorrow of leaving and looking forward to returning home. Rather than saying that "Spring Melancholy" grows secretly in the heart, it can instead be said that it arises from the distant horizon. On the one hand, it strives to avoid the ordinary, trying to turn the intangible into tangible, abstraction into concreteness, and increase the visuality and flow of the picture; on the other hand, It is also because its "spring sorrow" is triggered by the skyline scenery. Then, the sentence "Grass color and smoke" shows what the protagonist sees when he looks across the horizon. The sentence "Speechless, who knows" is not only a sigh of relying on the fence and having vain hopes, but also a sigh of not seeing the sweetheart and having a hard time expressing your heartache. The word "speechless" means thousands of thoughts. In the second part of the film, the protagonist decides to drink and sing wildly in order to relieve his sorrow of separation: "I plan to get drunk with the madness." But if you force yourself to look good for pleasure, you will end up feeling "tasteless". From "intense" to "tasteless", the writing style is turbulent and full of waves. The two sentences "The belt is getting wider" in the knot point are written with tenderness in a strong pen, vowing that he is willing to become thinner and haggard because of missing his beloved. "No regrets in the end", that is, "no regrets until death", expresses the protagonist's perseverance and persistent attitude, and the lyrics are sublimated. He Sang's "Wrinkle Water Xuan Ci Quan" believes that the lines "Whose family on the road is young and romantic, I suspect that I will marry and die for the rest of my life. Even if I am ruthlessly abandoned, I can't be ashamed" are " "It is absolutely wonderful"; and the last two sentences of this poem are based on Wei's poems, but they are "qi and graceful".
In fact, Feng Yanji's "Magpies Stepping on the Branches" "I often get sick and drink in front of the flowers every day, and I am always beautiful and thin in the mirror". Although the language is more decadent, it still belongs to this category. Later, Wang Guowei said in "Words in the World" that "those who have achieved great things and great scholars in ancient and modern times must pass through three realms." Regret, because of Yi Xiao, people are haggard." This is probably what Liu Yong's two sentences summarized as a perseverance and perseverance in character and attitude.
Die Lianhua
Yan Jidao
I dreamed of entering the Yanshui Road in the south of the Yangtze River. I traveled all the way to the south of the Yangtze River without meeting anyone else. There is nothing to say when you are sleeping, and you are melancholy when you wake up.
I want to exhaust this love letter. The floating goose sinks the fish, and there is no evidence in the end. But relying on the slow string song to say goodbye, the broken heart moves the Qin Zheng pillar.
Appreciation
This poem describes the endless longing for the lover and the endless sadness of separation. The first film is about Meng Xun. "Dream Entering Jiangnan" directly cuts into the dream world, using the image of "smoke and water" to illuminate the confusing and vast scenery of the Jiangnan water town, and also shows the blur of dreams. "Traveling all the way to the south of the Yangtze River" for thousands of miles, he writes about the urgency and hardship of his search in all directions in the south of the Yangtze River. The sentence "leaving someone" begins to point out the object and purpose of the poet's pursuit, while "not meeting" reveals the loss and regret of the beautiful couple who dreamed of leaving. The two sentences "Sleeping" and "Juelai" summarize the poet's longing for the couple, thinking about the bitter love day and night, and the state of "eliminating the soul" that breaks the spirit. The dream written in the next piece cannot be found, and the letter sent by Yuyan is not reliable. Then I lean on the strings of the zither to convey my love, but the strings are played all over the strings of the zither, and what is played is a tragic song of parting and farewell. There is not a single word "sorrow" in the whole poem, but it is full of sadness.
Die Lian Hua
Yan Jidao
I was drunk and said goodbye to the West Tower but I didn’t remember it when I woke up. Spring dreams and autumn clouds, it’s so easy to get together and disperse. It's half moon and I haven't slept much yet. The painting screen is leisurely displaying the greenery of Wushan Mountain.
The wine stains on the clothes and the words in the poems are always desolate. The red candle is self-pitying and has no good plan, and the night is cold and the sky is weeping for others.
