One is to use a soft pen, and the other is to write Chinese characters with rich images. So it has two meanings: one refers to the law of calligraphy, mainly including writing,
Use pen, stippling, structure, distribution and other methods; Refers to the art of expressing the author's spiritual beauty by writing Chinese characters. It is with the help of superb technology, students.
Dynamic modeling expresses the author's personality, interest, knowledge, temperament and other spiritual factors, among which the key point is that the combination of "heart painting" forms a convenient structure.
It became the art of calligraphy in China. Therefore, from the elements of calligraphy, it includes three aspects: first, brushwork requires skilled brush execution,
He also mastered the correct skills of fingering, wrist, posture, brushwork and pen and ink; The second is the pen gesture. The requirements between stippling and stippling are well organized,
The relationship between words and lines; The third is the brushwork. It is required to show the author's temperament, interest and learning elements in the writing process.
And personality. In style and style, it is even more colorful. China's calligraphy art has a history of more than 3 thousand years and has become
An art mainly depends on the fact that China people are good at turning practical things into beautiful art, which is closely related to China's unique writing and writing brush.
Related. Its characters brew the soul of calligraphy art with the characteristics of image conception and image, while the square structure is excellent in purpose and posture, which constitutes a book.
The formal basis of legal art. Its tool, "only the soft pen is strange", can give birth to Fiona Fang's hidden dew, rebellious and backward charm, heavy and thin, thick.
Light and wet taste, cadence, convergence and dispersion. Break and follow-up momentum, both rigid and flexible; With the help of special paper and ink, this book
The art of law is even more unpredictable. Charming. Calligraphy has not only become a national art to express the highest artistic conception and sentiment, but also ranks first among all arts.
Calligraphy is not only popular all over the world in China, but also has already gone abroad, and has become a medium for spreading friendship, which has a great influence in the eastern world.
It has also attracted the attention of the western world.
Composition refers to the method of arranging and arranging the relationship between words and lines in the whole work. That is, the fabric of the whole work
White ". Also known as "big rules". Traditionally, it is also called the arrangement of one-word stippling, and the relationship between one-word arrangement and numbers is "small chapter method"
Zhang Shen explained calligraphy in Ming Dynasty: "The ancients used a writing method to write articles. Composition, article method and final structure are all corresponding. Therefore, the cloud said,' A little.
The rule of becoming a word; A word is the owner of the last article. Dong Qichang's Essays on Painting Zen Rooms: Comment on Books in the Ming Dynasty said: "The ancients wrote books with composition as a major event.
Cover the so-called thick lines. I saw Michi in lower case and wrote an elegant collection of the West Garden. It's ten thousand fans, straight as a string. This must be different, flat.
Pay attention to the rules every day. The Right Army's "Xu Lanting" is the first in ancient and modern times, and its words are endlessly reflected on the tape, no matter how big or small, whatever you like, they are all incorporated into the law.
Therefore, it is also a god. "It can be seen that the number of sheets is important in a calligraphy work. When writing, it should be treated with white cloth and word for word.
White cloth, white cloth between the lines, makes stippling and stippling look forward to each other, word for word, line for line, and so on.
It can be smooth, delicate and harmonious, resulting in the effect of "golden life between the lines and jade embellishment between the lines". Generally speaking, there are three forms of cloth and white: one is vertical and horizontal.
Column, the second is: even if there is a column (or column), the third is that there is no column vertically, and there may be artificial beauty of "making mistakes".
Or it has the natural beauty of "water hibiscus".
The method of writing and drawing with a pen. China's paintings and calligraphy are mainly lines, and the tools used are all sharp brushes. Lines for painting and calligraphy
When stippling is rich in variety, first of all, we should pay attention to writing, and grasp the weight, speed and correctness when lifting the pen. Straightening, straightening and other methods are called "brushwork". Don
Lu Dao's "Forbidden Classics in Yutang and Digested with a Pen" said: Generally speaking, the brushwork, eight types of stippling, is prepared in the word "forever". Therefore, Yuan Zhao Mengfu said in the Postscript of Lanting:
"The word Gaijie is handed down from generation to generation, and it is not easy to use a pen through the ages."