Appreciation
This poem describes the sadness after farewell. The first part of the film is about waking up from a drunken dream. All I remember is that I was drunk to drown out the pain of separation. When I woke up, I felt that life is like a dream. There is no way to gather it, but it is easy to disperse. Now I am left alone, facing the slanting moon. Painting the screen, the desolation and loneliness are endless. The opening chapter bursts into the air, telling the story and the beauty parting ways while drunk. Then a Tang poem is used to describe the shortness of gatherings and the ease of separation. The following is devoted to Yiren's writing on the moonlit night. The picture screen is displayed leisurely, and it can be seen that the person is lying with his eyes closed, and the environment is empty. The next film contains poems about wine stains when we were together. Now that I see things and miss people, they are all desolate and sad. Even the red candle oil is flowing, and I feel like I am shedding sad tears for others. The whole words are light and affectionate, and every sentence is sad. At the end, the red candle is endowed with humanity, making it even more desolate. The style is graceful and the technique is exquisite.
Die Lianhua
Yan Shu
The six curved railings are nestled against the green trees, and the willows are showing their golden strands in the gentle breeze. Who moved the zither to the jade pillar, and the swallows flew through the curtain.
My eyes are full of hairsprings and fallen catkins. When the red apricots bloom, there is a sudden clear rain. When sleeping, the orioles talk gibberish, and the frightened and disabled good dreams are nowhere to be found.
Appreciation
This poem expresses the leisurely sorrow of spring. The first film is about welcoming the spring. The first three sentences describe the scene of early spring, which symbolizes wealth and honor. The last two sentences describe the protagonist's activities, which are inverted in concept. He saw petrels flying together, but he was lonely and sad. Facing the beautiful scenery of spring, he was moved by spring sorrow, so he played the kite to express his emotions. The next piece expresses the meaning of sending spring. The meaning of the words is implicit and expresses only one emotion of the protagonist. The language of this word is bright and the meaning is graceful.
Butterfly Loves Flowers
Zhou Bangyan
The bright moon scares the crows and makes them rest uncertain. It even leaks out of the gate, and the windlass leads the golden well. Awakening clear eyes, tears on the pillow, red and cold.
Holding my hand, the frosty wind blows my shadow on my temples. Get rid of the wandering mind, and don’t say anything sad or unpleasant. Upstairs, there are horizontal railings and handles, and the people in the cold weather are far away from the chickens.
Appreciation
This poem describes the emotion of bidding farewell to a lover in the early morning of autumn. The entire film is drawn from the perspective of the farewell person's pillow, indicating that he was uneasy and uneasy about falling asleep before leaving. The two sentences "Awakening" describe a person who was awakened from a light sleep, not drowsy, but full of crystal clear eyes. Due to tossing and turning all night, the red cotton was wet with tears, and the feeling before farewell was sad. The next part is about parting and the scene after parting. "Holding hands in the frosty wind" and "holding hands and looking into tearful eyes" are sad enough, coupled with the miserable autumn wind to encourage them. "Go away", "say goodbye" and so on are all kinds of farewell instructions and all kinds of attachments. It ends with the loneliness and coldness of sending people off to their rooms. My lover is far away, the village chickens are crowing, the boudoir is cold, and everyone is leaving. The whole poem is written in a neat and orderly manner, with twists and turns, euphemistic and moving, which makes people wonder after reading it.
Die Lian Hua
Zhao Lingjue
The wind and rain are almost gone. Falling powder is fragrant, and the sun is red every day. New wine adds to the residual wine. This spring will not lessen the hatred of the previous spring.
The butterfly has gone and the oriole has nowhere to ask. Across the water from the tall building, I can see the Pisces letter. Angry and chaotic, every inch of autumn falls. The setting sun is only as close as dusk.
Appreciation
This word begins with strong wind, wadding, fragrant fragrance, and falling flowers, which dye the scene of late spring, triggering the feelings of spring. The two sentences "new wine" and "this spring" can be seen The hatred of spring is endless and increases every year. "The butterfly flies away and the oriole flies away" symbolizes the separation of thoughts, "Looking away" points out the cherished person, and "the waves of annoyance" show that the eyes are full of sorrow and the sun is getting deeper. It writes about the sad memories of a young lady, with intertwined scenes and progressive sentences. The words are euphemistic and affectionate, and there are no complaints or rumors. The whole poem is clear and rounded, with short words but long meaning. Li Panlong said in "Yu Jun of Thatched Cottage Poems": "The beauty lies in writing love words. There are not many words, but the feelings are more endless."
This word is based on "Xiaoshan Ci" in the Qiangcun series of books should be written by Yan Jidao. "Yefu Yaci" is signed by Zhao Ling, and this edition is based on it. We believe the author is Yan Xiaoshan. There are three reasons: 1. "Xiaoshan Ci" was compiled before Yan Jidao's death, so it is generally impossible to mix in other people's works. 2. "Die Lian Hua" is recorded in "Yuefu Ya Ci". The literal version of "Die Lian Hua" is different from that in "Xiao Shan Ci" (see the note on this poem), and there are some differences with the meaning of the poem. The version recorded in "Xiao Shan Ci" should be the original work. 3. In terms of style, this poem forms a unified artistic style with the other fourteen "Die Lian Hua" poems in "Xiao Shan Ci", and the wording and sentence construction methods are basically the same. The rhyme and temperament are obviously different.
Die Lianhua
Zhao Lingjue
The coldness of the clothes has not gone away. If you don't roll up the bead curtain, you will be in the depths. How many flowers are there on the red apricot branches? Crying marks stop hating Qingming Rain.
A wisp of smoke lingers throughout the day. Waking up late from a hangover makes you feel annoyed. Feiyan mistook Guiying again and went to Xijiang Road with a small screen.
Appreciation
This poem describes the sadness and resentment of missing a woman in her boudoir who misses the spring and is far away. The first film uses apricot blossoms to describe the sadness of spring. "The desire is reduced" but the reality is not reduced, showing the impermanence of the festival and the helplessness of the mood. The "unrolled" person means that the bead curtain is hung but not rolled up, but that person is hiding deep in the boudoir. "How many flowers are on the red apricot branches" emphasizes the sentiment of cherishing the remaining apricot flowers for as long as they can bloom. "How many flowers are there" is a typical feature of the changes in objects in late spring. It is a metaphor for the beauty of a woman in a boudoir, just like the withering of apricot flowers! The image of "crying marks" combines with that of human flowers. The petals of the rain-drenched flowers are like tear marks. The woman in a deep boudoir misses the remaining red color and falls to the ground and hurts herself in tears. Humans and flowers share the same fate and pity each other. They only regret that the desolate drizzle during the Qingming Festival is too ruthless and cold. The heavy rain destroys the flowers, causing the missing woman to hide "deeply" in her boudoir for fear of falling flowers. The second film uses flying swallows to express the melancholy of faraway places. The three sentences "hangover" and "end of the day" describe the important reasons why a missing woman stays in the boudoir, "annoyed by spring mood", the chaotic spring mood is annoying, that is, the feelings of attachment to her husband cannot be suppressed, so she drinks to drown her sorrows. Excessive hangover and late awakening. After waking up from the wine, the only wisp of agarwood accompanying me all day long made me feel lonely. The sentence "Feiyan" directs anger and resentment towards Feiyan. It mistransmits the good news of her husband's return home, making herself happy for a while but actually troubled and embarrassed! It's really strange and affectionate. Finally, the scene of the "small screen" is used to express the feeling of missing her husband: "Xijiang Road" is the Xijiang River in Cangwu, Guangxi, which is exactly where the poet Ning Yuan was appointed as the military envoy. The poet expresses the poet's deep longing for his lover in the boudoir in a way of suspense and imagining that he is missing his wife in the boudoir and misses himself on Xijiang Road. The language is graceful and clear, the emotion is soft and lingering, the artistic conception is subtle and subtle, the ending has an endless aftertaste, and the spirit is long-lasting, which has won high praise.
This poem can also be found in Qiangcun's version of "Xiaoshan Ci" and in the volume of "Yuefu Ya Ci" as Zhao Ling's Ci.
Die Lianhua
He Zhu
It almost hurts the spring and the evening, and the clear shade of the willows hinders the speed of the hairspring. The peach leaves on the hills in the sky are everywhere, and the skirts are covered with white apple blossoms.
I am chanting long and short sentences slightly in the sun, the shadows are dim and the lights are dim, and my heart is filled with the music of Hu Qin. There is a few sounds of rain, the wind is about to stop, and the hazy moonlight clouds come and go.