Ink method is also called "blood method". One day: using ink. The predecessors called it ink painting, and the blood of the word is also. Therefore, when writing books in the field, I am extremely particular. If the ink is too light,
It hurts the color. If it is too thick, it will lag the pen. Must be "eager to live, talk about it." Song Jiangkui's "Continuation of Books, Music and Ink" says: "Anyone who writes a script wants ink.
Dry, but not too dry. When the grass is dry, it is good to moisten it, and it is risky to dry it. It is not known that thick ink leads to sluggish pen and dry ink leads to dry pen. "Qing
Bao's "Art Boat Double Series Under the Book" said: "Calligraphy and painting are all based on pens, and when they become ink, the ink method is a key to calligraphy. The pen is actually black,
Pen floating, ink floating. ..... "The style of pen and ink, on the one hand, often varies from person to person. For example, the thick ink in the Northern Song Dynasty is practical, while the thick ink in the Southern Song Dynasty is flexible. Liu Yong likes to use thick ones.
Ink, the dream building is just light ink. On the other hand, it is often different because of different book styles and paper properties. Second: the method of grinding ink. Song suyi
Jane's "Four Books in the Study: Ink Book" says: "Learning ink is like a disease, and it is important to mix it evenly without mud." Grinding ink should be cold, and it will give birth to light when it is cold. Ink should not be hot, but heat is healthy.
Foam. The cover avoids the urgency and ink fever of its research. Li said, "users won't stop for a long time, but the dust pollutes each other for a long time and the glue will die." So muddy and dreary.
Chen Yuan-Yi, the same as Pensula, once said in "The Essentials of Hanlin Meat Method": "The method of grinding ink is both pressing and pushing, and the operation is nearly folded." Inkstone water should not be used to grind ink,
If you make the ink stagnate, you must temporarily consider using water droplets. ""Every book must not grind its own ink, and its hands will tremble and its bones and muscles will be strong. It is also a big taboo. "
Structure is also called "knot", "frame" and "structure". Refers to the arrangement and layout of each dot. Chinese characters are still in shape, and calligraphy is also.
Metaphysics (Qing Kang Youwei) pays special attention to structure. Yuan Qian's Postscript to Lanting: "Calligraphy is based on the use of pens, and it also requires labor to form words."
All kinds of fonts of Chinese characters are connected and matched with dots and strokes. The strokes are long, short, thick, thin, prone, upturned, contracted and stretched, and the radicals are wide, narrow and high.
Low, strong and positive constitute the different forms of each character. In order to make the stroke matching of a Chinese character appropriate, appropriate and uniform, it is essential to study its structure. straight
For example, Feng Ban in the Qing Dynasty said in the Pure Book of Songs: "Learn the frame first, and the ancients called it a knot; Learn to use a pen when the shelf is clear. You can see the stone tablet on the shelf.
The pen must be original. To sum up, Jin people used reason, Tang people used it, and Song people used it attentively. There is another cloud: "There is no secret in calligraphy, just use a pen to tie your ears.
"It can be seen that the structure plays an important role in calligraphy.
Interpreting the characters on the ancient Zhongding Yi wares. "Han Shu Suburb Sacrifices Summer": "This tripod is small and elegant, and it is not recommended for ancestral temples.
Yan Shigu notes the cloud: "Duan, carved also; Know and remember. "In addition, there are three kinds of theories: one is that yin is concave and knowledge is yang is convex; Second,
Money is outside, knowledge is inside; Third, the pattern is a paragraph, and seal cutting is learning. (See Fang Yizhi's Tongya, Volume 33. Later generations marked paintings and calligraphy.
Titles are also called "money", "money" or "money". The painting shows that the Tang people only hide roots and stones in small print, and those who don't work hard often fall behind. Until/very
In the Song Dynasty, the date was recorded only in small print, and the book was not two lines. Only Su has big letters, or three or five lines of postscript. Yuan people developed from the name of money to the year and month.