Appreciation
This word is a poem that expresses sadness and nostalgia for spring. The scene is described in the film. The three sentences "A few" combine the images of willow yin and gossamer to form a scene of thick shade, coolness and gossamer that is characteristic of the late spring season. The thick willow yin implies that there will be many catkins. The two sentences "Tianji" are suspenseful words of the poet, implying that the poet had a love affair with a woman in Jinling similar to the love affair of crossing the river with peach leaves, and they broke up at Bai Pingzhou where the women were doing laundry, so seeing the white apple blossoms made her heartbroken. Showing his nostalgia for the Jinling woman. The next film is about my future thoughts and loneliness. The three sentences "Jingri" describe the loneliness and depression of spring.
"Jing Ri Wei Yin" is all about expressing feelings, playing the piano under the lamp, and also expressing the heartfelt music. These two details replace the melancholy words of countless longings. The two sentences "Counting Points" are linked to the scenery. The lyrics and music of the whole poem are written about the sadness of spring and lovesickness, and the words are light and affectionate.
Words by Feng Yanji
Die Lian Hua
Who says that leisurely love has been abandoned for a long time? Every spring comes, the melancholy is still the same. I often get sick and drink in front of the flowers every day, without hesitation. The red face is thin in the mirror.
The willows on the bank of the river are green and weedy. In order to ask the new sorrow, what happens every year? The independent bridge is filled with wind and the people return to the new moon in the flat forest.
Die Lian Hua
How long can we spend in trouble? The heart is broken and the soul is broken, but the spring is gone. I only like the words of the magpie on the wall, but I don't know that the blue bird is completely wrong.
The heart is like a thousand strands of hanging willows. The water is vast and the flowers are flying, and the dream breaks the road to Wushan. Eyes full of new worries and no questions asked, are the pearl curtains and brocade tents similar?
Die Lianhua
Where will Xingyun go in a few days? Forgot to return, don't know that spring is approaching. There are hundreds of grasses and thousands of flowers on the cold food road, who adds trees to tie the incense car?
With tears in his eyes, he leans against the building and mutters frequently: Two swallows are coming, will they meet on the street? The spring sorrow is like catkins, and it is nowhere to be found in long dreams.
Dielianhua
How deep is the courtyard? The willows are piled with smoke, and the curtains are countless. The jade-carved saddle is in the place where you can see the Zhangtai Road.
It rains and the wind blows wildly at the end of March. The door is closed at dusk, and there is no way to stay in the spring. Tears ask the flowers about their language, and the red flowers fly across the swing.
Dielianhua
The six curved railings are nestled against the green trees. The willows are soft in the wind, showing all their golden strands. Who moved the zither to the jade pillar? The petrels flew away through the curtain.
The eyes are full of hairsprings and fallen catkins. When the red apricots bloom, there is a sudden clear rain. When sleeping, the orioles talk gibberish, and the frightened and disabled good dreams are nowhere to be found.
Dielianhua
The desolate autumn leaves shed tears. The pillow mat is slightly cool, and I feel sleepless. I get up in the middle of the night when I am about to wake up from the residual wine. The moon is as bright as practicing the sky and water.
There is a cold cry under the steps. The golden breeze blows through the trees in the courtyard, and the door quietly closes. It's a pity that the old love joined hands and thought about it turned into haggard overnight.
Die Lian Hua
Outside of China, the sky is about to dawn. The incense seal turns to ashes, and I feel confused when I stand up or sit down. In the courtyard, tall trees and tall trees are standing in Cebu, and two magpies fly away in surprise when rolling up the curtain.
On the screen, Luo Yi was leisurely embroidering threads. A moment of love brings memories all over Jiangnan Road. Night after night, I dream about nothing, knowing the past is nowhere to be found
Die Lianhua
Author: Xin Qiji
What can make the public angry and happy? The mountain wants people to come, but people want the mountain without any intention. Just like the lower teeth of the mourning zither string. There is no time for a thousand emotions.
Zi Yaoxitang Han Zuoji. In today's world, good words are hard to compare with flowers. The old eyes are crazy and the flowers are everywhere. Silver Hook is drunk before he sees it.
All notes
[1] "What" sentence: "Shishuo Xinyu·Chongli Chapter": "Wang Xun? SUP> ③⒂ Provoke the oxen, the ox, the leek, the leek, the tangerine The Tatar Jingshen also has three men, noisy men, and cooks the silk. He joins the army with a short beard, which can make the public happy, but also make the public angry. "Sentence: Han Yu has "Yunzhou Xitang Poems", which has a long preface and records the reasons for the construction of Xitang. The cover here also refers to Hannan Stream. Nanjian's elder brother was named Yuanlong and also had the courtesy name Ziyun. He eventually became an official in Zhilongtuge and served as a prisoner in western Zhejiang Province. Both Nanjian and Nanjian were well-known for their literature, so the following sentence refers to them as Lu Ji and Lu Yun.
[3] "Silver Hook": "Shu Yuan": "Jin Suojing's cursive script is unique, and it is called Silver Hook Manwei." Bai Juyi's "Chicken Bibi Fu": "Pick it and turn it into gold ""
According to the meaning of the second piece of Que Ci, it should have been written in the ninth year of Chunxi (1182), probably after the completion of Daihujudi, toward Hannanjian. Looking for words to write an essay. The poet also has another proud work, in which the proud line is "Ask what can make the public happy. I see how charming the green mountains are, and when I see the green mountains, I should be like this." This mountain is the burial place of the poet Li Bai. Therefore, Shangque is an explanation of the lifestyle of retreating to the countryside, focusing on the mountains and rivers, and enjoying poetry and wine. The so-called "the mind must return when it is tired, and the body should be free early" (Qinyuanchun (the new house with the lake will be completed) "Three Paths Begin to Become" Que) , the poet, inspired by the green mountains and beautiful waters, chose the natural and poetic feeling of "never getting tired of looking at each other", "just like the lower teeth of a mourning zither string, thousands of emotions are endless", the metaphor is subtle and sad, and naturally reveals the hero The difficulty in making a choice makes this poem, which is used for practical matters, still full of energy. The next part clearly states the intention of the invitation, which inevitably expresses praise and admiration. The concluding sentence contains words of longing, which is used to express hospitality that is hard to refuse.
Era: Song Dynasty
Author: Li Qingzhao - "Butterfly Loves Flowers"
Content:
The clothes are wet with tears and full of makeup,
Four stacks of Yangguan,
Sung thousands of times.
Human Dao Mountain is long and water is cut off,
The gentle rain in Xiaoxiao is heard in the lonely pavilion.
It’s sad to say goodbye, and we are in chaos,
I forgot to leave,
The wine cup is deep and shallow,
so that I can keep the music by heart Passing wild geese,
Donglai is not as far away as Penglai.
Author:
Li Qingzhao (1084-1155?), a layman named Yi An, was born in Zhangqiu, Qizhou (now Jinan, Shandong). He is famous for his poetry and has high artistic attainments.
His father, Li Gefei, was a famous scholar at that time, and his husband, Zhao Mingcheng, was an epigrapher. In his early days, he lived a prosperous life, and together with Mingcheng, he devoted himself to the collection and arrangement of calligraphy, painting and inscriptions. Jin soldiers invaded the Central Plains and lived in the south. Mingcheng died of illness and was left alone. The lyrics written in the early stage mostly describe his leisurely life, while in the later stage, he often laments his life experience and has a sentimental mood. Some also reveal his longing for the Central Plains. In terms of form, he makes good use of line drawing techniques, creates his own channels, and uses clear and beautiful language. The argument emphasizes the law of association, advocating elegance and emotion, and puts forward the saying "don't be the same family" in lyrics, and opposes writing lyrics in the same way as poetry. He was also capable of poetry, but not much remains. Some of his chapters are timely and historical, and his words are generous, which is different from his style of writing. There are "Collected Works of Yi An" and "Yi An's Ci", which have been lost. Later generations have a compilation of "Shu Yu Ci". Today there is "Li Qingzhao's Collection and Annotations". ("Cihai" 1989 edition)
Note:
Shi: "Hua Cao Cui Bian" is written as "揾".
Luo: "Collection of Chinese Calligraphy and Calligraphy" is written as "Zheng".
Man: "Hua Cao Cui Bian" is written as "warm".
Sing: "Remaining Poems of All Dynasties" composed: "Listen".
To: "Hua Cao Cui Bian" wrote: "Le".
Mountain: "Water" in "The Poems of the Past".
Fangcun: means "square inch of land", referring to the human heart.
Good thing: "Hua Cao Cui Bian" is written as "if there is".
Donglai: Laizhou, which was Mingcheng Shoudi at that time. Today's Laizhou City, Shandong Province.
Penglai: the legendary name of the fairy mountain on the sea.