Poetry and postscript, 100 words. In the Ming and Qing Dynasties, the wind of inscription and postscript flourished and never weakened. It can be seen that there are two meanings: one refers to the signature on the book painting.
The latter paragraph and the second paragraph were cast on the Ding Yi vessel of ancient divination.
Engraving
Sharp iron with a fine brush. Jiang Kui's "Ink for Continuation of Books" says: "The pen wants to be long and round, and if it is long, it contains ink, so it can be moved, and if it is strong, it will be powerful and round.
Then Yan Mei. The edge of the word ",also known as" pen ". Those who can keep the pen tip on the strokes of words are called "centers"; Can be hidden between dots and strokes.
Those who can't walk out of the corner are called "hidden fronts"; Draw the pen tip on the side of the word tip, which is called "oblique" Generally speaking, "deviation" is a disease of calligraphy. clean
Zhou Xinglian's My Opinion on Linchi said: "This pen can be positive, horizontal, smooth, reversible, reusable, light, virtual, real, vertical and knottable.
It's tight, it's open, it's about solutions. It's all about the pen tip, so it's in tune. "
Bai Fei is also called "Biography of Cao". A font with a special writing style. The strokes are parallel to the dead silk, and the brush marks at the turning point are obvious. According to legend, it was built by Emperor Ling of the Eastern Han Dynasty.
When decorating Hongdu Gate, craftsmen used brooms dipped in white powder to brush words, and Cai Ge was inspired to write a flying white paper. In the Tang Dynasty, Zhang Huaiguan's Shu Duan said: "Those who fly white are the later Han Dynasty.
Cai Yong, the left army commander. Wang Yin and Wang Kui said, "Feibai becomes a model system". This is a palace question. If you want to find a position, you should be slightly dissatisfied with your words.
Yue Baifei. Huang of the Northern Song Dynasty said, "If you look at it as white as it is, it will fly like it." Zhao Huanguang of the Ming Dynasty said, "Those who don't fly are like seals. "
Those who are not white seem to be transferred. Today, people call the dry strokes of calligraphy and painting "flying white". During the Tang and Song Dynasties, most of the imperial monuments handed down from generation to generation were engraved in white characters, such as Jinci Temple.
Ming Dynasty, Monument to the Immortal Prince, etc. In the Qing Dynasty, Zhang Yanchang and Lu Ji wrote two volumes of Bofeilu.
Legal posts are also called "posts". Refers to ancient celebrity ink, calligraphy and rubbings carved on stone tablets or wooden boards; It is called "law post" and can be used for effect.
Legalists. In the third year of Chunhua, Song Taizong (992), Wang Zhu, a bachelor of calligraphy, was ordered to copy the calligraphy collected by the Secret Pavilion and make it into ten volumes, each of which was engraved with "calligraphy initials X" and soup.
"Chunhua Pavilion Fa Tie", the name of "Fa Tie" has been passed down from generation to generation. "The Book of Destiny" says: "Xiling (Song Taizong) pays attention to calligraphy and writes an imperial calendar.
On behalf of the original Tibetan, Wang was ordered to carve ten volumes of the Forbidden City, the ancestor of this ancient law post. "
Terminology of college calligraphy. When Song Taizu was in imperial academy, all imperial academy members studied Wang Yizhi's words to write various announcements of the court at that time.
The word imperial edict is weak, bland and without high rhyme, so it is called "courtyard style". Later, people, no matter who wrote the book or what style it was,
All calligraphy without strength and charm is called "courtyard style". So this calligraphy term. Used to evaluate the style of calligraphy, it generally contains derogatory meanings.
Tick out the calligraphy terms. A method of copying French books. Cover the calligraphy book with transparent paper, first use a thin pen and a double hook, and then use ink to outline and fill in the name. also
It is called "Double Hook Gallery Filling". In the Southern Song Dynasty, Jiang Kui's "Continued Book Spectrum" said: "The method of double hook must be that ink can't faint words, or the outline is filled in them, or Zhu Qi is right."
Fat and thin figure
References:
Basic knowledge of calligraphy