Appreciation:
Huang Shengzhang's "Chronology of Zhao Mingcheng and Li Qingzhao" believes that "this word should be written in the autumn of the third year of Xuanhe (1121) when Qingzhao went from Qing (prefecture) to Lai (prefecture). On the way, I stayed at a posthouse in Changle County and the time of writing should be between July and August." The author stayed in a lonely post house in a different place at night, staying awake all night long under the cold light. At this time, the sound of rain came from the window, which continued, adding to the infinite sadness in his heart, and he couldn't help but burst into tears. The author uses the vast distant mountains and the drizzle to form a sketchy, confused, and desolate picture, which effectively expresses the wandering, sad, and lonely mood of the hostess of the lonely house in the dark night. The author shows the sincerity and depth of the relationship between sisters through the description of sisters saying goodbye, staying overnight in a solitary house, and sending messages to sisters. The language is simple, popular and fresh, the emotions are real and delicate, and it has strong artistic appeal.
Era: Song Dynasty
Author: Li Qingzhao - "Butterfly Loves Flowers"
Content:
The eternal night is full of joy and joy ,
Empty dream of Chang'an,
Recognize Chang'an Road.
To report the good spring scenery this year,
It is better to take photos of the flowers and the moonlight.
Although the cups and plates are careless,
the wine is beautiful and the plums are sour,
it is just right for a person’s embrace.
Don’t laugh when you are drunk and arranging flowers.
Poor spring is like an old man.
Author:
Li Qingzhao (1084-1155?), a layman named Yi An, was born in Zhangqiu, Qizhou (now Jinan, Shandong). He is famous for his poetry and has high artistic attainments. His father, Li Gefei, was a famous scholar at that time, and his husband, Zhao Mingcheng, was an epigraphic expert. In his early days, he lived a prosperous life, and together with Mingcheng, he devoted himself to the collection and arrangement of calligraphy, painting and inscriptions. Jin soldiers invaded the Central Plains and lived in the south. Mingcheng died of illness and was left alone. The lyrics written in the early stage mostly describe his leisurely life, while in the later stage, he often laments his life experience and has a sentimental mood. Some also reveal his longing for the Central Plains. In terms of form, he makes good use of line drawing techniques, creates his own channels, and uses clear and beautiful language. The argument emphasizes the law of association, advocating elegance and emotion, and puts forward the saying "don't be the same family" in lyrics, and opposes writing lyrics in the same way as poetry. He was also capable of poetry, but not much remains. Some of his chapters are timely and historical, and his words are generous, which is different from his style of writing. There are "Collected Works of Yi An" and "Yi An's Ci", which have been lost. Later generations have a compilation of "Shu Yu Ci". Today there is "Li Qingzhao's Collection and Annotations". ("Cihai" 1989 edition)
Notes:
Shangsi: Si day in early March of the lunar calendar.
Eternal Night: The long night.
恹恹: Not in good spirits, like being sick.
Chang'an: the former capital of the Han and Tang Dynasties, later generations called it the capital. Here it refers to Bianjing, the capital of the Northern Song Dynasty.
Recognize: recognize.
For: if, if. Another thing to say is for the sake of speaking.
Hasty: refers to simple and hasty, not rich.
Appreciation:
"Hua Cao Cui Bian" believes that this poem was written by the author Shangsi when he entertained his relatives at a banquet. Probably because the sentence "the cups and plates are careless" is similar to Wang Anshi's gift of a cup and plate to his sister, "the cups and plates are careless for laughter", the detailed words are meant to hurt the spring cup man's work. He'an refers to the capital of Song Dynasty, when he left the capital in Qingzhao. The poem is sad and touching.
Die Lianhua
The sky is clear and the clouds are clear, and the day is always sunny.
The courtyard is deep and covered with shadows of sycamore trees.
The bones are cold and the soul is as clear as waking up from a dream.
The dream is still the future.
Take the second cup and plate to drink alcohol.
The drunken hat is often shaken, and the wind blows it straight.
After walking on the moon, people are already quiet.
Suspicious of being in Penglaiding.
Die Lianhua
Everything is a dream.
I once learned about it from Handan and Zhenshang.
Who gets a hundred years?
In the meantime, we know how much we are worried about.
Nothing happens and he smiles frequently.
Drinking and singing wildly to relieve worries.
The golden valley is full of flowers and spring is just in time.
Yushan's bottle fell forward.